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2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
The Complete Book of Rhymes, Songs, Poems, Fingerplays, and Chants gives children a variety of ways to fall in love with rhythm, rhyme, repetition, and structural sequence -- important building blocks for future readers. The 700 selections will help children ages 3 to 6 build a strong foundation in skills such as listening, imagination, coordination, and spatial and body awareness. In this giant book of rhythm and rhyme, you are sure to find your own childhood favorites! Book jacket.
More than 80 poems by 50 American and British masters celebrate real and metaphorical journeys. Poems by Whitman, Byron, Millay, Sandburg, Langston Hughes, Emily Dickinson, Robert Frost, Shelley, Tennyson, Yeats, many others.
Under the Music is cause for celebration, as it gathers over forty years of Maxine Chernoff's brilliant exploration of a single form: the prose poem. Her pieces abound in witty dialogue, absurdist jokes, sage advice, and a gallery of eccentric characters like "The Man Struck Twenty Times by Lightning," or "The Woman Who Straddled the Globe."
Recommended by Cosmopolitan, USA Today, Shondaland, & Book Riot “It’s not often that fat women feel such thorough representation of themselves not only in poetry but in any media and not only in the beautiful moments but in the sorrowful ones, ranging throughout life. James does a brilliant job of portraying this and all her themes brilliantly; highly recommended.” —Starred review by Library Journal The raw poems inside Song of My Softening studies the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness. Poems open wide the questioning of how we express both love and pain, and how we view our bodies in society, offering themselves wholly, with sharpness and compassion.
A beautiful, compact, gift edition of some of the world’s greatest poems about loss and death, to ease the heart of the bereaved Who has not suffered grief? In Mourning Songs, the brilliant poet and editor Grace Schulman has gathered together the most moving poems about sorrow by the likes of Elizabeth Bishop, William Carlos Williams, Gwendolyn Brooks, Neruda, Catullus, Dylan Thomas, W. H. Auden, Shakespeare, Emily Dickinson, W. S. Merwin, Lorca, Denise Levertov, Keats, Hart Crane, Michael Palmer, Robert Frost, Hopkins, Hardy, Bei Dao, and Czeslaw Milosz—to name only some of the masters in this slim volume. “The poems in this collection,” as Schulman notes in her introduction, “sing of grief as they praise life.” She notes, “As any bereaved survivor knows, there is no consolation. ‘Time doesn’t heal grief; it emphasizes it,’ wrote Marianne Moore. The loss of a loved one never leaves us. We don’t want it to. In grief, one remembers the beloved. But running beside it, parallel to it, is the joy of existence, the love that causes pain of loss, the loss that enlarges us with the wonder of existence.”
Rich selection of traditional songs and contemporary verse by Seminole, Hopi, Arapaho, Nootka, other Indian writers and poets. Nature, tradition, Indians' role in contemporary society, other topics.
A collection of poems.
"I was born in Whycocomagh in 1932. When mother died in 1937 there were many foster homes until I was twelve years old. I put myself into the Indian Residential School in Shubenacadie, Nova Scotia. That school plays an important part in my life, along with native upbringing by many mothers. My education is by my people - I have a front seat to see and feel their needs, the major one being that we, too, live with ideal productiveness. The label is deeply rooted and the stroke of a native pen does wonders, especially for the coming generation. The importance of my country is why I try to portray the Indian as they are, so that others may see the part we play in our society. If I get too sentimental in my choice of words, excuse me. I have to call attention to the gentle peopleof Canada. My song is gentle, bear with me. I still want to offer my hand in friendship, the Indian of today." - Rita Joe