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Team Teaching at the College Level describes a college-level team teaching program which affords unusual opportunities for developing an educational environment that fosters productive personal relationships between and among college students and faculty. The book describes the nature and scope of selected team teaching programs; the manner in which such programs can be administered; the potential impact of team teaching on a developing curriculum; the role of faculty and students who constitute the teaching-learning team; the particular housing requirements of team teaching programs; and finally, the limitations and future prospects of this emerging concept. In the following chapters frequent reference is made to the philosophy, program, and methodology of Boston University's College of Basic Studies, where a team system was first developed in 1949 and where an entire collegiate two-year program of studies functions on a team teaching plan. This College's extensive experience with team teaching has made possible refinements which may interest those seeking to broaden their understanding of the potential role and function of team teaching in higher education.* Rich in case studies, examples, and in-chapter elements that focus on the challenges of launching and operating a technology venture* In-depth examination of intellectual property development, valuation, deal structuring, and equity preservation, issues of most relevance to technology start-ups* Extensive discussion of technology management and continuous innovation as a competitive advantage* Addresses the issue of leading, managing, motivating, and compensating technical workers* More time on the fundamentals of marketing and selling, as these are elements of entrepreneurshipcommonly most neglected by engineers and scientists
Type fonts selected to add formal elegance, precision and grace to graphic projects that require a more reserved and thoughtful approach. Most of the fonts include both upper- and lowercase alphabets, numbers, punctuation marks and typographical ornaments.
Artists, crafters, and designers will rejoice in 100 unusual and authentic Victorian type fonts. Plain and decorative alphabets include Calliope, Buffalo Bill, Shaded Barnum, Fargo, Jackpot, and Burlesque. Styles range from bold Bohemia and Broadside to delicate Aeolian Open and Arboret. Many include lowercase letters and numbers, plus Victorian printer's ornaments.
This exquisite collection of usable, unusual, royalty-free lettering includes 1,685 bizarre and ornamental letters, including 50 full alphabets in a variety of motifs, including 11th centuy Anglo-Celtic, military, silhouettes, mathematics, and many more.
Vladimir Talmy's memoir is a precious document reflecting the dramas of the 20th century. The lives of the author and his family are intertwined with the historical epoch in which they lived. Vladimir Talmy lived a long (1924-2012) and complicated life. He was born and died in the USA, yet the greater part of his life was spent in the USSR where he observed the worst events of Stalin's reign. His parents, American Communists, went to Soviet Russia in 1931 to create a new life. They believed they were choosing the best possible destiny for their son. Vladimir's life in the USSR embraced school and college, service on the front lines of the Second World War, a wound, hospital, then work as an interpreter in the office of the Economic Directorate of the Soviet Military Administration in occupied Germany, and his eventual eight-year imprisonment, from 1947 to 1955, in Stalinist labor camps. Vladimir's father, Leon, was arrested for his work with the Jewish Anti-Fascist Committee and executed in 1952. His mother, Sofia, was exiled to Siberia. Vladimir describes those events in great details and what strikes the reader is his total lack of bitterness. This memoir pays homage to the courage, strong will and kindness of this enlightened man. Vladimir would come back to America in 1980 - half a century after he had left it. The last 32 years of his life were happy, rich with the work he loved, enjoying the company of his grandchildren and his extended family. Vladimir's story is not just a confession of a witness to, and a participant in, historic events, it is a warning for generations to come.
The first and most authoritative history of wood type in the United States is now reissued in paperback. This book tells the complete story of wood type, beginning with the history of wood as a printing material, the development of decorated letters and large letters, and the invention of machinery for mass-producing wood letters. The 19th-century heyday of wood type is explored in great detail, including all aspects of design, manufacture, and marketing, and the evolution of styles. Many related trades interacted with wood type production; the book examines the influence of lithography, letterpress, metal-plate and wood engraving, sign painting and calligraphy, poster printing, and type-founding. Long out of print, the book is still regarded by scholars and designers as an invaluable resource for a rich legacy of typographic art. More than 600 specimens of wood type are classified and annotated, as are more than 100 specimens of complete fonts. This reissue includes a new foreword by David Shields, Design Curator of the Rob Roy Kelly Wood Type Collection at the University of Texas at Austin, discussing the renewed interest in the subject since the mid-1990s as well as ongoing research into the history of wood type.
Modern life after 1945 seemed to promise both utopia and catastrophe. Both could, it seemed, be achieved at the 'push of a button'. Published to accompany a major V & A exhibition, 'Cold War Modern: Design 1945-1970', this book explores how the politics of the Cold War shaped architecture and design. Reassessing 'classic' designs and introducing many little-known objects.