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Excerpt from More Mastersingers: Studies in the Art of Music I remember as though it were yesterday my first introduction to that organ-loft and to, the unique personality associated with it - an occa sion that was to influence so much my musical life and my associations with the cathedral. I was, I suppose, about sixteen years Old, a devotee of music, a player on keyed instruments of some twelve years' standing (or sitting), filled beforehand with veneration for the talents of the great man whom, by the introduction of a friendly ecclesiastical official, I was about to meet. It was a Sunday afternoon; and as I sat in the loft on the rood-screen looking at the four rows of yellow keys and the ranks of mellow ivory draw stops with their beautiful sound-suggesting names of Diapason, Dulciana, Suabe Flute, Gamba Keraulophon, Dulcet, Clarion, Tuba Mirabilis. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Through interviews with some of today's most accomplished and renowned concert and operatic singers, Master Singers provides vocalists making the transition from student to professional with indispensable advice on matters ranging from technique and its practical application for effective stage projection to the practicalities of the business of professional singing and maintaining a career to recommendations for vocal hygiene and longevity in singing.