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Revive your love of mosaics! Inside Mosaic Renaissance discover a treasure trove of rich, inspiring patterns and intriguing mosaic projects that incorporate handcrafted Italian glass known as millefiori. After learning essential mosaic techniques—like cutting tiles and mixing a batch of grout—get inspired by a collection of beautiful millefiori patterns you can use in your own mosaic art. Then try ten illustrated mosaic projects ranging from the practical (a basic trivet, a simple box) to the peculiar (a blushing bride skull) plus pretty projects sure to please. Mosaic Renaissance will renew your love of mosaics with: An introduction to tiling tools and techniques 60+ sample patterns, from simple to complex 10 mosaic projects complete with step-by-step instruction A gallery of 40 mosaic pieces from artists around the world With inspiration for all skill levels, Mosaic Renaissance is a visual feast of ideas for reviving your mosaic art.
Bits and pieces, pique assiette, memoryware -- there are many names for this unique folk art technique that has flourished for centuries around the world. Mosaic art, revered for its intricacy and beauty, can now be made by anyone with the simple methods found in Making Bits & Pieces Mosaics. Marshall's easy-to-follow techniques make it fun for readers to transform everyday items into one-of-a-kind works of art by attaching broken dishes, ceramics, jewelry, and glass to a wide range of surfaces. With clear, step-by-step directions and inspiring photographs, crafters can create fabulous projects of their own, including flower pots and vases, lamps, fireplace mantels, bird baths and bird houses, plant stands, garden tables, walkways, and more!
Imagine beautiful mosaic pieces with tiles that you easily create yourself! Mixed-Media Mosaics offers a fresh, new approach to a traditional art form. By making your own tiles from polymer clay, you control the size, shape, color and even the texture, resulting in beautiful finished pieces that include tabletops, boxes, jewelry and shrines. In addition to learning traditional tiling techniques such as working with grout and cutting glass tile, you'll also explore creative options for personalizing tiles: • Discover the magic of mica powders and the regal look they can give to mosaics • Learn quick and easy ways of adding paint to handcrafted and commercial tile • See how easy it is to create molds and cast your own relief tiles • Find ways to add personal meaning to your work with the addition of text tiles • Experiment with the addition of beads, jewelry and other embellishments by embedding them right into the tile! Whether you'd like to complete a mosaic tabletop for your patio, a jewelry box as a special gift, or simply experiment with jewelry, you'll find the inspiration you seek in Mixed-Media Mosaics. Start creating your custom mosaic pieces today.
Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred conversation,” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation, resulting in extremely personal interpretations of religious subjects immersed in landscapes where the real and the symbolic are inextricably intertwined. This volume includes a biography of the artist, essays by leading authorities in the field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their history and provenance, function, iconography, chronology, and style.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
In the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East—maps, historical images and religious scenes constituting a treasure of new testimony from antiquity. In them, Bowersock finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride.