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Moshe Idel, the Max Cooper Professor Emeritus at the Hebrew University of Jerusalem, and Senior Researcher at the Shalom Hartman Institute, is a world-renowned scholar of the Jewish mystical tradition. His historical and phenomenological studies of rabbinic, philosophic, kabbalistic, and Hasidic texts have transformed modern understanding of Jewish intellectual history and highlighted the close relationship between magic, mysticism, and liturgy. A recipient of two of the most prestigious awards in Israel, the Israel Prize for Jewish Thought (1999) and the Emmet Prize for Jewish Thought (2002), Idel’s numerous studies have uncovered persistent patterns of Jewish religious thought that challenge conventional interpretations of Jewish monotheism, while offering a pluralistic understanding of Judaism. His explorations of the mythical, theurgical, mystical, and messianic dimensions of Judaism have been attentive to history, sociology, and anthropology, while rejecting a naïve historicist approach to Judaism.
This book represents the first wide-scale presentation of a major Jewish mystic, the founder of the ecstatic Kabbalah. It includes a description of the techniques employed by his master, including the role of music. There is a discussion of the characteristics of his mystical experience and the erotic imagery by which it was expressed. Based on all the extant manuscript material of Abulafia, this book opens the way to a new understanding of Jewish mysticism. It points to the importance of the ecstatic Kabbalah for the later developments in mystical Judaism.
Antagonistic imagery has a striking presence in apocalyptic writings of Second Temple Judaism and early Christianity. In these visionary accounts, the role of the divine warrior fighting against demonic forces is often taken by a human adept, who becomes exalted and glorified as a result of his encounter with otherworldly antagonists, serving as a prerequisite for his final apotheosis. Demons of Change examines the meaning of these interactions for the transformations of the hero and antihero of early Jewish and Christian apocalyptic accounts. Andrei A. Orlov traces the roots of this trope to ancient Near Eastern traditions, paying special attention to the significance of conflict in the adept's ascent and apotheosis and to the formative value of these developments for Jewish and Christian martyrological accounts. This antagonistic tension plays a critical role both for the exaltation of the protagonist and for the demotion of his opponent. Orlov treats the motif of the hero's apotheosis in the midst of conflict in its full historical and interpretive complexity using a broad variety of Jewish sources, from the creational narratives of the Hebrew Bible to later Jewish mystical testimonies.
A wide-ranging analysis of heavenly twin imagery in early Jewish extrabiblical texts. The idea of a heavenly double—an angelic twin of an earthbound human—can be found in Christian, Manichaean, Islamic, and Kabbalistic traditions. Scholars have long traced the lineage of these ideas to Greco-Roman and Iranian sources. In The Greatest Mirror, Andrei A. Orlov shows that heavenly twin imagery drew in large part from early Jewish writings. The Jewish pseudepigrapha—books from the Second Temple period that were attributed to biblical figures but excluded from the Hebrew Bible—contain accounts of heavenly twins in the form of spirits, images, faces, children, mirrors, and angels of the Presence. Orlov provides a comprehensive analysis of these traditions in their full historical and interpretive complexity. He focuses on heavenly alter egos of Enoch, Moses, Jacob, Joseph, and Aseneth in often neglected books, including Animal Apocalypse, Book of the Watchers, 2 Enoch, Ladder of Jacob, and Joseph and Aseneth, some of which are preserved solely in the Slavonic language. “This book is the first complete effort to show how some pseudepigraphical works develop several unique traditions about heavenly counterparts. It is particularly important for many scholars who do not have control of the Slavonic originals of the Ladder of Jacob and 2 Enoch. Orlov also draws on a broad range of unfamiliar sources, including Manichaean and Mandaean materials, which were often neglected by experts who previously investigated the heavenly counterpart imagery.” — Alexander Kulik, coauthor of Biblical Pseudepigrapha in Slavonic Tradition
This book focuses on Abraham Abulafia's esoteric thought in relation to Maimonides, Maimonideans, and Islamic thought in the line of Leo Strauss' theory of the history of philosophy. A survey of Abulafia's sources leads into an analysis of the esoteric meaning on the famous parable of the three rings, considering also the possible connection between this parable, which Abdulafia inserted into a book dedicated to his student, the 13th century rabbi Nathan the wise, and the Lessing's Play "Nathan the Wise." The book also examines Abulafia's universalistic understanding of the nature of the Bible, the Hebrew language, and the people of Israel (or the Sinaic revelation). The universal aspects of Abulafia’s thought have been put in relief against the more widespread Kabbalistic views which are predominantly particularistic. A number of texts have also been identified here for the first time as authored by Abulafia.
