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Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.
The worship of the Divine as another has an ancient history and persists in many cultures to the present day. The evolution of Goddess worship in India from the proto historic period to the Sixth century has been studied with relevant sculptural examples. A perusal of select texts provides a literary basis for this study. Further, the symbolic significance behind the icons comes to light by understanding the technical aspects of iconography. The book attempts to trace the various manifestations of the Devi such as Sri and Durga, from the historic, artistic and esoteric view points. The image becomes an icon to the faithful when installed in a temple with due rites. This has been exemplified by descriptions of select sites of Goddess worship in Karnataka.
Dr. Agrawala S Present Work Largely Represents His Ph.D. Thesis (Approved By The Banaras Hindu University) In A Revised Up-To-Date Form. He Has Brought Out A Most Comprehensive And Thorough Analysis Of The Material On The Worship Of Goddesses In The Proto-Historic And Vedic Periods Of India. A Vast Amount Of Archaeological Evidence Is Carefully Sifted And Analysed By Him In A Truer Cultic Perspective As Throwing New Light On The Role Of Mother-Goddesses In The Protohistoric Cultures Ranging From Small Agricultural Communities Of Baluchistan Foothills To The Highly Developed Harappans. Dr. Agrawala Has Also Identified And Discussed In A Systematic Manner Varied Motifs And Concepts Of Fertility Cultus In The Rgveda And Later Vedic Texts Which Were Subsequently Formulated Into Definite Images, Personifications And Attributes. He Has Marshalled In A Fully Objective Treatment All Those References In The Vedic Literature That Go Now To Reveal Numerous Fresh Aspects Of This Hitherto Unexplored Subject. One Is Able Indeed To See Through The Present Work How The Rgvedic Goddesses,Mostly Abstractions, Later On Assumed Mythical Definitions In The Pantheon And How The Folk Culture Of India Exercised Its Far-Reaching Influences On Higher Priestly Religion Not Only By Contributing Its Own Share Of Goddesses But Also Through Their More Concrete Identification With The Already Existing Ones In Myths And Cult Rituals.
The Work Studies Basic Principles Of Ancient Indian Art And Architecture. It Deals With Hindu Thinking And Practice Of Art Including The Hindu View Of Godhead, Iconography And Iconometry And Symbols And Symbolism In Hindu Art. It Surveys Indian Art And Temple Architecture From The Ancient Times And Makes Comparative Studies Of Religious Art In India.