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This Mysterious very Strange story begins in Middlesex County, Virginia U.S.A. on the Pianka National Indian Reservation located on the banks of the beautiful pristine Piankatank River. A young full blooded Indian boy Mordecai (Pintail) Jacy is born and raised by very strict Indian parents to read and study early in life. In doing so Mordecai becomes very interested in law related subjects; especially those involving investigation topics and procedures. Mordecai when born and following Tribal Traditions was given the Indian name “Pintail”. Pintail following his ambitions proceeds in life to study law and investigation subjects and becomes a Chief Investigator with the Virginia State Bureau of Investigation. Pintail is so proficient at his profession he becomes a Living Legend. His investigation work accidently leads him to the discovery of a Highly Secret Weapon. Pintails use of this Highly Secret Weapon will enhance his career beyond belief. Read this exciting Mysterious, very Strange story and follow Pintails career as a Chief Investigator and his use of this new Secret Weapon to solve crime cases and apply Justice (His Way).
This Unusual Cold War Story begins in the late fall in Middlesex County, Virginia United States of America. Sixty year old retired Indian Legendary Chief Investigator Mordecai Pintail Jacy is sitting in his beloved old family log home located on the Pianka National Indian Reservation. As he and his wife Elly chat they receive a visit from two Central Intelligence Agency Officers (CIA). These CIA Officers deliver a Secret Letter that requests Pintail come out of retirement and oversee a very important Secret CIA Espionage Mission for the Agency. After reading the Secret Letter, with reluctance Pintail accepts the CIA position. Read this exciting Story and follow Pintail as he pursues this very dangerous Espionage Secret Mission using his Secret White Pearl Necklace and White Pearl Bracelet weapon and see how he applies Justice (His way).
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Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.