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Reveals the startling new discoveries that have been made since the arrival of the Cassini-Huygens mission to Saturn and Titan and offers readers a close-up look at a world that could hold clues to the origins of life on Earth.
Traditional Carnival has been well documented with a vast array of books published on the subject. However, few of them, if any, mention gay Carnival krewes or the role of gay Carnival within the larger context of the season. Howard Philips Smith corrects this oversight with a beautiful, vibrant, and exciting account of gay Carnival. Gay krewes were first formed in the late 1950s, growing out of costume parties held by members of the gay community. Their tableau balls were often held in clandestine locations to avoid harassment. Even by the new millennium, gay Carnival remained a hidden and almost lost history. Much of the history and the krewes themselves were devastated by the AIDS crisis. Whether facing police raids in the 1960s or AIDS in the 1980s, the Carnival krewes always came back each season. A culmination of two decades of research, Unveiling the Muse positions this incredible story within its proper place as an amazing and important facet of traditional Carnival. Based on years of detailed interviews, each of the major gay krewes is represented by an in-depth historical sketch, outlining the founders, moments of brilliance on stage, and a list of all the balls, themes, and royalty. Of critical importance to this history are the colorful ephemera associated with the gay tableau balls. Reproductions of never-before-published brilliantly designed invitations, large-scale commemorative posters, admit cards, and programs add dimension and life to this history. Sketches of elaborate stage sets and costumes as well as photographs of ball costumes and rare memorabilia further enhance descriptions of these tableau balls.
Even a fleeting glimpse of Mount Fuji’s snow-capped peak emerging from the clouds in the distance evokes the reverence it has commanded in Japan from ancient times. Long considered sacred, during the medieval era the mountain evolved from a venue for solitary ascetics into a well-regulated pilgrimage site. With the onset of the Tokugawa period, the nature of devotion to Mount Fuji underwent a dramatic change. Working people from nearby Edo (now Tokyo) began climbing the mountain in increasing numbers and worshipping its deity on their own terms, leading to a widespread network of devotional associations known as Fujikō. In Faith in Mount Fuji Janine Sawada asserts that the rise of the Fuji movement epitomizes a broad transformation in popular religion that took place in early modern Japan. Drawing on existing practices and values, artisans and merchants generated new forms of religious life outside the confines of the sectarian establishment. Sawada highlights the importance of independent thinking in these grassroots phenomena, making a compelling case that the new Fuji devotees carved out enclaves for subtle opposition to the status quo within the restrictive parameters of the Tokugawa order. The founding members effectively reinterpreted materials such as pilgrimage maps, talismans, and prayer formulae, laying the groundwork for the articulation of a set of remarkable teachings by Jikigyō Miroku (1671–1733), an oil peddler who became one of the group’s leading ascetic practitioners. His writings fostered a vision of Mount Fuji as a compassionate parental deity who mandated a new world of economic justice and fairness in social and gender relations. The book concludes with a thought-provoking assessment of Jikigyō’s suicide on the mountain as an act of commitment to world salvation that drew on established ascetic practice even as it conveyed political dissent. Faith in Mount Fuji is a pioneering work that contains a wealth of in-depth analysis and original interpretation. It will open up new avenues of discussion among students of Japanese religions and intellectual history, and supply rich food for thought to readers interested in global perspectives on issues of religion and society, ritual culture, new religions, and asceticism.
In the world of eighteenth-century Japan, during the famous Edo period, an orphaned ten-year-old Japanese girl named Noriko lives with her six adopted aunts in a geisha house, one that is a haven for homeless cats. As she grows up, she experiences the well-known arts and spiritual expression of that time period. Offering a child’s perspective, this guide presents an exploration of Japanese history and the culture of the Edo period. Learn about the rise of the samurai warriors and their leader, the shogun. The time period also witnessed the rise of Kabuki theater, Bunraku puppetry, ukiyo-e painting, the way of tea, and a unique form of poetry called haiku. These arts had a profound effect on Noriko, who practiced both the native religion of Shinto and Buddhism. Noriko become famous for her woodblock prints of cats and flowers and her haiku. This narrative history invites young readers to get to know a new culture and gain knowledge of the wider world and its history.
Mount Fuji has always stirred the imagination of artists. Many Japanese print artists, including some of the greatest, such as Hokusai and Hiroshige, have attempted to capture the spirit of the mountain in their designs. This book offers an overview of the many faces of Mount Fuji as seen through the eyes of such artists. The introduction focuses on Mount Fuji in mythology, early portrayal, pilgrimage history, and its depiction in Japanese prints -- in particular, in the work of Hokusai and Hiroshige. The book also contains chapters on Mount Fuji seen from the Ttkaidt, Fuji and the "Ch{shingura" drama, Fuji and poetry ("surimono"), Fuji seen from Edo (present-day Tokyo) and "The thirty-six views of Mount Fuji."
This autobiography of Dale T. Sheets covers his life from 1920 to 2003. Tom Brokaw calls that "the greatest generation" in American history, citing unbelievable technological advances-from horses pulling plows on Mr. Sheets' family farm to astronauts plowing the outer fields of space. This book is a dramatic life story, which the author likens to a three-act play. While the scenes and the cast keep changing in step with the various stages of his life, the writer continues to view his world with a mixture of horse sense, good humor, and wit. The author grew up roaming the woods of an Indiana farm, graduated from college, survived World War II naval battles, and returned to devote the rest of his life to public education-first as an English teacher and later as a school administrator. After retiring he traveled extensively in Europe, Asia, and Africa. In recognition of his service to public education, he was named a Sagamore of the Wabash by Governor Robert Orr in 1983.
Morton White, one of America's most distinguished and intellectual historians, was among the first Western academics invited to Japan after the Pacific War. With his wife and co- author Lucia, he first went there in 1952 and subsequently made four more trips, the last one in 1979. During these visits the Whites became friendly with many Japanese intellectuals and their families and were able to observe Japan and Japanese life during a crucial part of this century. Through personal reminiscences based on their journals and correspondence, the Whites introduce the reader to the great intellectual, social, and economic changes that took place in Japan during the nearly thirty-year span of their visits. They provide penetrating sketches of the personalities and attitudes of an important group of Japanese academics -- leaders who acted against the prevailing opinion to introduce well-known intellectuals from the United States to help break down the stereotypes created by World War II. Reflecting on the changing trends and practices of the Japanese philosophers, the Whites note the gradual shift in orientation from the European to the American tradition in philosophy and comment on how this produced tensions in the Japanese philosophers who lived through it -- issues of great interest both for students of the history of philosophy and for anyone interested in the spread of American influence. Outside the precincts of the universities, the Whites are keen observers of a culture they have come to respect and admire. The delicacy of Japanese social arrangements, the importance of 'face,' the self-consciously problematic position of women in Japanese society, as well as the intricate web of courtesy are given life through many insightful examples. In the book's final chapter, the Whites ponder upon things Japanese they have yet to understand and how their visits have made them more conscious of their own cultural tradition and what they perceive as its deficiencies. Journeys to the Japanese both entertains and informs about an important period and significant individuals in Japanese history. It is an affecting account of how lasting international sympathy and understanding can be nourished by encouraging cultural exchange and personal friendship.
A man who caused a girl to fall in love with him by playing up his deformity, then seduced and abandoned her, is haunted by her memory. A study of the workings of conscience. By a Japanese Catholic writer, author of Silence.
Considered Hokusai's masterpiece, this series of images -- which first appeared in the 1830s in three small volumes -- captures the simple, elegant shape of Mount Fuji from every angle and in every context.