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In this second lively handbook, Sheila Jackson, former Head of Costume for London Weekend Television and costume designer for Upstairs, Downstairs, breaks new ground with her common sense sections on animal and bird costumes, musicals and dance, ethnic costume, head dresses and accessories.
For anyone producing costumes on a small budget, whether for schools, colleges or amateur, semi-professional or professional groups, this basic introduction offers practical advice for every kind of play, together with drawings, diagrams and patterns from which to work. It includes sections onm Greek plays, medieval miracles and mysteries, Shakespeare, 17th-century, 18th-century, Victorian and Edwardian costume. each section covers the details of men's and women's clothes and accessories, as well as methods for adapting and simplifying the style of the period.
Transform common people into superheroes, movie stars, witches -- whatever illusion you want to create. Creative costuming is all in the details. One garment can take on many totally different looks depending on how you accessorise it. Over the years, the author has learned all the tricks about how anyone can turn leftover clothing into fabulous costumes. This book's numerous drawings explain in detail the costuming process of 'turning straw into gold'. It shows you how to design illusions that you never thought possible. Yes, you can easily do all this -- and at a minimum expense! This is another Barb Rogers must have book for your library of costume ideas.
This updated edition of Costumes for the Stage aims at simplicity in all aspects of designing and making costumes. It is designed primarily for those who need to dress plays on a small budget, whether for amateur, semi-professional, or professional groups. Starting with five pages illustrating the basic shapes of each period, Sheila Jackson provides practical advice for every kind of play, together with drawings, diagrams, and patterns from which to work. Included are sections on Greek plays, medieval miracles and mysteries, Shakespeare, seventeenth century, eighteenth century, Victorian and Edwardian costume, the twenties and thirties, and the present day. Each section covers the details of men's and women's clothes (hats, collars, shoes, jewelry, etc.) as well as methods for adapting and simplifying the style of the period. There are also sections on pantomimes and musicals, pageants and school plays, and invaluable advice on underwear, fabrics, measurements and fitting, the use of color, and simple ways to make masks, crowns, and decorations. The revised edition features expanded text and new illustrations. Hundreds of line drawings and no-nonsense, authoritative text combine to make this an essential book of costume design.
Costumes designed and made for devised or physical drama, for contemporary circus or for dance, differ radically from the more traditional costume work produced for naturalistic performance. For those working in the field - whether professional or student - these differences present challenges that this book seeks to highlight and explain while offering effective solutions to overcome them. Includes: the differences between designing for scripted and for devised work; the specialized designing, cutting and making, and fitting of costumes for dance, circus and other physical work; the role of the designer/maker in the devising company; design invention in the rehearsal room; the management of both time and budget with the late changes that happen with devised work; the breadth of different skills used in the work for performance.
Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer’s taste or status. She argues that in the period 1820–1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of information between the performer, the literary text, and the spectator. Modernizing Costume Design traces how five kinds of artists – directors, performers, writers, couturiers, and painters – made key contributions to this new model of costume design. Holt shows that by 1920, costume design shifted in status from craft to art.
Why spend a small fortune to rent expensive period costumes when you can create them yourself for less than a day's rental price? Make them the easy way from cast-offs without sewing! Included in this book are over 100 ingenious costume designs with photographs and diagrams for many period characters from Egyptian, Greek and Roman all the way to Punk. These conversion costuming ideas will save you time, money and deadline disasters and give you precisely the costume you want.
An amazing resource book filled with detailed costume patterns to trace, cut out and assemble. The patterns illustrated range from Ancient Egypt to 1915 and include trims and accessories. The basic pattern shapes allow the designer's creativity free range. Gowns tunics, headdresses, jackets, robes breeches - the patterns will produce an accurate silhouette for each time period, leaving the costumer free to explore variations of cut and surface embellishment within an historic framework. Holkeboar also gives step-by-step instructions for making corsets and hoop petticoats, hats, crowns, and even masks and wigs. The patterns are multiple-sized and easy to adapt and elaborate upon so they may be used opver and over again to create a completely different look each time beause you add the all-important details. The basics are here - just add inspiration!