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Collection of 13 essays about people who lived in the Pacific Islands during the past 150 years.
WATRIAMA AND CO (the title echoes Kipling's STALKY AND CO!) is a collection of biographical essays about people associated with the Pacific Islands. It covers a period of almost a century and a half. However, the individual stories of first-hand experience converge to some extent in various ways so as to present a broadly coherent picture of 'Pacific History'. In this, politics, economics and religion overlap. So, too, do indigenous cultures and concerns; together with the activities and interests of the Europeans who ventured into the Pacific and who had a profound, widespread and enduring impact there from the nineteenth century, and who also prompted reactions from the Island peoples. Not least significant in this process is the fact that the Europeans generated a 'paper trail' through which their stories and those of the Islanders (who also contributed to their written record) can be known. Thus, not only are the subjects of the essays to be encountered personally, and within a contextual kinship, but the way in which the past has shaped the future is clearly discernible. Watriama himself features in various historical narratives. So, too, certain of his confreres in this collection, which is the product of several decades of exploring the Pacific past in archives, by sea, and on foot through most of Oceania.
To the Westerner what culture seems more mysterious or exotic than Tahiti or Fiji? Yet, most of us know little about the arts and cultures of these islands. Mingling a deep appreciation for the beauty and variety of arts--sculpture, paintings, textiles, dance, jewelry, and architecture--found in these faraway islands with detailed knowledge of their traditions and meaning, Anne D'Alleva opens to us a beautiful world vibrantly alive.
Reproduction électronique of a selection of photographs from the papers of the Reverend George Brown, held at the State Library of New South Wales. The images include portraits of Pacific Islanders, and scenes of village and mission life.
Ralph Burke Tyree was an American artist who was the most prolific portrait artist of the South Pacific peoples of the 20th century. He was from central California and his art education took place in San Francisco. Seven weeks after the Japanese attack on Pearl Harbor he joined the Marines and was soon shipped off to Samoa. Private Tyree was befriended by his Commanding General and became the Marine-base artist. His portrait career began painting the officers and their loved ones, while corresponding with 10,000 word love letters to his girlfriend Margo back home in Turlock, California. After the war he began his professional career. He traveled back to the South Pacific to live for years in places such as Guam, Oahu, Maui, and the Big Island of Hawaii. Often from there he would travel to other island paradises: Palau, Fiji, Tahiti, Samoa, and the Solomon Islands over his thirty-year career. Most of his first works were sensual island wahines in island beach and jungle settings. He painted primarily with oil on board but also occasionally on canvas and with pastels. To add depth and texture, he switched in mid-career to painting with oil on fine, French silk, black velvet. This was in the midst of the 1960s' Tiki revolution and many of his nude pieces would be displayed in Tiki bars and restaurants. Tyree was likely the most prolific South Pacific and Tiki artist of the 20th century. In the 1970s, he started painting endangered animals to call attention to their limited numbers. He died suddenly of a heart attack at age fifty seven in 1979. In the 20th century after WWII, Ralph Burke Tyree led the transformation and appreciation of the South Pacific's serene beauty with his art. Furthermore he was the premier artist in American iconic movement of the Tiki revolution which emanated from Hawaii and California. He likely painted thousands of different pieces, initially oils on board, mostly wahines, au naturale. Starting in 1960 he switched to oils on black velvet with the portraiture nudity, more demure or sometimes a silhouette in a jungle scene. Tyree was a dreamer who painted idealized women in idyllic South Pacific landscapes, the faces of wizened island men and later exotic animals. His portraiture, whether of humans or animals, captured their quiet, gentle spirit.
Electronic reproduction of a selection of photographs from the papers of the Reverend George Brown, held at the State Library of New South Wales. The images include portraits of Pacific Islanders, and scenes of village and mission life.
This book by the artist Valerie Hunton is a celebration of her creative life in the Marshall Islands, in Micronesia and then in Fiji. In it she weaves her experiences with the voices of the Pacific people she met, the land and its history and the painting works that emerged along the journey. It is a creative and powerful tour-de-force. First learning weaving with the women of the Marshall Islands, she wove with weaving groups throughout the Pacific. It is her close relationship with these women that brought her into their everyday lives as they weave their mats, clean their houses, wash their clothes, prepare the food, attend to their families and take care of their sick and dying. Also woven into her journey is the land and sea - the stones and the ancient Lapita sherds, the vast reaches of the Pacific Ocean and its navigators. Featured in the book are sixteen of her major painting works, bright and resonant in colour. In these she quietly reveals a fascinating web of life mostly unseen by casual visitors. This book is the story of her Pacific life and her celebration of that journey. It is an extraordinary book by an extraordinary woman.