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Play includes Property Plot and Stage Plan.
Avi charts the turning points in seven young lives in this extraordinary collection of short stories. In the overlapping years when childhood and adolescence blend and shift like waves and sand, nothing is certain and everything is changing. Now award-winning author Avi creates seven astonishing portraits of life in the middle-school years. In these stories you will meet, among others, William, of "What Do Fish Have to Do with Anything?" who wonders why he shouldn't ask questions that have no answers. Is it because he might discover the truth? A minister's son, the baddest of the bad, is dared to be good in "The Goodness of Matt Kaizer." And in the chilling tale, "Pets," Eve is haunted by the ghosts of her cats. Always with a surprise built in, an angle unseen, these are stories that step just beyond the edge of the everyday.
Autobiography detailing the author's life in Africa and career as a pilot.
THE STORY: The scene is the exclusive London fur salon of Bodley and Crouch, where Crouch (the well-meaning innocent) struggles to keep things on an even keel despite the energetic philandering of his partner. At the moment, Bodley is trying to sec
The author of A Bedfull of Foreigners has teamed with the author of Move Over, Mrs. Markham to create a delightful farce about a kept woman who is canny enough to be kept by two men.-4 women, 3 men
The marriage of Rupert and Sarah is on the rocks and their friends Charles and Madge, both of whom are lawyers, agree to handle the divorce. After the curtain has been up a few minutes, Rupert forgets his lines, has a brain storm and threatens to kill Charles in full view of the audience because he's been having an affair off stage, with Rupert's real wife, Madge. Quite true as it happens. The rest of the cast try to ignore the incident and forge ahead with the original play but Rupert picks up a knife and advances on Charles, who is forced to take cover in a large cabin trunk which is on the set at the time. A real life marital comedy now evolves. The situation is further complicated when the actor playing the old father, Edward, makes his entrance. He is ageing Shakspearean star, once famous for his King Lear but now an alcoholic on the skids. He happens to have asked his new agent to the performance that night. Edward is blissfully unaware that the play has switched from art to life. Out of loyalty to a fellow actor, the rest of the cast do their best to accommodate the poor chap, but he gradually begins to crack up, especially as some of his cues are coming from a cabin trunk. The play is a light hearted tilt at the complete theatricality of stage folk.