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When Julia flies in to war-scarred Sierra Leone from London, she is apprehensive about seeing her Uncle Moses for the first time in twenty years. But nothing could have prepared her for her encounter with her eight-year-old cousin, Citizen, a former child soldier, and for the shocking truth of what he has done. Driven by a desire to understand Citizen, Julia takes the disturbed child into the 'bush'. There they meet other child soldiers, and a story-teller, Bemba G., who provides a safe haven for them all and strives to return them to childhood through play, love, story-telling and performance. As Julia gradually rediscovers Africa, the different generations of her family rediscover their bonds. And then Bemba G. directs the child soldiers in a version of Shakespeare's Julius Caesar, with powerful effect.
What does it mean to study Shakespeare within a multicultural society? And who has the power to transform Shakespeare? The Diverse Bard explores how Shakespeare has been adapted by artists born on the margins of the Empire, and how actors of Asian and African-Caribbean origin are being cast by white mainstream directors. It examines how notions of 'race' define the contemporary British experience, including the demands of traditional theatre, and it looks at both the playtexts themselves and contemporary productions. Editor Delia Jarrett-Macauley assembles a stunning collection of classic texts and new scholarship by leading critics and practitioners, to provide the first comprehensive critical and practical analysis of this field.
One of the first Japanese-Americans to volunteer for service during World War II, Mike Masaoka spearheaded the drive to eliminate race as a consideration in the American naturalization laws. 8 pages of black-and-white photographs.
The summer of 1898 is filled with ups and downs for 11-year-old Moses. He's growing apart from his best friend, his superstitious Boo-Nanny butts heads constantly with his pragmatic, educated father, and his mother is reeling from the discovery of a family secret. Yet there are good times, too. He's teaching his grandmother how to read. For the first time she's sharing stories about her life as a slave. And his father and his friends are finally getting the respect and positions of power they've earned in the Wilmington, North Carolina, community. But not everyone is happy with the political changes at play and some will do anything, including a violent plot against the government, to maintain the status quo. One generation away from slavery, a thriving African American community—enfranchised and emancipated—suddenly and violently loses its freedom in turn-of-the-century North Carolina when a group of local politicians stages the only successful coup d'etat in US history.
“[A] luminous tale of passion and betrayal” set in the post-colonial and civil war eras of Sierra Leone (The New York Times). Winner of the Commonwealth Writers’ Prize for Best Book As a decade of civil war and political unrest comes to a devastating close, three men must reconcile themselves to their own fate and the fate of their broken nation. For Elias Cole, this means reflecting on his time as a young scholar in 1969 and the affair that defined his life. For Adrian Lockheart, it means listening to Elias’s tale and following his own heart into a heated romance. For Elias’s doctor, Kai Mansaray, it’s desperately battling his nightmares by trying to heal his patients. As each man’s story becomes inexorably bound with the others’, they discover that they are connected not only by their shared heritage, pain, and shame, but also by one remarkable woman. The Memory of Love is a beautiful and ambitious exploration of the influence history can have on generations, and the shared cultural burdens that each of us inevitably face. “A soft-spoken story of brutality and endurance set in postwar Sierra Leone . . . Tragedy and its aftermath are affectingly, memorably evoked in this multistranded narrative from a significant talent.” —Kirkus Reviews
SHORTLISTED FOR THE SCOTT MONCRIEFF PRIZE It's 1970, and in the People's Republic of Congo a Marxist-Leninist revolution is ushering in a new age. But at the orphanage on the outskirts of Pointe-Noire where young Moses has grown up, the revolution has only strengthened the reign of Dieudonné Ngoulmoumako, the orphanage's corrupt director. So Moses escapes to Pointe-Noire, where he finds a home first with a larcenous band of Congolese Merry Men and then among the Zairian prostitutes of the Trois-Cents quarter. But the authorities won't leave Moses in peace, and intervene to chase both the Merry Men and the Trois-Cents girls out of town. All this injustice pushes poor Moses over the edge. Could he really be the Robin Hood of the Congo? Or is he just losing his marbles? Vivid, exuberant and heartwarming, Black Moses is a vital new extension of Alain Mabanckou's extraordinary, interlinked body of work dedicated to his native Congo, and confirms his status as one of our great storytellers.
“Remarkable. . . . Iweala never wavers from a gripping, pulsing narrative voice. . . . He captures the horror of ethnic violence in all its brutality and the vulnerability of youth in all its innocence.” —Entertainment Weekly (A) The harrowing, utterly original debut novel by Uzodinma Iweala about the life of a child soldier in a war-torn African country As civil war rages in an unnamed West-African nation, Agu, the school-aged protagonist of this stunning novel, is recruited into a unit of guerilla fighters. Haunted by his father’s own death at the hands of militants, which he fled just before witnessing, Agu is vulnerable to the dangerous yet paternal nature of his new commander. While the war rages on, Agu becomes increasingly divorced from the life he had known before the conflict started—a life of school friends, church services, and time with his family, still intact. As he vividly recalls these sunnier times, his daily reality continues to spin further downward into inexplicable brutality, primal fear, and loss of selfhood. In a powerful, strikingly original voice, Uzodinma Iweala leads the reader through the random travels, betrayals, and violence that mark Agu’s new community. Electrifying and engrossing, Beasts of No Nation announces the arrival of an extraordinary writer.
The powerful story of an eleven-year-old Black boy determined to stand up for his rights, who's pulled into the action of the 1963 civil rights demonstrations in Birmingham, Alabama. Rufus Jackson Jones is from Birmingham, the place Dr. Martin Luther King Jr. called the most segregated place in the country. A place that in 1963 is full of civil rights activists including Dr. King. The adults are trying to get more attention to their cause—to show that separate is not equal. Rufus’s dad works at the steel factory, and his mom is a cook at the mill, and if they participate in marches, their bosses will fire them. So that’s where the kids decide they will come in: Nobody can fire them! So on a bright May morning in 1963, Rufus and his buddies join thousands of other students to peacefully protest in a local park. There they are met with policemen and firemen, who turn their powerful hoses on them, and that’s where Rufus realizes that they are the fire. And they will not be put out. Shelia Moses gives readers a deeply personal account of one boy’s heroism during what came to be known as the Children’s Crusade in this important novel that highlights a key turning point in the civil rights movement.
The legacy lives. Descendants of the famed abolitionist, Harriet Tubman, deliver a work reminiscent of family lore, memoir, and historical fact about the Moses of Her People. The story of Aunt Harriet is embedded within the family history of the Green Ross Tubman Stewart Elliot Gaskin Stokes lineage. The story arises from a young black girl who lived in Auburn, new York during the 1930's and finds out that she is related to the old woman whose portrait hung in the Booker T. Washington Community Center.