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Throughout the longue dureé of Western culture, how have people represented mountains as landscapes of the imagination and as places of real experience? In what ways has human understanding of mountains changed – or stayed the same? Mountain Dialogues from Antiquity to Modernity opens up a new conversation between ancient and modern engagements with mountains. It highlights the ongoing relevance of ancient understandings of mountain environments to the postclassical and present-day world, while also suggesting ways in which modern approaches to landscape can generate new questions about premodern responses. It brings together experts from across many different disciplines and periods, offering case studies on topics ranging from classical Greek drama to Renaissance art, and from early modern natural philosophy to nineteenth-century travel writing. Throughout, essays engage with key themes of temporality, knowledge, identity, and experience in the mountain landscape. As a whole, the volume suggests that modern responses to mountains participate in rhetorical and experiential patterns that stretch right back to the ancient Mediterranean. It also makes the case for collaborative, cross-period research as a route both for understanding human relations with the natural world in the past, and informing them in the present.
A compelling study of the origins and trajectory of one of the legendary black uprisings against apartheid, Theatres of Struggle and the End of Apartheid draws on insights gained from the literature on collective action and social movements. It delves into the Alexandra Rebellion of 1986 to reveal its inner workings. Belinda Bozzoli's aim is to examine how the residents of Alexandra, a poverty-stricken segregated township in Johannesburg, manipulated and overturned the meanings of space, time, and power in their sequestered world. She explains how they used political theater to convey, stage, and dramatize their struggle and how young and old residents generated differing ideologies and tactics, giving rise to a distinct form of generational politics. Theatres of Struggle and the End of Apartheid asks the reader to enter into the world of the rebels and to confront the moral complexity and social duress they experienced as they invented new social forms and violently attacked old ones. It is an important study of collective action that will be of great interest to sociologists and to scholars of Africa, particularly to those interested in the antiapartheid struggle.
Late Hellenistic Greek literature, both prose and poetry, stands out for its richness and diversity. Recent work has tended to take an author-by-author approach that underestimates the interconnectedness of the literary culture of the period. The chapters assembled here set out to change that by offering new readings of a wide range of late Hellenistic texts and genres, including historiography, geography, rhetoric and philosophy, together with many verse texts and inscriptions. In the process, they offer new insights into the various ways in which late Hellenistic literature engaged with its social, cultural and political contexts, while interrogating and revising some of the standard narratives of the relationship between late Hellenistic and imperial Greek literary culture, which are too often studied in isolation from each other. As a whole the book prompts us to rethink the place of late Hellenistic literature within the wider landscape of Greek and Roman literary history.
VOLUME TWOThe second in a series of books which reflect the art and People of Northern New Mexico, la Puerta, Taos Vol. 2 is a full color collection which depicts the varied and writers of this famous "art colony" town--past and present. This volume features photo portraits from "The 100 Taosenos Project" by Jaap Vanderplas, images from award winning Taos photographer Megan Bowers, and photo/art by Gail Russell. Stories by internationally acclaimed Tewa "cool" guy Robert Mirabal, John Nichols and Barbara Waters, poetry from the infamous Taos Poetry Circus veterans including Amalio Maduena, Bill Nevins and nila northSun.
"River Dialogues is an ethnographic engagement with social movements contesting hydroelectric development on River Ganges"--Provided by publisher.
"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book
From one of the finest nature writers at work in America today-a lyrical, dramatic, illuminating tour of the hidden domain of wild animals. Whether recalling the experience of being chased through the Grand Canyon by a bighorn sheep, swimming with sharks off the coast of British Columbia, watching a peregrine falcon perform acrobatic stunts at 200 miles per hour, or engaging in a tense face-off with a mountain lion near a desert waterhole, Craig Childs captures the moment so vividly that he puts the reader in his boots. Each of the forty brief, compelling narratives in The Animal Dialogs focuses on the author's own encounter with a particular species and is replete with astonishing facts about the species' behavior, habitat, breeding, and lifespan. But the glory of each essay lies in Childs's ability to portray the sometimes brutal beauty of the wilderness, to capture the individual essence of wild creatures, to transport the reader beyond the human realm and deep inside the animal kingdom
Vivid, compassionate, and often disturbing, this expansive novel is John Gardner's masterpiece.
From the Nobel Prize-winning writer and acclaimed author of Snow Country comes a beautiful rendering of the predicament of old age—about an elderly Tokyo businessman who must face the failures of his memory and the sudden upsurges of passion that illuminate the end of a life. “A rich, complicated novel.... Of all modern Japanese fiction, Kawabata’s is the closest to poetry.” —The New York Times Book Review By day Ogata Shingo, an elderly Tokyo businessman, is troubled by small failures of memory. At night he associates the distant rumble he hears from the nearby mountain with the sounds of death. In between are the complex relationships that were once the foundations of Shingo’s life: his trying wife; his philandering son; and his beautiful daughter-in-law, who inspires in him both pity and the stirrings of desire. Out of this translucent web of attachments, Kawabata has crafted a novel that is a powerful, serenely observed meditation on the relentless march of time. Translated from the Japanese by Edward G. Seidensticker