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The stories behind Australia's many, many strange, inappropriate and downright hilarious place names. From Dismal Swamp to Useless Loop, Intercourse Island to Dead Mans Gully, Mount Buggery to Nowhere Else, Australia has some of the strangest, funniest, weirdest and most out-of-place names going - now described and explained in one humorous and fascinating book. Australia's vast spaces and irreverent, larrikin history have given us some of the best place names in the world. Ranging from the less than positive (Linger and Die Hill, NSW), to the indelicate (Scented Knob, WA), the idiotic (Eggs and Bacon Bay, TAS) to the inappropriate and the just plain fascinating, MOUNT BUGGERY TO NOWHERE ELSE is a toponymical journey through this nation of weird and wonderful places. 'A hilarious and unusual tour of Australia and its history.' DAILY TELEGRAPH
From Dismal Swamp to Useless Inlet, Intercourse Island to Dirty Womans Gully, Mount Buggery to Nowhere Else, Australia has some of the strangest, funniest, weirdest and most out-of-place names going - now described and explained in one humorous and fascinating book.Australia's vast spaces and irreverent, larrikin history have given us some of the best place names in the world. Ranging from the less than positive (Linger and Die Hill, NSW), to the indelicate (Scented Knob, WA), the idiotic (Eggs and Bacon Bay, TAS) to the inappropriate and the just plain fascinating, MOUNT BUGGERY TO NOWHERE ELSE is a toponymical journey through this nation of weird and wonderful places.
An indispensable guide to seeing and understanding our planet through the divisions we make, find, or feel. Our world has innumerable boundaries. They range from the obvious—an ocean, or a mountain range—to subtle differences in language or climate. We cross boundaries all the time, sometimes without realizing it. They can be subjective: our perceptions of a boundary may not be shared by others. And yet they shape the way we engage with the world. Geographer Maxim Samson examines invisible lines, exploring the ways in which we divide this world—from meteorology and ecology to race and religion—and how they allow us to define “insiders” and “outsiders,” to identify places where particular attention and resources are especially urgent, to distinguish between two sides, two groups, two futures. From segregation along Detroit’s infamous 8 Mile to herds of red deer that still refuse to cross the former Iron Curtain, the existence—or perceived existence—of dividing lines has manifold implications for people, wildlife, and places. Vividly written and illustrated with maps, Invisible Lines is a compelling exploration of boundaries in all their consistency, and all their messiness too.
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
What Are You Waiting For? Looking for a guidebook that isn't full of tired, lame, or even BS travel information? 101 Places to Get Fucked Up Before You Die brings together the most irreverent and legit accounts of drinking, nightlife and travel culture around the world. Part guide, part social commentary, part party invitation, 101 Places gives you all the info and inspiration you'll need to: * Blowout one (or several) of the year's biggest festivals * MacGyver your way into underground clubs and backcountry raves * Throw down with people from the Himalayas to the salt flats to Antarctica * Travel in every conceivable style—from baller to dirtbag—to some of the most epic spots on earth Do you really know where to go out in San Francisco or Tel Aviv? How about preparing for Burning Man or Oktoberfest? The award-winning journalists and photographers at Matador Network let you know what's up at each spot, whether it's drug policies, how to keep safe, special options for LGBT travelers, or simply where to find the kind of music you like to dance to. No matter if you want to rage at Ibiza or just chill on some dunes smoking shisha, 101 Places has something for you. So, hop a flight, raise a glass, and join us as we breach security, ride ill-recommended ferries, and hike miles into the wilderness all in search of the parties and places going off right now.
With this shattering final novel, “it can at last be said that Bakker has written the epic fantasy series of the post-Tolkien era” (Speculiction). The Men of the Great Ordeal have been abandoned by Anasurimbor Kellhus, and the grand crusade has devolved into cannibalism and chaos. When Exalt-General Proyas attempts to gain control of the lost Men and continue their march to Golgotterath, it becomes clear that the lost Lord-and-Prophet is not so easily shaken from the mission. As Sorweel, the Believer-King of Sakarpus, and Serwa, daughter of the Aspect-Emperor, join the Great Ordeal, they discover that the shortest path is not always the safest. Souls, morality, and relationships are called into question when no one can be trusted, and the price for their sins is greater than they imagined. An uncompromising portrayal of a catastrophic world of myth, war, and sorcery, the Aspect-Emperor books have earned their place alongside George R. R. Martin’s A Song of Ice and Fire. Powerful and haunting, this thrilling final installment of Bakker’s groundbreaking series is “no holds barred from page one” (Speculiction).
Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angels—Hell’s Angels, that is—in this short work of nonfiction. “California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.” Thus begins Hunter S. Thompson’s vivid account of his experiences with California’s most notorious motorcycle gang, the Hell’s Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, “For all its uninhibited and sardonic humor, Thompson’s book is a thoughtful piece of work.” As illuminating now as when originally published in 1967, Hell’s Angels is a gripping portrait, and the best account we have of the truth behind an American legend.