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In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources to reveal the currency of Moorish clothing in early modern Iberian society.
In early modern Iberia, Moorish clothing was not merely a cultural remnant from the Islamic period, but an artefact that conditioned discourses of nobility and social preeminence. In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources: archival, legal, literary, and visual documents, as well as tailoring books, equestrian treatises, and festival books to reveal the currency of Moorish clothing in early modern Iberian society. Irigoyen-García’s insightful and nuanced analyses of Moorish clothing production and circulation shows that as well as being a sign of status and a marker of nobility, it also served to codify social tensions by deploying apparent Islamophobic discourses. Such luxurious value of clothing also sheds light on how sartorial legislation against the Moriscos was not only a form of cultural repression, but also a way to preclude their full integration into Iberian society. Moors Dressed as Moors challenges the traditional interpretations of the value of Moorish clothing in sixteenth and seventeenth-century Spain and how it articulated the relationships between Christians and Moriscos.
In Moors Dressed as Moors, Javier Irigoyen-Garcia draws on a wide range of sources to reveal the currency of Moorish clothing in early modern Iberian society
To Live Like a Moor traces the many shifts in Christian perceptions of Islam-associated ways of life which took place across the centuries between early Reconquista efforts of the eleventh century and the final expulsions of Spain's converted yet poorly assimilated Morisco population in the seventeenth.
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The two previous volumes draw a fascinating picture of the confrontation between the Christians and Moors in Spain from the Christian side. This volume attempts to redress the balance by describing many of the same incidents from the Muslims' point of view. The close intermingling of Christians and Moors, whether in love, in politics or in the common enjoyment of popular festivals, helps to account for the unique character of Islamic society in the Iberian Peninsula. Extracts from Arabic sources cover the relations between Christians and Moors in Spain over nearly 800 years. Apart from military encounters, some attention is paid to diplomacy, and also to lawsuits, legal judgments and regulations governing the co-existence of the rival communities. These not only reveal the fundamental differences between the two sides, but show how, in many cases, the divisions were not as clear-cut as the jurists and theologians would have wished. Only a handful of these texts have ever been translated into English before, and it is hoped that this selection will make a contribution to the understanding of this remarkable period in Spanish and Islamic history.
Fifteen centuries of Spanish fashion, from the era of the Roman Empire through the rise of the Renaissance, appear in the accurate and meticulously rendered drawings of this coloring book. Its focus resides with the Arabic influences introduced by the Moors, who arrived in Spain in the eighth century and developed a thriving culture until they were driven out in 1492 during the reign of Ferdinand and Isabella.
In villages and towns across Spain and its former New World colonies, local performers stage mock battles between Spanish Christians and Moors or Aztecs that range from brief sword dances to massive street theatre lasting several days. The festival tradition officially celebrates the triumph of Spanish Catholicism over its enemies, yet this does not explain its persistence for more than five hundred years nor its widespread diffusion. In this insightful book, Max Harris seeks to understand Mexicans' "puzzling and enduring passion" for festivals of moros y cristianos. He begins by tracing the performances' roots in medieval Spain and showing how they came to be superimposed on the mock battles that had been a part of pre-contact Aztec calendar rituals. Then using James Scott's distinction between "public" and "hidden transcripts," he reveals how, in the hands of folk and indigenous performers, these spectacles of conquest became prophecies of the eventual reconquest of Mexico by the defeated Aztec peoples. Even today, as lively descriptions of current festivals make plain, they remain a remarkably sophisticated vehicle for the communal expression of dissent.
From New York Times bestselling author Holly Black comes a captivating original novel set between Disney's Maleficent and Maleficent: Mistress of Evil, in which newly-queened Aurora struggles to be the best leader to both the humans and Fair Folk under her reign; her beau, Prince Phillip, longs to get to know Aurora and her kingdom better; and Maleficent has trouble letting go of the past.