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"For two decades now I've been awaiting a book explaining computers and their social consequences to literate readers without using any unnecessary jargon or pedantry--or math. I wanted such a book to lend to all those friends who've pestered me about computers and to all the computer science students who've asked me about computers over the years. I particularly wanted a book that I could buy for my father, who's an accountant of the old school, to explain something of the mysterious world I live in." Gregory Rawlins, who teaches artificial intelligence at Indiana University, got tired of waiting for that book and decided to write it himself. In Moths to the Flame he takes us on a humorous yet thought-provoking tour of the world wrought by modern technology, a technology, he points out, that is rooted deep inside the military: a technology that when applied to everyday life, may have startling results. Unlike space technology, today's technological race won't simply bring us Tang-flavored Velcro. Rawlins educates by entertaining. His stories and anecdotes enliven and surprise us while increasing our awareness of technology itself as a player in the political and commercial climate of our times. In our headlong rush toward networked humanity Rawlins raises serious concerns about our future jobs and our future wars: we can figure out what kind of job to get today if we know where technology is taking us tomorrow. The book's first four chapters explore the worlds of privacy, virtual reality, publishing, and computer networks, while the last four focus on social issues such as warfare, jobs, computer catastrophes, and the future itself. Throughout unusual, eye-opening analogies and historical comparisons--from Egyptian hieroglyphics to the sewing machine to the codebreakers of World War II--give us a context for the computer age, showing how new technologies have always bred intertwined hope and resistance. Provocative yet balanced and sophisticated, Moths to the Flame is an indispensable guidebook to the future: a Baedeker for the Brave New World. A Bradford Book
In the little city of Flint, MI, the good die young and the people left standing are the grimiest of characters. With reign over the city's drug trade, Benjamin Atkins made sure that his precious daughter, Raven, was secluded from the grit that the city had to offer. But when Raven's young heart gets claimed by Mizan, a stick-up kid in search of a come-up, there's nothing Benjamin can do about losing her to the streets. She chooses love over loyalty and runs off with Mizan, but her new role as wifey soon proves to be more than she can handle. Puppy love always feels right, but things turn stale, and she soon finds that everyone she loves has disappeared. All she has is Mizan, but when hugs and kisses turn to bloody lips and black eyes, she realizes that Mizan is not who she thought he was. Raven becomes desperate for a way out, but this time, Daddy can't save her. Every time she finds the courage to leave, fear convinces her to stay. Like a moth to a flame, Raven is drawn to Mizan, even though she knows he'll be the death of her. When the hood life she chose becomes unbearable and the only way out is in a coffin, what will she do?
'A startling novel of ferocious psychological acumen, which, to my mind, deserves a large, international readership... very much a book for our times' Siri Hustvedt, from the introduction 'A literary giant in Sweden, Dagerman conjures a Strindbergian atmosphere of shadowy menace in his brief, intense novel, A Moth to a Flame... This moody, death-haunted novel is well worth reading' Evening Standard In 1940s Stockholm, a young man named Bengt falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers that his father had a mistress. Bengt swears revenge on behalf of his mother's memory, but he soon finds himself drawn into a fevered and forbidden affair with the very woman he set out to destroy . . . Written in a taut, restrained style, A Moth to a Flame is an intense exploration of heartache and fury, desperation and illicit passion. Set against a backdrop of the moody streets of Stockholm and the Hitchcockian shadows in the woods and waters of Sweden's remote islands, this is a psychological masterpiece by one of Sweden's greatest writers. 'Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion' Graham Greene 'Dagerman can evoke such emotion in a single sentence' Colm Tóibín 'There are some writers (Kafka and Lorca immediately spring to mind) who come to enjoy the status of saint; their lives and deaths constitute statements about existence and its proper priorities. A saint of this type is the Swedish writer Stig Dagerman' Times Literary Supplement 'This searing tale of bereavement and loathing feels all too relevant today' Guardian
FINALIST FOR THE 2021 NATIONAL BOOK AWARD FOR YOUNG PEOPLE'S LITERATURE A debut YA novel-in-verse by Amber McBride, Me (Moth) is about a teen girl who is grieving the deaths of her family, and a teen boy who crosses her path. Moth has lost her family in an accident. Though she lives with her aunt, she feels alone and uprooted. Until she meets Sani, a boy who is also searching for his roots. If he knows more about where he comes from, maybe he’ll be able to understand his ongoing depression. And if Moth can help him feel grounded, then perhaps she too will discover the history she carries in her bones. Moth and Sani take a road trip that has them chasing ghosts and searching for ancestors. The way each moves forward is surprising, powerful, and unforgettable. Here is an exquisite and uplifting novel about identity, first love, and the ways that our memories and our roots steer us through the universe.
