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Fans who love King Arthur's legend, Camelot, Merlin, and similar tales will love reading about Morgan le Fay. Morgan is a willful, mischievous girl with mismatched eyes of emerald and violet. A girl of magic, whose childhood ends when King Uther Pendragon murders her father and steals away her mother. Then Pendragon dies and, in a warring country with no one to claim the throne, there are many who want Morgan dead. But Morgan has power, and magic. She is able to change the course of history, to become other, to determine her own fate-and, thus the fate of Britain. She will become Morgan le Fay. "Springer wields language like a sword, and both blood and flowers spring to these pages in vivid hues." (Booklist, starred review)
A scholarly history of the Wiccan religion from Paleolithic times to the present, as well as complete instructions for casting spells inspired by Morgan Le Fay, half-sister of King Arthur and the sorceress-witch who learned her craft from Merlin.
THE CHILD FATED TO SHAPE DESTINIES ... Young Morgan lives in Tintagel Castle by the sea, loved and sheltered by her noble parents. An extraordinarily clever child, extremely sharp-eyed, exceptionally curious. A little girl unlike other children. One stormy night a ship is wrecked off the coast, bringing with it new friends - Fleur the princess from a far-off land, Safir the stowaway with a secret, and the mysterious twins Merlin and Ganieda. Morgan's visions of another world awaken her to the realisation that she has abilities others do not possess. Not long afterwards, Morgan encounters Diana, the Moon Huntress, who charges her with a dangerous mission. Morgan must enter the secret realms of warring tribes of faeries who vie for the souls of lost children. There she must summon her magic to fight ancient and malevolent powers, to rescue young souls destined to be reborn ...
A rousing postscript to Lawhead's bardic Pendragon Cycle . . . Playing off snappy contemporary derring-do against the powerful shining glimpses of the historical Arthur he created, Lawhead pulls off a genuinely moving parable of good and evil.'Â Publishers Weekly It has been foretold: In the hour of Britain's greatest need, King Arthur will return to rescue his people. In Portugal, the reprobate King Edward the Ninth has died by his own hand. In England, the British monarchy teeters on the edge of total destruction. And in the Scottish Highlands, a mystical emissary named Mr. Embries-better known as "Merlin"-informs a young captain that he is next in line to the throne. For James Arthur Stuart is not the commoner he has always believed himself to be-he is Arthur, the legendary King of Summer, reborn. But the road to England's salvation is dangerous, with powerful enemies waiting in ambush. For Arthur is not the only one who has returned from the mists of legend. And Merlin's magic is not the only sorcery that has survived the centuries.
The sister of King Arthur goes by many names: sorceress, kingmaker, death-wielder, mother, lover, goddess. The Myth of Morgan la Fey reveals her true identity through a comprehensive investigation of the famed enchantress' evolution - or devolution - over the past millennium and its implications for gender relations today.
The magical saga of the women behind King Arthur's throne. “A monumental reimagining of the Arthurian legends . . . reading it is a deeply moving and at times uncanny experience. . . . An impressive achievement.”—The New York Times Book Review In Marion Zimmer Bradley's masterpiece, we see the tumult and adventures of Camelot's court through the eyes of the women who bolstered the king's rise and schemed for his fall. From their childhoods through the ultimate fulfillment of their destinies, we follow these women and the diverse cast of characters that surrounds them as the great Arthurian epic unfolds stunningly before us. As Morgaine and Gwenhwyfar struggle for control over the fate of Arthur's kingdom, as the Knights of the Round Table take on their infamous quest, as Merlin and Viviane wield their magics for the future of Old Britain, the Isle of Avalon slips further into the impenetrable mists of memory, until the fissure between old and new worlds' and old and new religions' claims its most famous victim.
What will a person give to forsake his destiny? From his very incarnation, Mordred has been a pawn in Camelot's history. Foretold by Merlin that he will grow up to kill his father, the beloved King Arthur, young Mordred struggles with his fate, loathing the great king who tried to kill him as a baby, yet journeying to Camelot where he learns to serve and idolize the legendary leader. Torn between feelings of love and hate, Mordred yearns to make peace with Arthur, who still refuses to acknowledge him. But Mordred is determined to have peace at any price--even if it costs him his soul. In I Am Mordred, one of the most fascinating and misunderstood heroes of Arthurian lore comes to life in an epic fantasy for Camelot fans. "In language worthy of her heroic subject, Springer reworks Arthuriana to craft an original tale resonant with archetypal themes of love, loss, betrayal and reconciliation. Her strong female characters and bold recasting of traditional villains and heroes will draw the rapt attention of both sexes." —Publishers Weekly
Love. Magic. Faith. By the autumn of 537 AD, all who are loyal to King Arthur have retreated to a small parcel of land in north Wales. They are surrounded on all sides, heavily outnumbered, and facing near certain defeat. But Myrddin and Nell, two of the king's companions, have a secret that neither has ever been able to face: each has seen that on a cold and snowy day in December, Saxon soldiers sent by Modred will ambush and kill King Arthur. And together, they must decide what they are willing to do, and to sacrifice, to avert that fate. The Lion of Wales is also available as five individual installments: Cold my Heart, the Oaken Door, of Men and Dragons, A Long Cloud, Frost against the Hilt.
The thrilling conclusion to the beloved New York Times bestselling Sisters Grimm series! Grany Relda’s body has been hijacked by the Master, and it’s up to Sabrina, Daphne, and the rest of the Grimms to fight for her freedom and that of Ferryport Landing in the series’s grand finale. As war rips the town apart, Sabrina consults a team of magic mirrors, who prophesize that the only way the good guys will win is if she leads the army herself. Now, Sabrina controls the fate of all the Everafters, the very people who have made her life so difficult since she and Daphne arrived in Ferryport Landing. Will they listen to a Grimm? And can she really save them? Repackaged in paperback with new cover art, these anniversary editions of the beloved Sisters Grimm series are the perfect opportunity for existing fans to revisit the adventures of the Grimm family and for new readers to discover the magic of the series for the first time.
Vita Merlini, or The Life of Merlin, is a work by the Norman-Welsh author Geoffrey of Monmouth, composed in Latin around AD 1150. It retells incidents from the life of the Brythonic seer Merlin, and is based on traditional material about him. Merlin is described as a prophet in the text. There are a number of episodes in which he loses his mind and lives in the wilderness like a wild animal, like Nebuchadnezzar in the Book of Daniel. It is also the first work to describe the Arthurian sorceress Morgan le Fay, as Morgen. Geoffrey had written of Merlin in his two previous works, the Prophetiae Merlini, purported to be a series of prophecies from the sage, and the Historia Regum Britanniae, which is the first work presenting a link between Merlin and King Arthur. The Vita Merlini presents an account of Merlin much more faithful to the Welsh traditions about Myrddin Wyllt, the archetype behind Geoffrey's composite figure of Merlin. Whereas the Historia had Merlin associating with Arthur, his father Uther Pendragon, and his uncle Ambrosius in the 5th century, the Vita's timeframe is during the late 6th century, and includes references to various figures from that period, including Gwenddoleu and Taliesin. Geoffrey attempts to synchronize the Vita with his earlier work by having Merlin mention he had been with Arthur long before.