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Mourning Becomes Electra by Eugene O'Neill A three-part reworking of themes from Greek tragedy, the plays are set in New England in 1865, just after the Civil War. A returning victor, General Ezra Mannon (Agamemnon), is poisoned by his unfaithful wife Christine (Clytemnestra) and then avenged by his son Orin (Orestes) and daughter (Lavinia). With Orin's subsequent suicide, Lavinia (the Electra of the title) becomes a fatalistic recluse in the Mannon mansion. The author was four times a Pulitzer Prize winner and was the first American dramatist to win the Nobel Prize for Literature in 1936. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times
THE STORY: As told by Chapman, (NY News): The time of the play is 1828, and the setting is a tavern in a village near Boston. The tavern is owned by a tempestuous Irishman, Con Melody, who is as proud as he is ill-tempered. He had been born with w
This play revolves around John Loving. John Loving is in a psychological struggle with the sniggering, pessimistic element of his psyche that poisoned his previous life, made him a victim of false gods, and now wants to destroy him through suicidal behavior. Will he succumb to the pessimistic element of his psyche and commit suicide?
Life is about the choices that are made with the cards one has been dealt with. When the cards have all been dealt and played, the total sum of the choices defines a life that was lived. What distinguishes a happy life from an unhappy life? Reaction to events in life ultimately contribute to either happiness or unhappiness. There are a myriad of reactions one can exercise to react to an event that presents itself in life, and every life is therefore unique. Though the possible reactions are infinite, one act is always possible—suicide. Suicide is a choice that is always available; it is a constant possibility that is distinctly human and part of the construct of humanity itself. It is always available as an option, as a reaction, or a solution to an event. Rarely an event that arises without provocation, suicide is a decision to bring the contents of one’s life to a conclusion. The Suicide Diaries is a collection of stories that investigates a handful of people and their expression of humanity, examining the construction and culmination of the mind-set that has brought about the choice to react with suicide as the final act in the experience of life.
Gathers early plays and scenarios, as well as critical essays, short stories, and poems by the influential American playwright
The American classic—as you’ve never experienced it before. This multimedia edition, edited by William Davies King, offers an interactive guide to O’Neill’s masterpiece. -- Hear rare archival recordings of Eugene O’Neill reading key scenes. -- Discover O’Neill’s creative process through the tiny pencil notes in his original manuscripts and outlines. -- Watch actors wrestle with the play in exclusive rehearsal footage. -- Experience clips from a full production of the play. -- Tour Monte Cristo Cottage, the site of the events in Long Day’s Journey Into Night, and Tao House, where the play was written. -- Delve into O’Neill’s world through photographs, letters, and diary entries. And much, much more in this multimedia eBook.