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Skylar Grey lost everything when her fiancé died. But her move back to her hometown, Billings, Montana is not the fresh start she seeks, as too many people know her tragic tale. But then she meets a bull riding cowboy who treats her like she's made of fire and everything changes. Cody Galen joined the American Extreme Bull Riders Tour to make money, not friends. He enjoys whiskey, winning, and women and he doesn’t care who he pisses off while he pursues the hell out of all three. He figures he only has a few years left before his body gives out and he might as well go down hard in a blaze of glory. He knows the pretty thing he meets his first night in Billings is no buckle bunny, but if she wants to play that role, who is he to argue? Neither one of them is looking for anything lasting. But there’s only one thing more dangerous than riding bulls—and that’s love. First Published as Cody
In "one of the best science books of the year" ("Library Journal"), the author celebrates volcano "cowboys, " their hazardous lives, and the often harrowing decisions they must make while studying eruptions. 8-page photo insert.
Tie into two Wyatt Earp movies--Tombstone, starring Kurt Russell and Val Kilmer, and Wyatt Earp, starring Kevin Costner and Dennis Quaid--with the definitive account of this American legend. Earp's life story reads like a movie, and now readers can experience his exploits in this classic account, originally published in 1931.
In the late nineteenth century Tom Ketchum and his brother Sam formed the Ketchum Gang with other outlaws and became successful train robbers. In their day, these men were the most daring of their kind, and the most feared. Eventually Tom Ketchum was caught and sentenced to death for attempting to hold up a railway train. He became the first individual--and the last--ever to be executed for a crime of this sort. Jeffrey Burton has been researching the story of the Ketchum Gang for more than forty years. He sorts fact from fiction to provide the definitive truth about Ketchum and numerous other outlaws, including Will Carver and Butch Cassidy. The Deadliest Outlaws initially was published in a limited run of one hundred paperback copies in England. This second edition in hardcover contains additional material and photographs not found in the earlier printing.
Who were the black cowboys? They were drovers, foremen, fiddlers, cowpunchers, cattle rustlers, cooks, and singers. They worked as wranglers, riders, ropers, bulldoggers, and bronc busters. They came from varied backgrounds—some grew up in slavery, while free blacks often got their start in Texas and Mexico. Most who joined the long trail drives were men, but black women also rode and worked on western ranches and farms. The first overview of the subject in more than fifty years, Black Cowboys in the American West surveys the life and work of these cattle drivers from the years before the Civil War through the turn of the twentieth century. Including both classic, previously published articles and exciting new research, this collection also features select accounts of twentieth-century rodeos, music, people, and films. Arranged in three sections—“Cowboys on the Range,” “Performing Cowboys,” and “Outriders of the Black Cowboys”—the thirteen chapters illuminate the great diversity of the black cowboy experience. Like all ranch hands and riders, African American cowboys lived hard, dangerous lives. But black drovers were expected to do the roughest, most dangerous work—and to do it without complaint. They faced discrimination out west, albeit less than in the South, which many had left in search of autonomy and freedom. As cowboys, they could escape the brutal violence visited on African Americans in many southern communities and northern cities. Black cowhands remain an integral part of life in the West, the descendants of African Americans who ventured west and helped settle and establish black communities. This long-overdue examination of nineteenth- and twentieth-century black cowboys ensures that they, and their many stories and experiences, will continue to be known and told.
Told by the man who kicked off the infamous lawsuit between Oprah and the cattlemen, Mad Cowboy is an impassioned account of the highly dangerous practices of the cattle and dairy industries. Howard Lyman's testimony on The Oprah Winfrey Show revealed the deadly impact of the livestock industry on our well-being. It not only led to Oprah's declaration that she'd never eat a burger again, it sent shock waves through a concerned and vulnerable public. A fourth-generation Montana rancher, Lyman investigated the use of chemicals in agriculture after developing a spinal tumor that nearly paralyzed him. Now a vegetarian, he blasts through the propaganda of beef and dairy interests—and the government agencies that protect them—to expose an animal-based diet as the primary cause of cancer, heart disease, and obesity in this country. He warns that the livestock industry is repeating the mistakes that led to Mad Cow disease in England while simultaneously causing serious damage to the environment. Persuasive, straightforward, and full of the down-home good humor and optimism of a son of the soil, Mad Cowboy is both an inspirational story of personal transformation and a convincing call to action for a plant-based diet—for the good of the planet and the health of us all.
Even after WWI had ended, the region of Arizona, New Mexico, and West Texas stubbornly refused to be tamed. It was still a place where frontier gunfights still broke out at an alarming rate. Utilizing official records, newspaper accounts, and oral histories, Cowboys and Gangsters tells the story of the untamed “Wild West” of the Prohibition-era of the 1920s and early 1930s and introduces a rogues’ gallery of sixgun-packing western gunfighters and lawmen. Told through the lens of the accounts of a handful of Texas Rangers and Federal Agents, this book covers a unique and action-packed era in American history. It’s a story that connects the horse and saddle days of the Old West, with the high-octane decade of the Roaring Twenties.
Every time a cowhand dug his boot into the stirrup, he knew that the ride could carry him to trail's end. With real stories told by men who were cowboys before the 1930s, this book captures the everyday perils of the flinty hoofs and devil horns of an outlaw steer, the crush of a half-ton of fury in the guise of a saddle horse, the snap of a rope pulled taut enough to sever digits. Whether destined to be remembered or forgotten, a cowhand clung to life with all the zeal with which he approached his trade.
Courtesy special collections Albert B. Alkek Library, Southwest Texas State University, San Marcos, Texas.
′An extremely accessible, well structured and imaginative reading of market and social theory in terms of the myth of the Wild West frontier′ New Formations This book, written by the author of the celebrated volume Six Guns and Society, explains why the myth of the Wild West is popular around the world. It shows how the cultural icon of the Wild West speaks to deep desires of individualism and liberty and offers a vision of social contract theory in which a free and equal individual (the cowboy) emerges from the state of nature (the wilderness) to build a civil society (the frontier community). The metaphor of the Wild West retained a commitment to some limited government (law and order) but rejected the notion of the fully codified state as too oppressive (the corrupt sheriff). Compelling and magnificently suggestive, the book unpacks one of the core icons of our time. It is a unique discussion of market and social theory using cultural myth. Will Wright fully explores how issues of individualism, freedom and inequality in the myth of the Wild West connect up with questions of white, male superiority and environmental degradation.