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For the first time collected together, the best weird fiction from Morpheus Tales, the UK's most controversial weird fiction magazine! Only the very best weird fiction has been hand-picked from the Morpheus Tales archives to create the third collected volume of the magazine Christopher Fowler calls "edgy and dark". Featuring fiction by Simon Addams, Barbra Annino, Richard Farren Barber, David Brookes, Eric S. Brown, Kevin Brown, Tom Cardamone, Lee Collins, Nicholas Day, Thomas Henry Dylan, Paul Eckert, Craig Hallam, Andrew Hook, Adrian Ludens, David McGillveray, Christian McPhate, Colin Meldrum, Andrew Morris, Aaron Polson, John M. Radosta, Willie Smith, Alan Spencer, Wayne Summers, Lennart Svensson, Kevin Wallis. Established horror best-sellers rub shoulders with rising stars and newcomers in this diverse collection of short weird fiction.
For the first time collected together, the best weird fiction from Morpheus Tales, the UK's most controversial weird fiction magazine! Only the very best weird fiction has been hand-picked from the Morpheus Tales archives to create the fourth collected volume of the magazine Christopher Fowler calls "edgy and dark." Featuring fiction by Gary Budgen, Alex Davis, James Everington, R. K. Gemienhardt, Dean M. Drinkel, Michael W. Garza, John S. Barker, Brick Marlin, Kurt Fawver, John F. D. Taff, Charles A. Muir, Martin Slag, Lenora Farrington-Sarrouf, Deborah Walker, Cate Caldwell, Richard Smith, Alex Gonzalez, Erik T. Johnson, Brian Kutco, Heather Smith, John Morgan. Established horror best-sellers rub shoulders with rising stars and newcomers in this diverse collection of short weird fiction.
A princess must win back her kingdom, save a prince, and restore peace in this fantasy by the #1 New York Times–bestselling author of the Splintered series. After Lyra—a princess incapable of speech or sound—is cast out of her kingdom of daylight by her wicked aunt, a witch saves her life, steals her memories, and raises her in an enchanted forest…disguised as a boy known only as Stain. Meanwhile, in Lyra’s rival kingdom, the prince of thorns and night is dying, and the only way for him to break his curse is to wed the princess of daylight—for she is his true equal. As Lyra finds her way back to her identity, an imposter princess prepares to steal her betrothed prince and her crown. To win back her kingdom, save the prince, and make peace with the land of the night, Lyra must be loud enough to be heard without a voice, and strong enough to pass a series of tests—ultimately proving she’s everything a traditional princess is not. “A decadent fantasy anchored in childhood delights with vibrantly detailed writing and brilliantly theatrical subplots.” —Kirkus Reviews “[A] reimagining of “The Princess and the Pea” . . . An emotionally complex tale of fate, inner beauty, and found family that illustrates the strength of love born from friendship.” —Publishers Weekly
A teenage girl faces her evil nemesis in the Alice’s Adventures in Wonderland-inspired trilogy that “should sweep readers down the rabbit hole” (Publishers Weekly). After surviving a disastrous battle at prom, Alyssa has embraced her madness and gained perspective. She’s determined to rescue her two worlds and the people and netherlings she loves. Even if it means challenging Queen Red to a final battle of wills and wiles . . . and even if the only way to Wonderland, now that the rabbit hole is closed, is through the looking-glass world—a parallel dimension filled with mutated and violent netherling outcasts. In the final installment of the wildly popular Splintered trilogy, Alyssa and her dad journey into the heart of magic and mayhem in search of her mom and to set right all that’s gone wrong. Together with Jeb and Morpheus, they must salvage Wonderland from the decay and destruction that has ensnared it. But if they succeed and come out alive, can everyone truly have their happily ever after? Praise for the Splintered trilogy “Alyssa is one of the most unique protagonists I’ve come across in a while. Splintered is dark, twisted, entirely riveting, and a truly romantic tale.” —USA Today “Brilliant, because it is ambitious, inventive, and often surprising.” —The Boston Globe “A dark beauty fills the novel’s pages, which will mesmerize teens with a taste for magic, romance or suspense. Unhinged lays the groundwork for a third book where anything could happen—it is Wonderland, after all.” —Shelf Awareness
