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Rites of passage, troubled voices, love and loss, nature, heroes, war, environmental crises. Tony Ward’s poems invite us to relive the experiences, triumphs, and tragedies that waymark our lives and that of our planet. This is a collection of two halves. Thirty-one of the poems have been previously published in various forms, broadcast on local radio, appeared on film, or won prizes, the other thirty are new. Among other sources, Tony has drawn upon his popular Poetry+ series for the lifestyle magazine Sussex Life. Then, following his wife’s diagnosis of Alzheimer’s Disease, Tony began writing words of comfort during the pandemic lockdowns for the Alzheimer’s Society social media. Informative, entertaining, thought provoking, humorous, verse traditional and freestyle, and above all easily understood. This is a collection to be savoured. You may even recognise yourself reflected at times. If you find some modern poetry hard going, then this is the book for you. Like the much-loved long-running “Classics for Pleasure” record label, this is “Poetry for Pleasure”, a collection to dip into whatever your mood. Go for it!
Molly Anderson returns “home” to a town she doesn’t remember, hoping it will spark a memory. She meets Trent Williams, a Ridge City police detective, and something else definitely sparks. Not only does he know her, Trent takes on her case and promises to do everything he can to solve it. He wants to know why she left town, with her parents, but without a word to anyone. She doesn’t remember that life. She can only tell him she knew her parents briefly before they died . . . or were murdered, she’s not sure. She hopes regaining her memory will help answer that question. Trent has his own secrets, but they have a mystery to solve. As they work together, and Molly meets their old friends, she realizes her relationship with Trent went deeper than memories. In fact, she grew up in Ridge City, even though her parents had said they lived there just a few years. How could she have forgotten her lifelong friend and love? Has he really been looking for her—waiting for her—for the last four years? Can she love him again if she doesn’t remember him? There’s also the possibility that she did something awful –and maybe that’s why she’s afraid to remember her old life. Molly knows she wants Trent now, but the truth might destroy their love.
-Scott Tucker, looks at the theme of "heaven" in six of the Gaither Homecoming songbooks - David Fillingim looks at how Southern Gospel Music answers the question of theodicy from the perspective of the rural, white, working class - Robert M. McManus explores selected song lyrics to show how Southern Gospel Music helps construct the identity of the community compared to Contemporary Christian Music - Darlene R. Graves identifies key sustaining personality strengths of women that tend to preserve consistency between their public performance and personal spiritual walk - Elizabeth E Desnoyers-Colas and Stephanie Howard (Asabi) explore Southern Gospel and Black Gospel music, through the influence of Thomas A. Dorsey - Michael Graves examines how the culture of Southern Gospel Music deals with its inevitable prodigal sons - Raymond D.S. Anderson analyzes the Gaither Homecoming videos as examples of the postmodern turn in American popular Christian culture - John D. Keeler presents the first audience study of southern Gospel Music employing a "Uses and Gratifications" research framework - Paul A. Creasman examines the ways Southern Gospel Music as a culture memorializes its dead by use of the Internet - Naaman Wood reviews significant scholarly approaches to the study of popular music.
Using family photographs and quotes from her books, the author provides glimpses into her life.
Carol Grace's first book, "Reflections of a life well spent" was autobiographical in nature, while "More than a Memory" is more diverse, including poems of nature, poems written as a tribute to others, and poems of faith and inspiration. Mrs. Grace says this about her newest collection of poems: "More than a Memory" deals with everyday observations and the simple joy of letting words spill from my thoughts and onto paper. I have had a love affair with words all of my life. Poetry happens when thought becomes image, image becomes word, and words join together to form meaning that is often unique to each reader. It is my hope that "More Than a Memory" will trigger your own fond memories, and moreover, that you would be encouraged, if not challenged, to continue to make new memories, not letting the days get away from you." "More than a Memory" is not a book for the literary few, but for everyone who loves to hear a good story. Poetry has the ability to convey an entire story with an economy of words. You might find yourself reading the entire book in one sitting, but more likely you will read just a few poems at a time, luxuriating over the way the words make you feel. Although the subject matter may be bleak, the poem can still be beautiful because of word choice and the way it sounds when read aloud. Carol's poetry is written with the knowledge that there is power in the word, and we must learn to choose our words wisely. May the words in "More than a Memory" inspire you, bring a laugh or two, and comfort you.
A novel exploring human relations. Its hero is a Hungarian writer who lives through the 1956 Hungarian Revolution and has a homosexual affair with a German poet in East Berlin.
'If you had your time over, would you fall in love with the same person? Would you live the same life twice?' After a car accident, Gracie loses all the memories that define her and is forced to examine the person she has become. Addictive and heartfelt reading from a new Australian voice. Dear Gracie, Here are some things you should know: The yellow toothbrush is mine. You sleep with your socks on. You set your alarm for 5:45 am every morning and then you go for a run. You and I were the closest thing to perfect I ever knew in my life. Love, Blake After an accident leaves Gracie with severe amnesia, she's forced to decide: live a life that is made up of other people's memories of who she was, or start a new life on her own. Leaving her fiancé Blake behind, she moves to the country where she takes on the task of reviving her late mother's abandoned flower farm. While attempting to restart a business with an uncertain future, she tries to decide whether to let Blake back into her life now that he's a stranger. What she doesn't count on is developing a deep connection with Flynn, a local vet who is her neighbour. Forced to examine the person she has become, Gracie confronts the question: if you had your time over, would you live the same life twice?
Memories come in many different forms and vary substantially in strength; some, such as where you put your car keys, can be brief, while others remain in the mind forever. James McGaugh, a leading neurobiologist, provides an accessible and thought-provoking look at how we remember and why we forget. Beginning with the first scientific studies of learning and ending with the latest cutting-edge research, he explores how memories are made and preserved; why some experiences fade and disappear with time; how stress hormones effect the consolidation of memory; whether drugs would improve our ability to learn; and what studies of extraordinary memories and disorders tell us about the workings of the brain systems involved in memory formation.
'A fine book' The Sunday Times 'Powerful' Guardian 'Wonderful' The Telegraph 'Moving, funny, warm' Mail on Sunday 'Brave, compassionate, tender and honest' Metro 'This book began as an attempt to hold on to my witty, storytelling mother with the one thing I had to hand. Words. Then, as the enormity of the social crisis my family was part of began to dawn, I wrote with the thought that other forgotten lives might be nudged into the light along with hers. Dementia is one of the greatest social, medical, economic, scientific, philosophical and moral challenges of our times. I am a reporter. It became the biggest story of my life.' Sally Magnusson Sad and funny, wise and honest, Where Memories Go is a deeply intimate account of insidious losses and unexpected joys in the terrible face of dementia, and a call to arms that challenges us all to think differently about how we care for our loved ones when they need us most. Regarded as one of the finest journalists of her generation, Mamie Baird Magnusson's whole life was a celebration of words - words that she fought to retain in the grip of a disease which is fast becoming the scourge of the 21st century. Married to writer and broadcaster Magnus Magnusson, they had five children of whom Sally is the eldest. As well as chronicling the anguish, the frustrations and the unexpected laughs and joys that she and her sisters experienced while accompanying their beloved mother on the long dementia road for eight years until her death in 2012, Sally Magnusson seeks understanding from a range of experts and asks penetrating questions about how we treat older people, how we can face one of the greatest social, medical, economic and moral challenges of our times, and what it means to be human.