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A richly woven and breathtaking memoir from the perspective of the author's own mother: a Radio 4 Book of the Week 'It is an extraordinarily brave act for a writer to undertake to inhabit, fully and sympathetically, the life her mother lived before she was born, particularly when her mother was no jewel of wifely virtue' J.M. Coetzee 'This is a book that wears its heart firmly on its sleeve, offering an insight into an unfamiliar culture and a cinematic love story' The Times Kamila is nine years old when she is taken from the poverty of her childhood village in southern Lebanon to Beirut. She has never learned to read or write, though she longs to go to school. Stories, poetry and film are her passion - and a beautiful boy called Muhammad. They fall in love before Kamila is forced into an arranged marriage, despite her tears and screams. She is only fourteen years old. On her wedding night her first daughter is conceived; four years later, Hanan is born. Kamila and Muhammad continue to see each other in secret, risking their lives. It is eight years before Kamila can bring herself to divorce her husband, as to do so means leaving her daughters behind. Beautifully evoking the dusty streets of Beirut and life in Lebanon, this is a heartbreaking memoir of an extraordinary woman.
In 54 chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals in a book that keeps turning around the question, "What does it mean to have a voice?"
Family is about love no matter how different parents and children may be, adopted or not. Choco wishes he had a mother, but who could she be? He sets off to find her, asking all kinds of animals, but he doesn't meet anyone who looks just like him. He doesn't even think of asking Mrs. Bear if she's his mother-but then she starts to do just the things a mommy might do. And when she brings him home, he meets her other children-a piglet, a hippo, and an alligator-and learns that families can come in all shapes and sizes and still fit together. Keiko Kasza's twist on the "Are you my mother?" theme has become one of the most highly recommended stories about adoption for children.
"Finkbeiner has deftly written this narrative of ordinary people finding their way, set against a backdrop of global upheaval and war; the characters are realistic and vibrant. Readers looking for realist family stories with a subtle thread of faith . . .will want to read Finkbeiner's latest."--Library Journal starred review *** In 1975, three thousand children were airlifted out of Saigon to be adopted into Western homes. When Mindy, one of those children, announces her plans to return to Vietnam to find her birth mother, her loving adopted family is suddenly thrown back to the events surrounding her unconventional arrival in their lives. Though her father supports Mindy's desire to meet her family of origin, he struggles privately with an unsettling fear that he'll lose the daughter he's poured his heart into. Mindy's mother undergoes the emotional rollercoaster inherent in the adoption of a child from a war-torn country, discovering the joy hidden amid the difficulties. And Mindy's sister helps her sort through relics that whisper of the effect the trauma of war has had on their family--but also speak of the beauty of overcoming. Told through three strong voices in three compelling timelines, The Nature of Small Birds is a hopeful story that explores the meaning of family far beyond genetic code. "A balanced story that's rich with nuance and gentle emotions."--Foreword Reviews "Readers who enjoy the work of Karen Kingsbury will want to take a look."--Publishers Weekly
How does a contemporary woman with a career as a poet, professor, and editor experience motherhood with one small child, another soon to be born, and her own mother suddenly diagnosed with a brain tumor and AlzheimerÕs? The dichotomy between life as a mother and life as an artist and professional is a major theme in modern literature because often the two seem irreconcilable. In Bring Down the Little Birds, Carmen GimŽnez Smith faces this seeming irreconcilability head-on, offering a powerful and necessary lyric memoir to shed light on the difficultiesÑand joysÑof being a mother juggling work, art, raising children, pregnancy, and being a daughter to an ailing mother, and, perhaps most important, offering a rigorous and intensely imaginative contemplation on the concept of motherhood as such. Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a womanÕs first and second journeys into motherhood. GimŽnez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book. Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, GimŽnez Smith interrogates everything involved in becoming and being a mother for both the first and second time, from wondering what her children will one day know about her own Òsecret lifeÓ to meditations on the physical effects of pregnancy as well as the myths, the nostalgia, and the glorification of motherhood. While GimŽnez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means.
Illus. in full color. A boy and his dog listen to the world around them. "Illustrations are big and simple; the text is in verse form."--School Library Journal.
Differences are gorgeously illustrated in a heartwarming picture book about a colorless peacock who learns to love himself in a jungle full of color. Mo has always felt a little different. While all the other peacocks grew bright, bold, beautiful feathers in rich greens and vibrant blues, Mo's feathers grew in a snowy white. And even though Mo's friends try to include him in their playtime, Mo doesn't like to be reminded that he's different from his friends. But when a storm threatens to ruin the group's annual celebration, Mo must learn to stand tall, strut his stuff, and shake his brilliantly glowing tail feathers--in a way only he can--to help his friends and set things right. From debut author Sita Singh, and brought to life by Stephanie Fizer Coleman, comes a story about finding strength in the things that make us different, and beauty in all its forms.