In the near future, a machinist, a monk, and a mesmerizer are looking for the Source of the universe, but among the ancient scriptures, they only find the devil ... Few humans in the future find the secrets of what words and sounds can do, for the Apocalypse and war have led them to evolve in mind and physique. Two of them end World War III with just a four-minute speech. Some say they did mass hypnosis. Others say it was their voice and will. Fifty years later in South Asia, KUSHA, a twenty-three-year-old machine-geek with social awkwardness and amnesia, tries to get the Devil’s Book with secrets of voice. But her idol of voice and everyone's beloved war heroes, YUAN and RUEM, are also after it for power. In a society that worships the evolved High Grades with voice, how you speak and which words you talk with is important. As someone who finds all solutions in books, Kusha thinks the secrets in the three-foot-long ancient book will teach her to speak mesmerizingly. She believes it will help her evolve. So, she decides to attend the auction where the book will be sold. But there's a problem; powerful High Grades want the book too. They want to code fate, rewriting the material world. They are undead, immortal mesmerizers. And being a philosopher, Kusha admires their ethics while she must fight them—the fight that starts with the book. The fight creates a chain reaction leading her to an epic journey. About the Series: THE HIGH AUCTION: WISDOM REVOLUTION is a book of genre-bending Adult Sci-fi-Fantasy series "The Machinist, The Monk, And The Mesmerizer Chronicles." Here, you'll find Metaphysical magic built around philosophy and spirituality. You'll find ancient mysteries, archaeological adventures, and, most importantly, you will meet some characters. Its inspiration was from myths/truth (read the word you prefer) of all religions where humans evolved to Sufis, Rishis, Sannashis, Monks, and sometimes, Gods. Example: Shiva Purana in Hindu epics where Sati evolved to Goddess Parvati and splits into Kali to destroy the evil is a prominent example. You'll find diverse cultures, sexuality, and faith in this series. Enjoy. What the Critiques and Reviewers are saying about it: "GEM PROSE ... YOU WILL FINISH THIS BOOK ONCE YOU START ..." "EXCEPTIONALLY THOUGHT-PROVOKING ..." "RELATABLE ... YOU KEEP NODDING AT EVERYTHING ..."
"Rune Germain moves to a boarding school outside of Paris, only to discover that at this opera-house-turned-music-conservatory, phantoms really do exist"--
"When an experiment with population control works too well, and the planet is decimated, seven broken people are united by a supernatural bond in a modern day Eden. Most on the island are fully aware of this prison disguised as an oasis. Coming for them, to exact revenge, and finish the job that the virus started, is Gordon. He just landed on the island and he has help"--P. [4] of cover.
Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.
The ultimate action-fueled end-of-the-world conspiracy trilogy from #1 New York Times bestselling author D.J. MacHale THEY CAME FROM THE SKY parachuting out of military helicopters to invade Tucker Pierce’s idyllic hometown on Pemberwick Island, Maine. They call themselves SYLO and they are a secret branch of the U.S. Navy. SYLO’s commander, Captain Granger, informs Pemberwick residents that the island has been hit by a lethal virus and must be quarantined. Now Pemberwick is cut off from the outside world. Tucker believes there’s more to SYLO’s story. He was on the sidelines when the high school running back dropped dead with no warning. He saw the bizarre midnight explosion over the ocean, and the mysterious singing aircraft that travel like shadows through the night sky. He tasted the Ruby—and experienced the powers it gave him—for himself. What all this means, SYLO isn’t saying. Only Tucker holds the clues that can solve this deadly mystery. LOOK TO THE SKY because Pemberwick is only the first stop.
Welcome to a landscape of ancient evil . . . with stories by masters of horror Arthur Machen, Algernon Blackwood, H. P. Lovecraft, M. R. James​, Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver​, Michael Marshall Smith, Karl Edward Wagner, and more! The darkness that endures beneath the earth . . . the disquiet that lingers in the woodland surrounding a forgotten path . . . those ancient traditions and practices that still cling to standing stone circles, earthworks, and abandoned buildings; elaborate rituals that invoke elder gods or nature deities; the restless spirits and legendary creatures that remain connected to a place or object, or exist in deep wells and lonely pools of water, waiting to ensnare the unwary traveler . . . These concepts have been the archetypes of horror fiction for decades, but in recent years they have been given a name: Folk Horror. This type of storytelling has existed for more than a century. Authors Arthur Machen, Algernon Blackwood, H. P. Lovecraft, and M. R. James all published fiction that had it roots in the notion of the supernatural being linked to objects or places “left behind.” All four writers are represented in this volume with powerful, and hopefully unfamiliar, examples of their work, along with newer exponents of the craft such as Ramsey Campbell, Storm Constantine, Christopher Fowler, Alison Littlewood, Kim Newman, Reggie Oliver, and many others. Illustrated with the atmospheric photography of Michael Marshall Smith, the stories in The Mammoth Book of Folk Horror tap into an aspect of folkloric tradition that has long been dormant, but never quite forgotten, while the depiction of these forces as being in some way “natural” in no way detracts from the sense of nameless dread and escalating horror that they inspire . . .