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Beyond Southern Skies tells the story of the planning and construction of the Parkes Telescope in rural New South Wales, Australia and surveys its achievements over the past thirty years. Around this central theme Peter Robertson presents a broader history of radio astronomy, describing its rapid rise to become the respected partner of traditional optical astronomy. The opening up of the radio window on the universe has been one of the most exciting developments in modern science. The technical achievements of the telescope outlined in Peter Robertson's very readable book will be accessible to a general audience. Readers will be fascinated by the lively account of the personalities, politics and controversy that lay behind the decision to build the Parkes Telescope. Since its completion in 1961, the telescope has contributed much to our knowledge of quasars, pulsars, masers, supernova remnants and molecular clouds, as well as the other unusual objects discovered in recent years. During the 1990s the telescope will continue to play a part in our quest to understand the origin and nature of the universe, and our place in it.
This book examines the response of American society to the My Lai massacre and its ambiguous place in American national memory. The author argues that the massacre revelations left many Americans untroubled. It was only when the soldiers most immediately responsible came to be tried that opposition to the conflict grew, for these prosecutions were regarded by supporters of the war as evidence that the national leaders no longer had the will to do what was necessary to win.
The Slamming Door is a true story. Find out how an Aspie who has learned social skills by rote, one who has earned respectable academic credentials but does not function well in many work environments, navigates a labyrinth of death, dying and loss, and how she copes with anxiety induced by travel and changes in her environment, and how she slowly, painstakingly comes to recognize the signs of hostility around her while making no apology for who she is. In September of 2008, Clarisse N. Renard was asked to move in with a man who had just been diagnosed with bone cancer…by his daughter, Berta, who knew that she was a writer and available. Berta had to work in an office, so she couldn’t be her father’s caregiver. The man was her husband’s older cousin, Bryn, a Harvard-educated, retired New York City social worker, and Clarisse and her husband Damon had stayed with him many times. He was also one of her best friends after eight years of visits, a confidante, and like another dad to her. The request, which was also an invitation of sorts, felt like a chance to pay her cousin-in-law back for all of the emotional and other support he had given to Clarisse and Damon. She didn’t know Berta very well, but had been excited to find that her marriage came with a female cousin her own age. Clarisse looked forward to getting to know her better. When he realized that he couldn’t stay home alone while terminally ill, Bryn wanted Clarisse with him and told her so the evening that she arrived. However, he warned her that Berta and her older half-sister were very jealous of the fact that she was there with him. Berta resented Clarisse in many ways, and gradually revealed her true self: a bully. Read on to find out how an articulate and meticulous Aspie dealt with all of these problems and situations, and how she viewed it all. People with Asperger’s are not broken; their brain patterns merely differ from those of the majority of the population. Aspies have produced great novels, scientific discoveries, and the foundations of the best legal system on the planet, namely The Declaration of Independence. Asserting oneself, knowing that no good deed will be judged with appreciation by a bully, is an act of courage and defiance, but also a necessary one. There is nothing wrong with those who are different. The problem is those who won’t accept or respect them. The memoir includes photographs of points of interest in Manhattan, and of other items of interest.
