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This book is a corpus-based description and discussion of how Modern Mandarin Chinese encodes motion events, with a focus on how the distribution of verbal motion morphemes is closely associated with the meanings they lexicalize. The book is not only the first work that proposes a finer-grained classification and diagnostics of Chinese motion morphemes from the perspective of scale structure, but also the first to more comprehensively account for the ordering of Chinese motion morphemes. The findings of this study will not only enrich the literature on motion events, but more importantly, further our understanding of the nature of motion events and the way motion events are conceived and represented in the Chinese language. The major proposals and the cognitive functional approach of this work will also shed light on studies beyond motion. The book will be a valuable resource for scholars interested in motion events, syntax-semantic interface, and typology.
Motion is one of the most basic human experiences, and it provides an important window for looking into human cognition and language. Within the paradigm of cognitive semantics, this book presents a comprehensive study of the conceptualization and linguistic representation of motion in Mandarin Chinese. It focuses on the correlation between the ways in which Mandarin speakers conceptualize motion events and the ways in which they render them and carefully considers the typological properties. In addition to deepening our understanding of motion cognition and expressions, this study also affords insights for L2 learning and teaching of motion in Chinese.
In Monks in Motion, Jack Meng-Tat Chia explores why Buddhist monks migrated from China to Southeast Asia, and how they participated in transregional Buddhist networks across the South China Sea. This book tells the story of three prominent monks--Chuk Mor (1913-2002), Yen Pei (1917-1996), and Ashin Jinarakkhita (1923-2002)--and examines the connected history of Buddhist communities in China and maritime Southeast Asia in the twentieth century.
This dissertation investigates the relative order of verbal morphemes that express motion in Chinese motion constructions consisting of multiple motion morphemes, e.g., the order of pao 'run' and jin 'enter' in the construction pao-jin fangjian run-enter room 'run into the room'. It argues that the order is predictable. Drawing on recent work on "scale structure", it divides Chinese motion morphemes into four types according to the type of scale each lexicalizes. Then it proposes a Motion Morpheme Hierarchy formed of these four types of motion morpheme that can be used to predict the order of motion morphemes. The hierarchy is supported by two extensive studies of multi-morpheme motion constructions using corpora of recent Chinese novels. In addition, the dissertation proposes a More Specific Constraint that explains why the Motion Morpheme Hierarchy emerges. The results of this study provides new insight into the distribution of motion morphemes in Chinese motion constructions and a more fine-grained analysis of the semantic relationships between the morphemes in these constructions; thus, it contributes to an increased understanding of how motion events are expressed in Chinese. The findings of this study may also illuminate the distribution of motion verbs in other languages, as well as constructions in domains other than motion.
By the turn of the twentieth century, Japan’s military and economic successes made it the dominant power in East Asia, drawing hundreds of thousands of Chinese, Korean, and Taiwanese students to the metropole and sending thousands of Japanese to other parts of East Asia. The constant movement of peoples, ideas, and texts in the Japanese empire created numerous literary contact nebulae, fluid spaces of diminished hierarchies where writers grapple with and transculturate one another’s creative output. Drawing extensively on vernacular sources in Japanese, Chinese, and Korean, this book analyzes the most active of these contact nebulae: semicolonial Chinese, occupied Manchurian, and colonial Korean and Taiwanese transculturations of Japanese literature. It explores how colonial and semicolonial writers discussed, adapted, translated, and recast thousands of Japanese creative works, both affirming and challenging Japan’s cultural authority. Such efforts not only blurred distinctions among resistance, acquiescence, and collaboration but also shattered cultural and national barriers central to the discourse of empire. In this context, twentieth-century East Asian literatures can no longer be understood in isolation from one another, linked only by their encounters with the West, but instead must be seen in constant interaction throughout the Japanese empire and beyond.
More than 35 million Chinese people live outside China, but this population is far from homogenous, and its multifaceted national affiliations require careful theorization. This book unravels the multiple, shifting paths of global migration in Chinese society today, challenging a unilinear view of migration by presenting emigration, immigration, and re-migration trajectories that are occurring continually and simultaneously. Drawing on interviews and ethnographic observations conducted in China, Canada, Singapore, and the China–Myanmar border, Elaine Lynn-Ee Ho takes the geographical space of China as the starting point from which to consider complex patterns of migration that shape nation-building and citizenship, both in origin and destination countries. She uniquely brings together various migration experiences and national contexts under the same analytical framework to create a rich portrait of the diversity of contemporary Chinese migration processes. By examining the convergence of multiple migration pathways across one geographical region over time, Ho offers alternative approaches to studying migration, migrant experience, and citizenship, thus setting the stage for future scholarship.
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