This Festschrift contains forty-one original essays and six tribute papers in honour of Michael E. Stone, Gail Levin de Nur Professor Emeritus of Religious Studies and Professor Emeritus of Armenian Studies at the Hebrew University of Jerusalem. The volume’s main theme is Old Testament Pseudepigrapha, envisioned in its broadest sense: apocryphal texts, traditions, and themes from the Second-Temple period to the High Middle Ages, in Judaism, Christianity and, to a lesser extent, Islam. Most essays present new or understudied texts based on fresh manuscript evidence; the others are thematic in approach. The volume’s scope and focus reflect those of Professor Stone’s scholarship, without a special emphasis on Armenian studies.
This book provides a comprehensive study on the proclamation of Holy Scriptures as an enacted celebration, as well as its function as a performance within sacralized theatrical spaces. Scripture is integral to religious life within Judaism, Christianity, and Islam, and these traditions have venerated the reading of texts from an appointed place as a sacred act. Thus, the study of how these readings are conducted illuminates some vitally important aspects of this widespread act of worship. Contributing to an underexplored area of scholarship, the book offers an overview of scripture reading in the three Abrahamic faiths and then focuses on where and how the “Word of God” is presented within the Christian tradition. It gathers and summarizes research on the origins of a defined place for the proclamation of holy writings, giving a thorough architectural analysis and interpretation of the various uses and symbols related to these spaces over time. Finally, the listener is considered with a phenomenological description of the place for reading and its hermeneutical interpretation. The material in this book uncovers the contemporary impact of a rich history of publicly reading out scriptures. It will, therefore, be of great interest to scholars of liturgical theology, religious studies, and ritual studies.
Demonstrating the pervasive presence of God in modern Hebrew literature, this book explores the qualities that twentieth-century Hebrew writers attributed to the divine, and examines their functions against the simplistic dichotomy between religious and secular literature. The volume follows both chronological and thematic paths, offering a panoramic and multilayered analysis of the various strategies in which modern Hebrew writers, from the turn of the nineteenth century through the twenty-first century pursued in their attempt to represent the divine in the face of metaphysical, theological, and representational challenges. Modern Hebrew literature emerged during the nineteenth century as part of the Haskalah (Jewish Enlightenment) movement, which attempted to break from the traditional modes of Jewish intellectual and social life. The Hebrew literature that arose in this period embraced the rebellious nature of the Haskalah and is commonly characterized as secular in nature, defying Orthodoxy and rejecting God. Nevertheless, this volume shows that modern Hebrew literature relied on traditional narratological and poetic norms in its attempt to represent God. Despite its self-declared secularity, it engaged deeply with traditional problems such as the nature of God, divine presence, and theodicy. Examining these radical changes, this volume is a key text for scholars and students of modern Hebrew literature, Jewish studies and the intersection of religion and literature.
The question of what it means to be human is a perplexing one. Indeed, one of the most cited and referred concept to shed light on the meaning of becoming human is the notion of צלם אלהים divine image. However, the history of interpretation shows that the three major views, such as structural, functional, and relational, on the concept yielded some discrepancies, both biblical and practical. The purpose of this study is to give an alternative solution consistent with the biblical witness. This writing comes with strategies. It starts with the effort to reread the locus classicus of the divine image text to find some neglected aspects. It yielded to comparable elements between messengers and humans as a representative agent of God in the physical world since humans are created in the image of אלהים, i.e., God and his heavenly court. Observation of the texts of Hagar, Moses, and Jacob narrative show that humans, mimicking messengers, represent God’s presence both by their actions and their very beings. The term פּנים, which is closely representing the notion of presence, then will be observed concerning the concept of צלם. It will be argued that as צלם אלהים, thus, humans represent God’s invisible פּנים presence in the visible world.
Through an unusual investigation of kabbalistic commentaries on prayer and ritual from the viewpoint of cultural semiotics, this book attempts to illuminate the features of a lasting Jewish tradition, showing in particular the relevance of ordering structures in Sephardi Kabbalah.