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Moriarty’s Flight of Fancy is a story of migration to a new life in Australia. The challenging adventure is full of enterprise, risk, struggle, and plain hard work, laced with a spirit of ‘get on with it’. Central to the story is the growth of a personal and family heritage and the demands it placed on the Moriarty family. When Moriarty and his wife, B., escaped from their mundane existence in the Emerald Isle, they struggled until they met the MacDonalds and built a lifelong partnership with them. The sheep property—the Homestead—went through a kaleidoscope of good times, severe drought, fire, and threats from development. Moriarty’s children were different in character and aspiration. Patrick married a part-aboriginal person. Together they made a big impact on the Flying Doctor Service. Siobhan was a changeable personality who had mixed fortune, eventually finding happiness only for it to be cut short by tragedy. The wild one, Kaitlyn, slid down a skid row after a meteoric success. With help from a special friend, she was able to reinvent herself. All the while, Moriarty grew young through a curious dialogue with experience.
Professor James Moriarty has but one desire left in his shattered life: to stop the man who ruined him from harming anyone else. Then he meets Angelina Gould and his world turns upside down. At the International Exhibition, an exploding steam engine kills a man. When Moriarty tries to figure out what happened, he comes up against Sherlock Holmes, sent to investigate by Moriarty’s old enemy. Holmes collects evidence that points at Moriarty, who realizes he must either solve the crime or swing it for it himself. He soon uncovers trouble among the board members of the engine company and its unscrupulous promoter. Moriarty tries to untangle those relationships, but everywhere he turns, he meets the alluring Angelina. She’s playing some game, but what’s her goal? And whose side is she on? Between them, Holmes and Angelina push Moriarty to his limits -- and beyond. He’ll have to lose himself to save his life and win the woman he loves.
Professor and Mrs. Moriarty seek justice where the law can’t — or won’t — apply. In this series of lively stories, they assemble a band of misfits -- others who have been cast out or falsely accused -- to help them defend the victims of the rich and powerful in Victorian society. Their efforts often put them at odds with police consultant Sherlock Holmes. Book 1: Moriarty Meets His Match Prof. Moriarty has one desire in his ruined life: to destroy his enemy. Then he meets amber-eyed Angelina and his world turns upside down. Now he’s being stalked by the implacable Sherlock Holmes and entangled in a web of murder and deceit. Book 2: Moriarty Takes His Medicine Professor & Mrs. Moriarty tackle a case too ticklish for Sherlock Holmes — a doctor with a private clinic murdering wealthy women for a price. Book 3: Moriarty Brings Down the House The Moriartys must stop the deadly pranks threatening a West End Christmas pantomime before someone they love is killed or Holmes obtains the damning evidence his client demands. Bonus short story: The Stockbroker’s Wife Professor Moriarty commits a small fraud to expose a larger one.
FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF BIG LITTLE LIES AND HERE ONE MOMENT A “sharp and funny romantic tale.”—O, the Oprah Magazine Ellen O’Farrell is a professional hypnotherapist who works out of the eccentric beachfront home she inherited from her grandparents. It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back. Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised. It turns out that Patrick’s ex-girlfriend is stalking him. Ellen thinks, Actually, that’s kind of interesting. She’s dating someone worth stalking. She’s intrigued by the woman’s motives. In fact, she’d even love to meet her. Ellen doesn’t know it, but she already has.
It is an account of actual events in Ireland and the ongoing conflict there. The author, as depicted in his CV, was an active participant as a member of the British Army and MI6.
Conversations on Creative Process, Methods, Research and Practice provides unique insights into the experiences of eight established creative practitioners who use their creative process in a professional and personal context. Each of them details their creative processes and how being creative has helped them to achieve a fulfilling work/life balance. Interviewees discuss how their creativity has helped them to overcome challenges or difficulties they have faced in their lives including grief, health issues, prejudice, divorce, maternity and creative blocks. This book uses original material – research and interviews – to explore the nature of the creative process from the perspective of understanding the activities, thoughts and feelings that shape an individual artist’s creative practice and how this might inform a wider collective understanding of creativity and how it can help us to live well. The book suggests that individual creative practice is a means of coming to know the self and your place in the world a little better and perhaps a little differently. This innovative book is suitable for students, scholars and practitioners using creative and arts-based research and methods in a wide range of disciplines and subjects including the social sciences, education, creative writing and communication and media studies.
One of Real Simple’s Best Books of the Year “I loved this book. . . . Funny, heartbreaking and clever with a mystery at its heart.” —Jojo Moyes “With an eye as keen for human idiosyncrasies as Miranda July’s, and a sense of humor as bright and surprising as Maria Semple’s, this is a novel of pure velocity.” —Publishers Weekly (starred review) Twenty years ago, Abigail Sorenson’s brother Robert went missing one day before her sixteenth birthday, never to be seen again. That same year, she began receiving scattered chapters in the mail of a self-help manual, the Guidebook, whose anonymous author promised to make her life soar to heights beyond her wildest dreams. The Guidebook’s missives have remained a constant in Abi’s life—a befuddling yet oddly comforting voice through her family’s grief over her brother’s disappearance, a move across continents, the devastating dissolution of her marriage, and the new beginning as a single mother and café owner in Sydney. Now, two decades after receiving those first pages, Abi is invited to an all-expenses paid weekend retreat to learn “the truth” about the Guidebook. It’s an opportunity too intriguing to refuse. If Everything is Connected, then surely the twin mysteries of the Guidebook and a missing brother must be linked? What follows is completely the opposite of what Abi expected––but it will lead her on a journey of discovery that will change her life––and enchant readers. Gravity Is the Thing is a smart, unusual, wickedly funny novel about the search for happiness that will break your heart into a million pieces and put it back together, bigger and better than before.
In Recording History, Peter Martland uses a range of archival sources to trace the genesis and early development of the British record industry from1888 to 1931. A work of economic and cultural history that draws on a vast range of quantitative data, it surveys the commercial and business activities of the British record industry like no other work of recording history has before. Martland's study charts the successes and failures of this industry and its impact on domestic entertainment. Showcasing its many colorful pioneers from both sides of the Atlantic, Recording History is first and foremost an account of The Gramophone Company Ltd, a precursor to today's recording giant EMI, and then the most important British record company active from the late 19th century until the end of the second decade of the twentieth century. Martland's history spans the years from the original inventors through industrial and market formation and final take-off--including the riveting battle in recording formats. Special attention is given to the impact of the First World War and the that followed in its wake. Scholars of recording history will find in Martland's study the story of the development of the recording studio, of the artists who made the first records (from which some like Italian opera tenor Enrico Caruso earned a fortune), and the change records wrought in the relationship between performer and audience, transforming the reception and appreciation of musical culture. Filling a much-needed gap in scholarship, Recording History documents the beginnings of the end of the contemporary international record industry.