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In the late 1870s, this gifted writer of hilarious, bad verse had a national following. Mark Twain even wrote that he always carried with him a copy of Julia's first book of poems, The Sentimental Song Book (1876). "I find in them the same grace and melody that attracted me when they were first published twenty years ago, and have held me in happy bonds ever since," he explained. Twain attributed the "deep charm" of Julia's poems to her innocent habit of making "an intentionally humorous episode pathetic and an intentionally pathetic one funny." Twain immortalized Julia's style in the writings of Emmeline Grangerford, a character in The Adventures of Huckleberry Finn. She also influenced the writing--in fact, the career--of the doggerel poet Ogden Nash, who reportedly said that her example convinced him to try to become "a great bad poet" rather than "a bad good poet." The late Walter Blair, a highly respected professor of American literature at the University of Chicago, put it like this in his introduction to the last published collection of Julia's poems in 1928: If these songs [as Julia called her poems] were only a little closer to the conventional modes of meter, rhyme, thought, and expression they would not impress us at all. Touched, however, by the magic wand of genius, the novel works of this great poet cause readers to slump down in their chairs, hold their agitated and aching sides, wipe tears from brimming eyes, and fill the air with the sound of distinctly raucous laughter. Mortal Refrains is the first complete, published collection of Julia Moore's work--poetry, short stories, songs (including sheet music), and newspaper interviews--compiled from the earliest published versions found in various public libraries, rare book collections, museums, and archives.
Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understanding it in its most literal and physical form, as well as through the many metaphorical connotations that spring from it. Close readings then show how the tragedies and fragments of Aeschylus gain meaning from the rubric and performance of voice, concentrating particularly on the Oresteia. Sarah Nooter demonstrates how voice - as both a bottomless metaphor and performative agent of action - stands as the prevailing configuration through which Aeschylus' dramas should be heard. This highly original book will interest all those interested in classical literature as well as those concerned with material approaches to the interpretation of texts.
A veteran music journalist argues that the rise of music streaming and the consolidation of digital platforms is decimating the musical landscape, with dire consequences for the future of our culture … In The Endless Refrain, former Washington Post writer and editor David Rowell lays out how commercial and cultural forces have laid waste to the cultural ecosystems that have produced decades of great American music. From the scorched-earth demonetizing of artist revenue accomplished by Spotify and its ilk to the rise of dead artists “touring” via hologram, Rowell examines how a perfect storm of conditions have drained our shared musical landscape of vitality. Combining personal memoir, intimate on-the-ground reporting, industry research, and cultural criticism, Rowell’s book is a powerful indictment of a music culture gone awry, driven by conformity and subverted by the ways the internet and media influence what we listen to and how we listen to it.
A thorough analysis of the mechanics of the language of Homer as used in the Iliad and the Odyssey.
The special character of Paul's interpretation is marked by his ability to embody in his thought and praxis the movement of the incarnation, that is, the condescension of God into the depth of the human condition, so that the eternal Word of the gospel is able to become ever anew a word on target for the people to whom the gospel is addressed.
Paperback reissue of one volume of the English Dominicans' Latin/English edition of Thomas Aquinas' Summa Theologiae.
A profound look at how death and dying is understood, negotiated, and experienced by different cultures.
Upon first consideration, sport and art seem to occupy separate, even opposing, realms--sport, associated with physical prowess, and art, with the highest reaches of the human mind. But because sport is such a powerful metaphor for so many human experiences, it has found its way into artistic traditions all over the world. Part One of this book provides a basic understanding of sport as symbol. Part Two gives attention to animals as adversaries and traces the origins of sporting art back to the hunt. Part Three considers humans competing against humans in combat sports, ball games, stick-and-ball games, and racquet sports, as well as in warfare. Part Four concentrates on contesting with oneself in races and sports of grace and beauty such as gymnastics, figure skating and ice dancing. The book concludes with a discussion of the athlete's relationships to society.
"Whether we are to live in a future state . . . is the most important question which can possibly be asked. . . . Yet strange perplexities have been raised about the meaning of that identity or sameness of person, which is implied in the notion of our being now and hereafter. . . ." These words, written by the Anglican Bishop Joseph Butler, concisely summarize the crux of the problem which renowned philosopher Antony Flew tackles in this profoundly thoughtful book. Despite the perennial hope of life beyond the grave, Flew shows that there are insuperable difficulties in elucidating postmortem survival on a rational basis. He analyzes the three ways that philosophers of the past have attempted to get around these difficulties: the "reconstitutionist way" (miraculous reassembly of our deceased bodies at some future time, such as the Last Judgment); the "way of the astral body" (a sort of duplicate, undetectable "body," which detaches itself from the material body after death); and the "Platonic-Cartesian way"(an incorporeal mind or soul containing a person's identity which lives on after death). The main problem, says Flew, is the impossibility of logically demonstrating how a person surviving death in any imagined altered state could identify him- or herself as the same person who had previously lived a flesh-and-blood life on the Earth. Flew reviews both the classic arguments of Plato, Aristotle, Aquinas, and Descartes, as well as the modern findings of parapsychology, elucidating this complex issue with logical rigor and engaging wit.