"The allure of the Appalachian Trail has drawn hikers from all around the world to walk its 2,193 miles from Georgia to Maine. In Killing the Buddha on the Appalachian Trail John Turner hikes those rugged miles with us on a journey that begins in the forested southern mountains but also winds through the history of the trail, its geology, its unique hiker culture and the hazards, physical demands, and glories of some of the most beloved and beautiful landscapes on America's eastern seaboard. The journey also takes us to some unexpected places - to Africa in the aftermath of a terrible war, into philosophical exploration about the ethics of hiking, and the author's own inner turmoil as he struggles with past failures. We are introduced to characters as varied, brave and determined as any cast of a Broadway musical, each of them contending with the challenge of climbing steep mountains day after day through rain, mud, cold, and heat. Throughout this epic trek, we walk alongside Turner to experience the daily hardships, the milestones reached, the hike-ending accidents and the little victories along the way to the great mountain at the northern terminus - Katahdin in Maine. Turner guides us to Katahdin through a background of Buddhist teaching that gives meaning to the fellowship, solitude, suffering and ultimate triumph of the men and women who seek to hike the entire Appalachian Trail"--
ALL DAY is a behind-the-bars, personal glimpse into the issue of mass incarceration via an unpredictable, insightful and ultimately hopeful reflection on teaching teens while they await sentencing. Told with equal parts raw honesty and unbridled compassion, ALL DAY recounts a year in Liza Jessie Peterson's classroom at Island Academy, the high school for inmates detained at New York City's Rikers Island. A poet and actress who had done occasional workshops at the correctional facility, Peterson was ill-prepared for a full-time stint teaching in the GED program for the incarcerated youths. For the first time faced with full days teaching the rambunctious, hyper, and fragile adolescent inmates, "Ms. P" comes to understand the essence of her predominantly Black and Latino students as she attempts not only to educate them, but to instill them with a sense of self-worth long stripped from their lives. "I have quite a spirited group of drama kings, court jesters, flyboy gangsters, tricksters, and wannabe pimps all in my charge, all up in my face, to educate," Peterson discovers. "Corralling this motley crew of bad-news bears to do any lesson is like running boot camp for hyperactive gremlins. I have to be consistent, alert, firm, witty, fearless, and demanding, and most important, I have to have strong command of the subject I'm teaching." Discipline is always a challenge, with the students spouting street-infused backtalk and often bouncing off the walls with pent-up testosterone. Peterson learns quickly that she must keep the upper hand-set the rules and enforce them with rigor, even when her sympathetic heart starts to waver. Despite their relentless bravura and antics-and in part because of it-Peterson becomes a fierce advocate for her students. She works to instill the young men, mostly black, with a sense of pride about their history and culture: from their African roots to Langston Hughes and Malcolm X. She encourages them to explore and express their true feelings by writing their own poems and essays. When the boys push her buttons (on an almost daily basis) she pushes back, demanding that they meet not only her expectations or the standards of the curriculum, but set expectations for themselves-something most of them have never before been asked to do. She witnesses some amazing successes as some of the boys come into their own under her tutelage. Peterson vividly captures the prison milieu and the exuberance of the kids who have been handed a raw deal by society and have become lost within the system. Her time in the classroom teaches her something, too-that these boys want to be rescued. They want normalcy and love and opportunity.
22 raconteurs contribute 34 stories, all previously told at the Texas Storytelling Festival.
Once the United States landed on the moon in July 1969, it was up to President Nixon to decide what to do in space after Apollo. This book chronicles the decisions he made, including ending space exploration and approving the space shuttle. Those decisions determined the character of the US human space flight program for the next forty years.
From the hip hop icon, Hollywood star, and “a true artist and writer of deep talent” (James McBride, author of The Color of Water)—a candid, New York Times bestselling memoir ranging from his childhood on Chicago’s South side and his emergence as one of rap’s biggest names. Common has earned a reputation in the hip-hop world as a conscious artist by embracing themes of love and struggle in his songs. His journey toward understanding is rooted in his relationship with a remarkable woman, his mother. Common holds nothing back in this gripping memoir, both provocative and funny. He tells what it was like for a boy with big dreams growing up on the South Side of Chicago. He reveals how he almost quit rapping after his first album sold only two thousand copies. He recounts his rise to stardom and talks about the challenges of balancing fame, love, and family. Through it all, Common emerges as a man in full. Rapper. Actor. Activist. But also father, son, and friend. His story offers a living example of how, no matter what you’ve gone through, one day it’ll all make sense.
Newell never really belonged in Pastel, Alabama. Ready for a change, he buys a one-way ticket to New Orleans. The year is 1978 and the rambunctious city beckons with its famous promise of bright lights, excitement, and men everywhere. Newell makes his way, finding a job in a pornographic bookstore and renting a room in the French Quarter. His good nature, good looks, and a daring stunt in a popular bar make him a quick favorite of the town. Soon he has friends. Some are harmless, like Henry, a pudgy sidekick who's a frequent denizen of the porn shop's movie booths. Others prove more dangerous, like party-boy Mark, Newell's first beau, who has a penchant for recreational drugs. Finally, Newell encounters the volatile Jack, who shows Newell the blackest heart of the city. Boulevard, Jim Grimsley's fifth novel, reminds us that Grimsley is what Publishers Weekly calls "an accomplished stylist and a complex moralist." He takes one character's dream and reveals what can happen when dreams are fulfilled.