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In the pedagogical landscape of early childhood, physical movement is central to the holistic development of young children. Yet, movement-related experiences and other bodily activities such as play and dance often present contradictions and conundrums for early childhood educators. As a mode of learning, movement has endured a questionable existence despite the evidence of supportive research and theory, which provides sound reasons for the inclusion of movement in early years curricula. Movement and Dance in Young Children's Lives looks at the place of movement in young children's lives and addresses how movement as a form of expression can become dance, thus displacing a reliance on linguistic modes of expression and honoring the agency of the body. It also discusses a variety of concerns and confusions that accompany dance in education, and interprets what this means to students and teachers in teacher education programs and early childhood settings.
The purpose of the book is to help teachers develop an understanding of dance in the preschool setting, sense when dance can be a natural extension of classroom activity, and develop skill in planning and leading meaningful dance experiences. The first chapter of this book discusses what dance in preschool education is about and its importance for young children. In the second chapter, the content of movement is presented; these elements are the building blocks from which dance activities are created and provide reference points for developing ideas into class activities. The third chapter discusses general preparation for dance activities, and chapter 4 offers a step-by-step description of the process of developing an idea into a class session. Chapters 5 and 6 discuss the reality of teaching a dance class, and the final two chapters give suggestions for adapting material to particular groups--the very young, the handicapped, and parent-child groups. The appendixes include resources and strategies for recorded music, ideas for use in lessons, children's literature, sample original stories, sample lesson on a specific movement theme: curved and angular lines, and suggested resources for further reading. (JD)
`This original and fascinating approach to children′s movement development is highly recommended reading for tutors, practitioner and students alike′ - Under Five `Movement and Dance in Early Childhood offers a clear and accessible entry into the world of movement and dance and the possibilities that exist for children, their families and the wider educational community′ - Every Child `Eminently readable and accessible. Whether the reader is versed in movement understanding or a beginner, by the end of the book they should be a much better movement observer, teacher and handler′ - Marion North, Principal and Chief Executive, Laban Centre for Movement and Dance In this unique and innovative book on movement and dance development from birth to eight years, the author draws on her depth of knowledge and practical experience in helping children to become skilled, creative and imaginative in a wide range of movement-oriented activities. The book seeks to help early childhood educators and parents in very practical ways and provides guidance based on a sound theoretical understanding. Originally published as Helping Children Learn Through a Movement Perspective, this book has been updated in the light of recent research. The author extends her investigation of how young children learn in and through movement. There is an expanded chapter on dance, which suggests strategies for working with young children and examines ways in which young children take on the roles of dance-makers, performers and appreciators. An additional chapter shows ways in which the expressive and artistic aspects of children′s movement can be appropriately located and includes exemplars for dance at Key Stage 1 and the early phases of Key Stage 2.
Fun, accessible movement activities for teachers and childcare providers to use with preschoolers.
The creation of a professional therapist and former dancer, Danceplay brings to parents a new and wonderful way for interacting with their very young children--even before verbal exchange has fully begun. Designed for eighteen-month--to four-year-olds--and their mothers and fathers--it is a stimulating approach to fostering a child's social and intellectual growth through creative physical play. The exercises, based on the insights and knowledge of developmental psychologists, progress from simple movements suitable for the eighteen-month-old, to sequences involving complex ideas and actions for the four-year-old. Levell One begins with stretching adn limbering and gradually moves to an exploration of the body and its parts. In Level Two the child learns to distinguish self from environment through a variety of danceplays. And the focus of Level Three is integration, as games, music, and movement develop the ability to percieve a situation as a complex experience. Touching is emphasized throughout, and the fun and sharing add immeasurably to the everyday interaction between parent and child. Charming line drawings illustrate an easy-to-follow text, and necessary equipment is limited to simple household items. It is difficult to imagine an easier, more pleasurable way to help your child develop as he or she grows.
The first approach to show professionals how to observe and assess the nonverbal expression of children with developmental delays -- and design interventions that aid emotional, social, physical, communicative, and cognitive development.
From the first year of life, children represent others' actions as goal-directed, and can reason about the causes and motivations behind others' observable movements. While the majority of developmental literature has focused on early instrumental goals (e.g., interacting with objects), less attention has been devoted to characterizing children's production and reasoning about non-instrumental movements and non-object-directed goals. However, these kinds of actions have the potential to play a large role in young children's lives in the form of everyday movements such as dance and gesture. In this dissertation, I explore the extent to which children readily produce and comprehend meaningful movements with a rich spectrum of abstract goals. Specifically, I focus on dance-like movement to music, movements that produce musical sounds, and communicative movements that accompany speech (gestures). In Chapter 1, I ask whether infants readily demonstrate dance-like movement to music at home and whether early development of these behaviors has been underestimated by in-lab studies. I show that children produce dance-like behavior earlier than previously believed, and that infant dance shows developmental change with both maturation and learning. I argue that children's dance behavior provides a window into early social, cognitive, and motor development. In Chapter 2, I explore children's reasoning about movements that produce musical sounds. I present evidence that from childhood (6 years of age) onward, rational causal inference plays a role in linking music with agents and movements. I also find evidence of developmental change, such that preschool age children may not engage in causal reasoning about music as older children do. In Chapter 3, I shift to explore the relationship between movement and analogical reasoning. Through both correlational and experimental methods observing children's gesture production, I suggest that children's spontaneous gestures provide a window to their analogical reasoning performance and that enabling them to freely use their hands while thinking helps children actively schematize important structural information over superficial features. Overall, this work shows that children readily produce and reason about socially meaningful movements from early in life and that music, dance, and gesture can serve as unique windows into children’s developing cognition.
This is a joyful collection of stories for circle time with young children. The stories weave through the seasons of the year, with each one offering opportunities to add movement and gestures that bring rhythm and flow. The vivid, colourful images and lively rhythmic language will be inspiring for anyone who works with young children.
Imagine there is no one in the world with whom you can communicate. All your attempts to reach out and make sense in the world are thwarted because there is no one who understands your language. This is a normal event in child development. Yet the child with disabilities has less adaptive skills than other children her age. Attempts are more frustrating. To make matters worse, the whole circle of communication between adult and child becomes thwarted as parents and therapists, instead of reading nonverbal cues accurately, misjudge them and send the whole communication circle spiraling downward. The character, the pacing, the whole theatre of our play and movement with young children is extremely important. As we believe children must learn to speak, we adults, parents and therapists, must learn to play. It’s not that adults are not well meaning. Very many are. It’s just that most adults have no idea "how to be" in the child’s preverbal world. It is to this preverbal task that ChildDance is addressed. It describes one therapist’s encounter with six different children with special needs, how child development theory and practice is woven together to form a fabric for preverbal communication.
5 Stars! Doody's Book Review Creative, challenging, and interesting physical education lessons in pre-schools and elementary schools are essential. Movement Discovery: Physical Education for Children is designed to change traditional thinking in physical education and bring a breath of fresh air to movement lessons. Written to help early childhood and elementary school teachers value simple, strenuous, and enjoyable activity, this text provides the foundation they'll need to give such experiences to young children. This text includes: background information to provide an understanding of why programs are as they are information about child development and skill development to give guidance to teachers material to start an on-going Movement Discovery program that capitalizes on the innate human urge to discover ones' physical capacities and enjoy them Movement Discovery encourages teachers to provide challenging yet gratifying physical education lessons. If students can derive satisfaction in their increase in skill, and if these skills have a link with their future education and the world in which they live, there is a good possibility that activity will continue throughout life.