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Formed in 1868, and already possessors of a proud history by the outbreak of the First World War, the men of the 9th (Glasgow Highland) Battalion, The Highland Light Infantry, were right at the heart of the cataclysmic events that unfolded between 1914 and 1918 on the Western Front. One of the first Territorial units to be rushed to France in 1914, they participated in almost all the major British battles, including the Somme in 1916 and Ypres in 1917. Altogether, around 4,500 men served with the Glasgow Highlanders in the First World War. The composition of the Glasgow Highlanders changed dramatically over five years of fighting, as the original Territorial members were replaced. Despite this change, the ethos of the battalion, built up over half a century of peace and many months of warfare, survived. Alec Weir has steeped himself in the proud history of the Glasgow Highlanders in the First World War. His accessible, informal style, employing many first hand accounts, and his rigorous research combine here to produce a fascinating and detailed account of how ordinary men from all walks of life confronted and mastered the hellish conditions of trench warfare.
Entertainments and popular cultures played a major part in the lives of those experiencing the First World War. This collection of studies spans the role of newspapers, films, posters and music and much more, looking at the different ways, different media entertainments were produced and consumed during the war.
The epic and brutal WWI battle is vividly recounted through the words and photos of the soldiers who lived through it. One of the most famous battles of the Great War, the offensive on the Somme took place in 1916, from July and November. It was there that Kitcheners famous Pals Battalions were first sent into action en masse. It was a battlefield where many of the dreams and aspirations of a nation, hopeful of victory, were agonizingly dashed. Because of its legendary status, the Battle of the Somme has been the subject of many books. Yet this volume is the first of its kind, in which the soldiers’ own stories and photographs are used to illustrate both the campaign's extraordinary comradeship and its carnage.