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Brynn is having a bad morning. All sorts of things are going wrong, and she doesn't know why.
FBI Special Agent Ana Grey returns in this psychologically acute, completely and unstoppably suspenseful thriller from April Smith. A fifteen-year-old girl has been abducted and Ana Grey is sent to investigate. When the girl reappears, completely traumatized, Ana realises she is far too emotionally invested in the case. She can no longer separate her own life from the victim's. And if the situation wasn't already sufficiently disturbing, her partner on the investigation is Andrew Berringer, her on-again, off-again lover. As her personal and professional lives converge, Ana reaches a breaking point. She no longer knows who she can trust, no even Berringer, and in a moment of anger fires her gun. Suddenly more than just the case is on the line--it's her whole career.
Sequel to the author's mystery debut, "The Morning show murders." Professional chef turned amateur sleuth Billy Blessing finds himself in hot water, when a brutal killing cancels a TV show -- and its host -- during it debut. -- Dust jacket.
Melissa Craig is a successful crime novelist who has left London to pursue her career in the more relaxed atmosphere of the Cotswolds. It doesn't take her long to discover that fact and fiction are sometimes frighteningly similar, and the gentle country existence she planned for herself is, instead, providing grist for her creative mill. Finishing Touch finds Melissa becoming more involved with the local community, and teaching creative writing at the local Tech. But murder stalks the college art department, reminding both Melissa and Iris, her artist neighbour, of a bizarre event they had witnessed some time before. 'A gently old-fashioned whodunit, riddled with lurking anguish' The Times
Imagine a murder victim hated because of arrogance and cruelty towards her children, whose lives she dominated. But it is the housekeeper who is found dead. Had a mistake been made and the wrong woman killed? Dr. Patrick Grant uses his powers of logic and deduction, but can only solve the mystery by incriminating an innocent person.
A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?
During the garter toss at Brenda and Eddie's Wedding Reception, a mysterious man falls dead on the dance floor from a gunshot. Luckily the bride's father -the wealthy Harold Montague -invited Damage control expert Mr. Parker to the event. Parker tries "spinning" the murder as "nothing to worry about" but Society columnist Mary Berger insists "something be done".
Mystery’s life changes overnight. He finds out that his family is not really his true family and that the one he has fallen for has deceived him. Everyone Mystery has come to know has secrets and a hidden past. Mystery is caught in a chain of events and surrounded by lies, deceit, blackmail, and betrayal. Family turns against family, and friends turn against friends.
A wildly charming and fast-paced mystery written with all the panache of the hardboiled classics, Fortune Favors the Dead introduces Pentecost and Parker, an audacious new detective duo for the ages. “Razor-sharp style, tons of flair, a snappy sense of humor, and all the most satisfying elements of a really good noir novel, plus plenty of original twists of its own.”—Tana French, bestselling author of The Searcher It's 1942 and Willowjean "Will" Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York's best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn't expect to be offered a life-changing proposition: Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation. Three years later, Will and Lillian are on the Collins case: Abigail Collins was found bludgeoned to death with a crystal ball following a big, boozy Halloween party at her home—her body slumped in the same chair where her steel magnate husband shot himself the year before. With rumors flying that Abigail was bumped off by the vengeful spirit of her husband (who else could have gotten inside the locked room?), the family has tasked the detectives with finding answers where the police have failed. But that's easier said than done in a case that involves messages from the dead, a seductive spiritualist, and Becca Collins—the beautiful daughter of the deceased, who Will quickly starts falling for. When Will and Becca's relationship dances beyond the professional, Will finds herself in dangerous territory, and discovers she may have become the murderer's next target.
When United Airlines workers reported a UFO at O'Hare Airport in November 2006, it was met with the typical denials and hush-up that usually accompany such sightings. But when a related story broke the record for hits at the Chicago Tribune's website, it was clear that such unexplained objects continued to occupy the minds of fascinated readers. Why, wonders Thomas Bullard, don't such persistent sightings command more urgent attention from scientists, scholars, and mainstream journalists? The answer, in part, lies in Bullard's wide-ranging magisterial survey of the mysterious, frustrating, and ever-evolving phenomenon that refuses to go away and our collective efforts to understand it. In his trailblazing book, Bullard views those efforts through the lens of mythmaking, discovering what UFO accounts tell us about ourselves, our beliefs, and the possibility of visitors from beyond. Bullard shows how ongoing grassroots interest in UFOs stems both from actual personal experiences and from a cultural mythology that defines such encounters as somehow "alien"-and how it views relentless official denial as a part of conspiracy to hide the truth. He also describes how UFOs have catalyzed the evolution of a new but highly fractured belief system that borrows heavily from the human past and mythic themes and which UFO witnesses and researchers use to make sense of such phenomena and our place in the cosmos. Bullard's book takes in the whole spectrum of speculations on alien visitations and abductions, magically advanced technologies, governmental conspiracies, varieties of religious salvation, apocalyptic fears, and other paranormal experiences. Along the way, Bullard investigates how UFOs have inspired books, movies, and television series; blurred the boundaries between science, science fiction, and religion; and crowded the Internet with websites and discussion groups. From the patches of this crazy quilt, he posits evidence that a genuine phenomenon seems to exist outside the myth. Enormously erudite and endlessly engaging, Bullard's study is a sky watcher's guide to the studies, stories, and debates that this elusive subject has inspired. It shows that, despite all the competing interests and errors clouding the subject, there is substance beneath the clutter, a genuinely mysterious phenomenon that deserves attention as more than a myth.