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Sorceress, student, queen of the vampires, wife—Cory can do it all. But now she has a new title—mom to be—and a battle on her doorstep.
Cory and Green must prove they're leaders who bind people to their hearts and keep danger from running rampant.
Cory is in the middle of a turf war. But her people and her territory aren’t her only worry—her OBGYN is obsessed with the inhuman silhouettes of her unborn babies.
WINNER OF THE NOBEL PRIZE IN LITERATURE A luminous collection of essays from Louise Glück, winner of the Nobel Prize in Literature and one of our most original and influential poets Five decades after her debut poetry collection, Firstborn, Louise Glück is a towering figure in American letters. Written with the same probing, analytic control that has long distinguished her poetry, American Originality is Glück’s second book of essays—her first, Proofs and Theories, won the 1993 PEN/Martha Albrand Award for First Nonfiction. Glück’s moving and disabusing lyricism is on full display in this decisive new collection. From its opening pages, American Originality forces readers to consider contemporary poetry and its demigods in radical, unconsoling, and ultimately very productive ways. Determined to wrest ample, often contradictory meaning from our current literary discourse, Glück comprehends and destabilizes notions of “narcissism” and “genius” that are unique to the American literary climate. This includes erudite analyses of the poets who have interested her throughout her own career, such as Rilke, Pinsky, Chiasson, and Dobyns, and introductions to the first books of poets like Dana Levin, Peter Streckfus, Spencer Reece, and Richard Siken. Forceful, revealing, challenging, and instructive, American Originality is a seminal critical achievement.
Elizabeth Taylor's electrifying performance in Who's Afraid of Virginia Woolf? The milkshake scene in There Will be Blood. Leonardo DiCaprio's turn as Arnie in What's Eating Gilbert Grape? What makes these performances so special? Eloquently written and engagingly laid out, Murray Pomerance answers the tough question as to what makes an exceptional, or virtuosic performance. Pomerance intensively explores virtuosic performance in film, ranging from classical works through to contemporary production, and gives serious consideration to structural problems of dramatization and production, actorial methods and tricks, and contingencies that befall performers giving stand-out moments. Looking at more than 40 aspects of the virtuosic act, and using an approach based in careful meditation and discursion, Virtuoso moves through such themes as showing off, effacement, self-consciousness, performative collapse, spontaneity, acting as dream, acting and femininity, virtuosity and torture, secrecy, improvisation, virtuosic silence, and others; giving special attention to the labors of such figures as Fred Astaire, Johnny Depp, Marlene Dietrich, Basil Rathbone, Christopher Plummer, Leonardo DiCaprio, Alice Brady, Ethel Waters, James Mason, and dozens more. Numerous scenic virtuosities are examined in depth, from films as far-ranging as Singin' in the Rain and The Bridge on the River Kwai, and My Man Godfrey. As the first book about virtuosity in film performance, Virtuoso offers exciting new angles from which to view film both classical and contemporary.
Prior's view on intensionality and truth is based on the principle that sentences never name, that what sentences say cannot be otherwise signified, that a sentence says what it says whatever the type of its occurrence, and that sentential quantification is neither eliminable, substitutional, nor referential. The text defends each of these principles.
The great tribulation of the Primordial Era had the dancing of Fiendgods and Fiendgods, the pacification of Elder Gods, and the three parts of the Ancestral Star, leaving behind the primordial era of spacetime and time to last forever. The Sword God was heavily injured in the Ancient Void Cave and couldn't be cured. He forcefully opened the Ancient Path of Space and Time to return to Earth, leaving behind his legacy for fate. This was a lucky chance that Gu Juntian had come across on Earth. Once he became a god, he would rule the Heaven Realm for 100 thousand years. He deeply missed his parents and his wife, returning to earth after suffering so much and becoming a mortal. And now that the Three Realms had come to an end, Juntian had to shoulder a heavy responsibility. He had to do this for his family, for his friends, and for the lives of the people of the Three Realms. Earth, Human Realm, Earth Realm, Heaven Realm ... Outer universe. The journey through the Thorn Rampart had been a battle of wits with the geniuses of various races, powers of the Three Realms, and demons and gods alike. Miracles had been created one after another, leaving behind countless legends ...
Cory and Green must prove they're leaders who bind people to their hearts and keep danger from running rampant.