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'A restless shape-shifter from the mysterious Welsh Marches, Heseltine was as elusive in his idiosyncratic writing as in his extraordinary globetrotting life. It is good to have his work briefly pinned down in this groundbreaking collection for closer inspection.' – Professor M.Wynn Thomas Cariad County: a place of anarchy and farce, of the grotesque and the slapstick, of tragedy and violent comedy, where the local hunt is disrupted by a camel-riding hero, where the town hall burns down as the town cheers, a place haunted by grotesque revenants from the First World War. This is the world of Nigel Heseltine's short stories, fantastic fictions which lampoon and lament the slow decline of the once-powerful squires and landowners of mid-Wales, the very Montgomeryshire of which Heseltine (1916-1995) formed a part.
Four airliners are blown out of the sky---a devastating string of attacks taking hundreds of lives and striking fear into people and governments around the globe. Marie Peterssen, an ambitious young aviation reporter, has a hunch about the crashes, and her suspicions are confirmed when she's approached by Julian Granot, an Israeli airline security expert and former Special Forces commando who has noticed her work. Julian offers Marie a rare lead, one that will send her to London and later into the devastation of war-torn Iraq. With the help of a maverick FBI agent, Morgan Ensley, Marie stumbles onto the makings of a terrorist plot well beyond the destruction of airliners: the detonation of a rogue nuclear device in New York Harbor. The terrorists know that America's most vulnerable spot is its transportation system, and they mean to exploit it. Time is short. But Marie is in the grip of circumstances beyond her control. Julian's intentions are unclear: Is he helping a journalist uncover answers the world craves, or is he setting up the girl to flush out an Islamic terrorist who killed Julian's partner twenty years earlier? Julian holds the key, but Marie's role in the frantic race to unravel the plot grows when she learns that she may be tied to the terrorist leader in a more personal way. Author Emily Benedek was writing an article on counterterrorism for Newsweek when she came into contact with a high-level Israeli counterterrorism expert. Due to his ongoing role in international investigations, much of what she learned in the course of their talks could only be told in a novel. What emerges from those meetings is a bone-chilling story of suspense, as thrilling as it is plausible.
Nine-year-old Morgan is the daughter of an explorer, and an adventurer at heart. When her father is lost on an expedition, Morgan and her mother are forced to sell their home and move in with a mysterious family they've never met. Morgan soon discovers that the family is hiding a great secret, and that a world of magic and enchantments might actually be real. Set in Massachusetts at the turn of the last century, Morgan and the Forty Thieves is a captivating adventure story that has problem solving and mathematical concepts woven into the narrative. Math is presented as a language of the universe that helps us understand the beautiful patterns and symmetries found in nature. In Book One of the series, children learn a step-by-step process of beginning multiplication. It begins with skip counting or counting by numbers, and then moves to adding equal sized groups, and then multiplication, with several examples of each worked into the story. There are also addition problems, logic puzzles, a pattern puzzle, a smattering of geometry and a simple demonstration of comparing numbers-depicting ratios without using that term. Finally there is an introduction of two mathematical concepts found in nature, the Fibonacci sequence and Fractals. Math found in the natural world will be a repeated theme of the Morgan series. As a Chapter Book series the Morgan tales are designed to fall at the end of the Chapter Book levels, just before Middle Reader books. The sentence structure is simple and straightforward so that the book is accessible to younger readers, while the storyline is complex and intriguing enough to engage older readers. The Morgan series is loosely based upon the collection of tales, The Thousand and One Nights or The Arabian Nights. These stories were created during the Golden Age of Islam in Persia and the Indian subcontinent.
In grandfather's day, the world was full of horses--pulling streetcars, delivering milk, or carrying soldiers--and today, even though horses aren't used for these things, there are still horses left.
Delineate the politicians, business people, artists, immigrant laborers, and city dwellers who are the key players in the tale. In tracing the park's history, the writers also give us the history of New York. They explain how squabbles over politics, taxes, and real estate development shaped the park and describe the acrimonious debates over what a public park should look like, what facilities it should offer, and how it should accommodate the often incompatible.
First published in 1996. This lavishly illustrated study is a comprehensive literary and social history which offers a record of changing genres, manuscript/book production, and cultural, political, and religious emphases by examining one of the most long lived popular legends in England. Guy of Warwick became part of history when he was named in chronicles and heraldic rolls. The power of the Earls of Warwick, especially Richard de Beauchamp, inspired the spread of the legend, but Guy's highest fame came in the Renaissance as one of the Nine Worthies. Widely praised in texts and allusions, Guy's feats were sung in ballads and celebrated on the stage in England and France. The first Anglo-Norman romance of Gui de Warewic, a Saxon hero of the tenth century was written in the early 13th century; the latest retellings of the legend are contemporary. Examples of Guy's legend can be found in two English translations that survived the Middle Ages, a new French prose romance, a didactic tale in the Gesta Romanorum, and late medieval versions in Celtic, German, and Catalan, as well as English. Guy remained a favorite Edwardian children's story and was featured in the Warwick Pageant, an historical extravaganza of 1906. The patriotism of World War II sparked a resurgence of interest that produced several new versions, mostly folkloric.