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A history of the Mormon faith and people as they use the art of music to define and re-define their religious identity
The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.
A first-of-its-kind history, The Mormon Tabernacle Choir tells the epic story of how an all-volunteer group founded by persecuted religious outcasts grew into a multimedia powerhouse synonymous with the mainstream and with Mormonism itself. Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped "America's choir." Here is the miraculous story behind the Tabernacle's world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir's aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism's crossover triumph. Yet, as Hicks shows, such success raised fundamental concerns regarding the Choir's mission, functions, and image.
OUR DEAR YOUNG MEN AND YOUNG WOMEN, we have great confidence in you. You are beloved sons and daughters of God and He is mindful of you. You have come to earth at a time of great opportunities and also of great challenges. The standards in this booklet will help you with the important choices you are making now and will yet make in the future. We promise that as you keep the covenants you have made and these standards, you will be blessed with the companionship of the Holy Ghost, your faith and testimony will grow stronger, and you will enjoy increasing happiness.
(Ingram Books). 2004 Tony Award winner for Best Musical, Best Original Score and Best Book of a Musical! Playbill.com describes Avenue Q, a decidedly adult puppet/human show, as a meeting of Sesame Street and South Park . Our deluxe songbook features all 20 songs in standard piano/vocal format (melody in the piano part), more than 20 fabulous full-color photos from the production, and a bio of the writing team of Robert Lopez and Jeff Marx, who've scored big with their first Broadway show! Tunes include: The Avenue Q Theme * Fantasies Come True * I Wish I Could Go Back to College * I'm Not Wearing Underwear Today * If You Were Gay * The Internet Is for Porn * It Sucks to Be Me * Mix Tape * The Money Song * Purpose * There Is Life Outside Your Apartment * What Do You Do with a B.A. in English * and more. PARENTAL ADVISORY: EXPLICIT LYRICS. The Libretto includes the complete book and lyrics from the musical with additional color photos from the Broadway performance.
At times jubilant, at times elegiac, this set of ten essays by music historian Michael Hicks navigates topics that range from the inner musical life of Joseph Smith to the Mormon love of blackface musicals, from endless wrangling over hymnbooks to the compiling of Mormon folk and exotica albums in the 1960s. It also offers a brief memoir of what happened to LDS Church President Spencer Kimball's record collection and a lengthy, brooding piece on the elegant strife it takes to write about Mormon musical history in the first place. There are surprises and provocations, of course, alongside judicious sifting of sources and weighing of evidence. The prose is fresh, the research smart, and the result a welcome mixture of the careful and the carefree from Mormonism's best-known scholar of musical life.
Dorothy Sayers, author of the Peter Wimsey mystery novels, shows why every Christian needs a creed to live by. Sayers writes about the Faith with wit, charm, and humor.
The ideal introduction to what many historians consider the most innovative and successful religion to emerge during the spiritual ferment of antebellum America.
Raised in the Mormon church, she dreamed of becoming a 'heavenly queen.' A personal account of one woman's Mormon heritage and her conversion to the Christian faith. Examines several important tenets of the Mormon faith.
A Book of Mormons not only provides a fascinating glimpse into a religion that has taken center stage in the last presidential election, but will prompt insights into what living an encompassing religion means both individually and for the community trying to understand exactly "What does it mean to be a Mormon today?" Mormonism is at a crossroads, having been under the microscopic lens of the media for the past five years, even as Mormons young and old grapple with the openness and accessibility of The Information Age. Both the institutional church and its lay members are working to better define the faith for outsiders as well as within. This collection of essays from a broad swath of Mormons -- some who live their faith quietly, others who wrestle with how it colors their professional endeavors -- is an attempt to broaden perspectives about Mormons and demystifying stereotypes.