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Tiny letters from the mouse fairies are left in envelopes throughout the house for a child to find and read.
A whimsical mouse experiences many mishaps while using sticks to form the letters of the alphabet.
Kenneth Grahame's classic book began as a series of letters written in 1907 to his seven year-old son Alastair, who was known as 'Mouse'. The original letters are reproduced in their entirety.
Learn the ABCs in the world of David Petersen's Mouse Guard where brave mice protect one another from predators large and small, explore the expansive nature around them, and thrive in harsh conditions. Hand-painted by Serena Malyon, this is a look into a beautiful world with rich culture and stalwart friendships, worth exploring one letter at a time.
Virginia Woolf, in a mixture of distaste and admiration, called them "the literary underworld," although their names were in the mainstream in the England of World War I and the 1920s. Today for the most part unfamiliar, then they connected variously, and not unimportantly, with Shaw and H. G. Wells, Aldous Huxley and D.H. Lawrence, not to overlook Pound, Eliot, E. M. Forster, and Edwin Muir, among countless others. The pages of A. R. Orage's The New Age and John Middleton Murry's numerous periodicals (Rhythm, The Blue Review, The Athenaeum, Adelphi) were the intellectual forums of their day, the mirrors of the trends in taste and social concerns. The five principals in John Carswell's gracious, perceptive reminiscence were not of a single coterie. Rather, they shared in a particular kind of literary life: professional without being academic, dedicated without being regimented, all were devoted to careers which were often the only source of their livelihoods. In the final analysis, none were creative giants: Katherine Mansfield now remembered less for her stories, and Murry for his criticism, than as Lawrence's Gudrun and Gerald (Women in Love); "Kot's" role in introducing Russian literature becomes a dim footnote; the wild Beatrice Hastings perhaps glimpsed in a biography of Modigliani in Bohemian Paris; the fine imprint of Orage's editorial genius, faded. Yet they were intrinsic to their time, and their serious and passionate lives and letters are quickened in these glowing pages.
Artists’ Letters is a treasure trove of carefully selected letters written by great artists, providing the reader with a unique insight into their characters and a glimpse into their lives. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Correspondence, some of which includes sketches and drawings, is reproduced with the transcript and some background and contextual information alongside. The book brings together a collection of treasures found in letters, which in our digital age are an increasingly lost art.
Marianne Moore's correspondence makes up the largest and most broadly significant collection of any modern poet. It documents the first two-thirds of this century, reflecting shifts from Victorian to modernist culture, the experience of the two world wars, the Depression and postwar prosperity, and the changing face of the arts in America and Europe. Moore wrote letters daily for most of her life—long, intense letters to friends and family; shorter, but always distinctive letters to an ever-widening circle of acquaintances and fans. At the height of her celebrity, she would occasionally write as many as fifty letters a day. Both Moore and her correspondents appreciated the value of their exchange, so that an extraordinary number of letters, approximately thirty thousand, have been preserved. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Four hilarious stories, two inventive brothers, one irresistible story! Join Charlie and Mouse as they talk to lumps, take the neighborhood to a party, sell some rocks, and invent the bedtime banana. With imagination and humor, Laurel Snyder and Emily Hughes paint a lively picture of brotherhood that children will relish in a format perfect for children not quite ready for chapter books.
Planned activities are suggested for over 200 alphabet books and include objective(s), materials, and suggested grade level. Recommended for school librarians, teachers, and parents.