Twin slaves. A divided city. A goddess’s wrath. The first novel from the author of the Tears of Artamon trilogy, “an innovative fantasist” (Asimov’s). The once-wondrous land of Myn-Dhiel has suffered under the rule of the House of Memizhon. The decadent king and queen are slowly going insane, and the kingdom seems likely to sink under the weight of its decay. Twins Lai and Laili have spent their quiet lives as initiates of the Goddess on the peaceful island of Ael Lahi. But when they are captured and sold as slaves in the city, Lai must learn to fight for his life in the Arena while Laili is forced into service as the Arkhan’s concubine. The twins ultimately find their place in the intrigues and rivalries of the corrupt court. But discontent is simmering among the city’s oppressed people. When a mysterious cloud of moon moths brings a plague, revolution threatens to bring down the House of Memizhon. Lai and Laili may hold the key to saving the city—unless they too are engulfed in the conflagration. Praise for the Tears of Artamon Trilogy “Unusual . . . Exotic . . . Well worth the read!” —Katherine Kurtz, New York Times–bestselling author “A splendid tale . . . Ash is destined to be one of the bright luminaries of fantasy.” —Dennis L. McKiernan, national bestselling author “Rousing. . . . with its vivid 18th-century European flavor and fallen angels who evoke Paradise Lost. Lovers of big, complex fantasy sagas (think Robert Jordan or George R.R. Martin) will be well pleased.”—Publishers Weekly (starred review)
Danger isn't Zoey's middle name. But it is something she can't forget, something she's reminded of every time she looks in the mirror. For those reasons, Zoey has become an expert at creating the perfect illusion. Her ability to fool the eye, to create truth where there was previously none makes her the best in the business. Working as a makeup and special effects artist for Hollywood combines her two life must-haves: her passion for makeup and hiding in plain sight. It also doesn't hurt that she's safe within the heavily secured and secret studio sets, away from the public eye. Then her perfect job becomes her perfect nightmare. Not only does her illusion slip with the blast of icy water, but it does so in front of the country's biggest action hero and the gossipiest of celebrity TV shows. At first, Zoey thinks danger hasn't caught up to her and the worst thing about her mishap is the world's most perfect man sees her in all her not-so-perfect glory. Until a series of unexplained "accidents" begins on set. That's when Zoey knows. Danger has caught up to her... and this time she fears death has, too.
James Lowen narrates a year-long quest to see Britain's rarest and more remarkable moths. Although mostly unseen by us, moths are everywhere. And their capacity to delight astounds. Inspired by a revelatory encounter with a Poplar Hawk-moth – a huge, velvety-winged wonder wrapped in silver – James Lowen embarks on a year-long quest to celebrate the joy of Britain's rarest and most remarkable moths. By hiking up mountains, wading through marshes and roaming by night amid ancient woodlands, James follows the trails of both Victorian collectors and present-day conservationists. Seeking to understand why they and many ordinary folk love what the general public purports to hate, his investigations reveal a heady world of criminality and controversy, derring-do and determination. From Cornwall to the Cairngorms, James explores British landscapes to coax these much-maligned creatures out from the cover of darkness and into the light. Moths are revealed to be attractive, astonishing and approachable; capable of migratory feats and camouflage mastery, moths have much to tell us on the state of the nation's wild and not-so-wild habitats. As a counterweight to his travels, James and his young daughter track the seasons through a kaleidoscope of moth species living innocently yet covertly in their suburban garden. Without even leaving home, they bond over a shared joy in the uncommon beauty of common creatures, for perhaps the greatest virtue of moths, we learn, is their accessibility. Moths may be everywhere, but above all, they are here. Quite unexpectedly, no animals may be better placed to inspire the environmentalists of the future.
"[This] is a book of great richness, beauty and power and thus very difficult to do justice to in a brief review. . . . The violence is sometimes unbearable, the language rarely less than superb. Dillard's description of the moth's death makes Virginia Woolf's go dim and Edwardian. . . . Nature seen so clear and hard that the eyes tear. . . . A rare and precious book." — Frederick Buechner, New York Times Book Review A profound book about the natural world—both its beauty and its cruelty—from Pulitzer Prize-winning author Annie Dillard In 1975 Dillard took up residence on an island in Puget Sound, in a wooden room furnished with "one enormous window, one cat, one spider, and one person." For the next two years she asked herself questions about time, reality, sacrifice, death, and the will of God. In Holy the Firm, she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things—rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire. Here is a lyrical gift to any reader who has ever wondered how best to live with grace and wonder in the natural world.
Like Moths to the Flame?: A History of Ngati Raukawa Resistance and Recovery explores the extent to which the unique qualities of Ngati Raukawa thought have survived the encounter with European ideas. It argues that preservation of a distinctive Ngati Raukawa intellectual tradition is crucial to the long term survival of Ngati Raukawa as a people. This thesis was submitted in 2016, in fulfilment of the requirements for Te Kaurutanga.
Three friends. Two voices. One terrible secret. Told in dual narrative, Flames to a Moth is a gripping coming-of-age thriller that exposes how the same power that draws people together can, over time, tear them apart ... or worse. Bryden James is dead. When his body washes up in the reedy shallows of a lake west of Brisbane, none are more horrified than Ashley McCabe and Campbell Druery. Was his death retribution for a manic vendetta against powermongers, payback for decades of torment, or in reprisal for what happened with their involvement one dreadful night in 1992? Forced to recall a friendship formed in childhood and set ablaze as adults by longing, manipulation, and betrayal, Ash and Cam realise if they are to survive the future they will need to meet face-to-face. Estranged for so long, will coming together to confront the truth stifle the pain of the past or fan it into a consuming fire? 'Compelling and heart-wrenching. The central mystery had me feverishly turning the pages.' BEN HOBSON, author of Snake Island