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"Told from the jaundiced point of view of Mordred -- Arthur's reviled bastard son."--Inside flap
The gripping conclusion to the acclaimed Arthurian fantasy trilogy from #1 New York Times bestselling author Kiersten White finds Guinevere questioning everything—friends and enemies, good and evil, and, most of all, herself. While journeying north toward the Dark Queen, Guinevere falls into the hands of her enemies. Behind her are Lancelot, trapped on the other side of the magical barrier they created to protect Camelot, and Arthur, who has been led away from his kingdom, chasing after false promises. But the greatest danger isn’t what lies ahead of Guinevere—it’s what’s been buried inside her. Vowing to unravel the truth of her past with or without Merlin’s help, Guinevere joins forces with the sorceress Morgana and her son, Mordred—and faces the confusing, forbidden feelings she still harbors for him. When Guinevere makes an agonizing discovery about who she is and how she came to be, she finds herself with an impossible choice: fix a terrible crime, or help prevent war. Guinevere is determined to set things right, whatever the cost. To defeat a rising evil. To remake a kingdom. To undo the mistakes of the past...even if it means destroying herself. Guinevere has been a changeling, a witch, a queen—but what does it mean to be just a girl?
Collects Black Knight: Curse Of The Ebony Blade (2021) #1-5. Dane Whitman rides again as the Black Knight, wielder of the magical Ebony Blade! But Dane bears the burden of the blade's curse: an insatiable lust for blood and mayhem that forever threatens to swallow its owner in darkness. Following the battle against the King in Black, a reinvigorated Dane has a renewed sense of purpose. But the Ebony Blade is the key to a new enemy's evil plan, and only Dane can prevent the coming death and destruction. The conflict - spanning from mythical Camelot to modern-day NYC - will test Dane like never before and challenge everything he believes about himself, the Ebony Blade and the entire history of his lineage! What is the dread power of…the Ebony Chalice?
Myra finds herself standing in front of an old abandon house on a thunderous night. Her car had run into a ditch during the storm and it look like she would need to take shelter inside. But she was not alone and her host was a little upset at this unwelcome invasion. By morning, Myras investigation of the three-story manor and the meeting of the ghost reveal a hundred year old murder. What more, the uncanny resemblance between Myra and the Ghost Mariah is more than coincidental. Why are the spirits trapped in this house? And what of the Dark Spirit that holds them there and feed off their terror? Can the psychic, Adrian, whom Myra had employed for help, release Mariah and the other spirits without harming Myra who has a paranormal connection with this house, its resident and its past? Venture with him into the very bowels of the Earth as Adrian attempts a rescue of Myras astral body that has been taken by the Dark Spirit into Hades itself. But there is a surprise ending, for just when you think it is the end, it is actually the beginning of an adventure to end the Curse. But it can only be removed at the time it was first place on the ancestor of the Worthington family, yes they must travel back into time.
Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada
What will a person give to forsake his destiny? From his very incarnation, Mordred has been a pawn in Camelot's history. Foretold by Merlin that he will grow up to kill his father, the beloved King Arthur, young Mordred struggles with his fate, loathing the great king who tried to kill him as a baby, yet journeying to Camelot where he learns to serve and idolize the legendary leader. Torn between feelings of love and hate, Mordred yearns to make peace with Arthur, who still refuses to acknowledge him. But Mordred is determined to have peace at any price--even if it costs him his soul. In I Am Mordred, one of the most fascinating and misunderstood heroes of Arthurian lore comes to life in an epic fantasy for Camelot fans. "In language worthy of her heroic subject, Springer reworks Arthuriana to craft an original tale resonant with archetypal themes of love, loss, betrayal and reconciliation. Her strong female characters and bold recasting of traditional villains and heroes will draw the rapt attention of both sexes." —Publishers Weekly
Epitomises what is best in Arthurian scholarship today. ZEITSCHRIFT FÜR ROMANISCHE PHILOLOGIE This latest issue of Arthurian Literaturecontinues the tradition of the journal, combining critical studies with editions of primary Arthurian texts. Varied in their linguistic and chronological coverage, the articles dealwith major areas of Arthurian studies, from early French romance through late medieval English chronicle to contemporary fiction. Topics include Béroul's Tristan, Tristan de Nanteuil, the Anglo-Norman Brut, and the Morte, while an edition of the text of an extrait of Chrétien's Erec et Enide prepared by the eighteenth-century scholar La Curne de Sainte-Palaye offers important insights into both scholarship on Chretien, and our understanding of the Enlightenment. The volume is completed with an encyclopaedic treatment of Arthurian literature, art and film produced between 1995 and 1995, acting as an update to The New Arthurian Encyclopedia.Contributors: RICHARD ILLINGWORTH, JANE TAYLOR, CARLETON CARROLL, MARIA COLOMBO TIMELLI, RALUCA RADULESCU, JULIA MARVIN, NORRIS LACY, RAYMOND THOMPSON.
Cindy Mediavilla annotates over 200 Arthurian novels, specifically focusing upon literature appropriate for young adults. Each entry is assigned an appropriate reading level and contains a detailed description of the book's plot. An index of titles, authors, characters, and specific themes is appended. The intended audience is young adult readers, grades six through high school, and the youth services professionals who serve them.

Merlin's Gift

Chairman of the Department of Epidemiology and Community Medicine Ian McDowell

Published: 1997

Total Pages: 272


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Fans who love King Arthur's legend, Camelot, Merlin, and similar tales will love reading about Morgan le Fay. Morgan is a willful, mischievous girl with mismatched eyes of emerald and violet. A girl of magic, whose childhood ends when King Uther Pendragon murders her father and steals away her mother. Then Pendragon dies and, in a warring country with no one to claim the throne, there are many who want Morgan dead. But Morgan has power, and magic. She is able to change the course of history, to become other, to determine her own fate-and, thus the fate of Britain. She will become Morgan le Fay. "Springer wields language like a sword, and both blood and flowers spring to these pages in vivid hues." (Booklist, starred review)