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I used to imagine that life would be easier, more enjoyable, if I were tall, blond, and supermodel thin. But real life-like the average, every day woman-is full of curves and imperfections, and many opportunities to learn that it's not the number on the scale that measures the capacity of your heart. After years of struggling with poor self esteem and too many crash diets to count, I finally got wise-and hired a trainer. With an enthusiastic push from my brother's fiance and more motivation than a Joel Osteen sermon, I, Madeline "Leni" Moore, am ready to ditch the oh-woe-is-me act. That is, until I smack head-on into a tree and collide with him. Lane Sheffield is the guy you drool over from afar. One look at him the first day on the runner's track, and my panties are up in flames. He's out of my league. Slim, sleek, and athletic to my plump, dull, and unfit. Lane has no reason to like me, but to my utter shock . . . he does and this newfound attention from the opposite sex has me all sorts of baffled. What starts out as a healthy journey to lose some of the extra me, turns into a quest to find my true self. Will the need to fit in and finally have someone to call my own lead me to my weight loss goal or my happiness goal? I've focused so long on being skinny, what will it take for me to learn the ultimate lesson-that beauty is only skin deep?"
Some vols. have appendices consisting of reports of various state offices.
This 2001 book is a comprehensive study of the ethics of G. E. Moore, the most important English-speaking ethicist of the twentieth century. Moore's ethical project, set out in his seminal text Principia Ethica, is to preserve common moral insight from scepticism and, in effect, persuade his readers to accept the objective character of goodness. Brian Hutchinson explores Moore's arguments in detail and in the process relates the ethical thought to Moore's anti-sceptical epistemology. Moore was, without perhaps fully realizing it, sceptical about the very enterprise of philosophy itself, and in this regard, as Brian Hutchinson reveals, was much closer in his thinking to Wittgenstein than has been previously realized. This book shows Moore's ethical work to be much richer and more sophisticated than his critics have acknowledged.
Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This collection of eleven essays positions Moore within a developing and expanding international readership during the course of the nineteenth century. In accounting for the successes he achieved and the challenges he faced, recurring themes include: Moore’s influence and reputation; modes of dissemination through networks and among communities; also, the articulation of personal, political, and national identities. This book, the product of an international team of scholars, is the first to focus explicitly on the reputations of Thomas Moore in different parts of the world, including Bombay, Dublin, Leipzig, and London, as well as America, Canada, Greece, and the Hispanic world. Through it, we will understand more about Moore’s reception, and also appreciate how the publication and dissemination of poetry and song in the romantic and Victorian eras operated in different parts of the world—in particular considering how artistic and political networks effected the transmission of cultural products.
Investigative reporter Roger Rapoport interviewed over 200 people who played key roles in Michael Moore's life, from the nuns at his boyhood Catholic school to Ralph Nader and other employers - not to mention a seven-foot chicken! For the first time this definitive biography traces the untold story of the 30 years of struggles and failures that led to the "overnight" success of this quintessential late bloomer.
A team of eminent contemporary philosophers present the first collective study of seminal British moral thinkers of the late 19th and early 20th centuries. Some, like Henry Sidgwick and G. E. Moore, are already recognized as leading philosophers of their day; others, like Hastings Rashdall and A.C. Ewing, are unjustly neglected.
To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent) genres and themes in comics have enriched an already fruitful art in ways that continue to surprise both readers and critics. This collection of essays offers a space of reflection on the cultural, social, historical, and ideological dimensions of comics. With this in the background, the book focuses on three main areas: the origins and definitions of comics; the formal tools of the medium; and authors and their works. The historical and formal approach to comics, as shown here, is still essential and the debate about the origins and definition is still present, but two thirds of this collection formulate other treatments that scholars had not started to tackle until recently. Does this mean that the study of comics has finally reached the necessary confidence to abandon the artistic legitimization of the medium? Or are they just new self defense mechanisms through alliances with other fields of academic interest? This book will add to the debate on comics, as did the international conference that led to it. It provides a channel of communication with an art, a two-headed medium that, like the god Janus, operates as a hinge, as a meeting point, as a bridge between pictorial and literary expression.