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“An instant classic. . . . A pure joy to read.” —Washington Post Book World Both a heart-racing adventure and an uplifting quest, Walking the Bible presents one man’s epic journey- by foot, jeep, rowboat, and camel- through the greatest stories ever told. From crossing the Red Sea to climbing Mount Sinai to touching the burning bush, Bruce Feiler’s inspiring odyssey will forever change your view of history’s most legendary events. The stories in the first five books of the Bible, also known as the Torah, come alive as Feiler searches across three continents for the stories and heroes shared by Christians and Jews. You’ll visit the slopes of Mount Ararat, where Noah’s ark landed, trek to the desert outpost where Abraham first heard the words of God, and scale the summit where Moses received the Ten Commandments. Using the latest archeological research, Feiler explores how physical location affects the larger narrative of the Bible and ultimately realizes how much these places, as well as his experience, have affected his faith. A once-in-a-lifetime journey, Walking the Bible offers new insights into the roots of our common faith and uncovers fresh answers to the most profound questions of the human spirit. “Smart and savvy, insightful and illuminating.” —Los Angeles Times “An exciting, well-told story informed by Feiler’s boundless intellectual curiosity . . . [and] sense of adventure.” —Miami Herald
Organized chronologically from early Renaissance precursors to the Mannerist movement, from Giotto to Titian, Key Monuments of the Italian Renaissance describes and analyzes in depth from various points of view major works and major artists, from the fourteenth to the sixteenth centuries. Artists included are Cimabue, Duccio, Giotto, Lorenzetti, Gh
Makes a persuasive case for a black Atlantic literary renaissance & its impact on modernist studies. These 10 new chapters stretch and challenge current canonical configurations of modernism in two key ways: by considering the centrality of black artists, writers and intellectuals as key actors and core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as an aesthetic and political category at critical moments during the twentieth century. This is the first book-length publication to explore the term 'Afromodernisms' and the first study to address together the cognate fields of modernism and the black Atlantic.
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
This volume offers a fresh approach to an old issue: the question of Moses' authorship. Whereas traditional interpretation equated the "book" written by Moses (Deut 31:9,24) with Deuteronomy, and even with the Pentateuch, and while critical historical exegesis endeavors to identify Deuteronomy's successive redactors, this study assesses the literary claim of Deuteronomy as far as Moses' writing is concerned. The study first describes the process of communication in Deuteronomy's represented world (by Moses to the sons of Israel); it next characterizes the Book of Deuteronomy as communication (by the narrator to the reader); it eventually focuses on Deuteronomy's powerful embodiment of the theme of the "book within the book". Thus approached, Deuteronomy shows itself as a narrative theory of what (holy) "writ" is all about.
Winner (for best semi-popular book) of the 2008 Irene Levi-Sala Prize for publications on the archaeology of Israel. The emergence of Israel in Canaan is a central topic in biblical/Syro-Palestinian archaeology. However, the archaeology of ancient Israel has rarely been subject to in-depth anthropological analysis until now. 'Israel's Ethnogenesis' offers an anthropological framework to the archaeological data and textual sources. Examining archaeological finds from thousands of excavations, the book presents a theoretical approach to Israel's ethnogenesis that draws on the work of recent critics. The book examines Israelite ethnicity - ranging from meat consumption, decorated and imported pottery, Israelite houses, circumcision, and hierarchy - and traces the complex ethnic negotiations that accompanied Israel's ethnogenesis. Israel's Ethnogenesis is unique in its contribution to the archaeology of ethnicity, offering an anthropological study that will be of interest to students of history, Israelite culture and religion, and the evolution of ethnic groups.