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"Accompanies an exhibition at the Barber Institute of Fine Arts, University of Birmingham, 20 January-23 April 2006"--T.p. verso.
Witchcraft continues to play a role in the modern European imagination and in its cultures. This book brings together studies of its most important modern manifestations. The volume includes a major new history of the origins and development of English 'Wicca', an account of satanic abuse mythology in the Twentieth Century and a survey of the continued existence of traditional witchcraft.
Topics include modern pagan witchcraft, Satanism, and the continued existence of traditional witchcraft.
This Alpha's gonna take a bite out of his brother's fake fiancée. Sheltered Lucia is determined to find a new life and love. No wonder she falls for the first guy to flash her a wolfish smile her first day in the big city. After rescuing the charming shifter from certain death, she's sure he feels the same way about her, and will tell her so — just as soon as he wakes up from his coma. To stay by her instalove’s side in the hospital, Lucia pretends she's his bonded mate. This twist of the truth takes a turn when she meets her fake fiancé’s sexy older brother and wonders if she was a bit too hasty in declaring love-at-first-sight the first time. For months, Jackson has sensed that his fated mate was near. When he enters his brother's hospital room, he instantly pounces on the beautiful, curvaceous woman there. He’s ready to mark her as his own until he discovers his brother may have gotten there first. The more Jackson gets to know Lucia, the more his doubts about the engagement grow. She has nothing in common with his wayward, lone wolf brother. But she sure does check every one of Jackson's boxes. Lucia longs to explore her feelings for Jackson, but how can she turn her back on the comatose wolf she lied about being engaged to? Jackson's fighting a losing battle with his wolf to claim the woman who should be his. When he finds proof that Lucia isn't who she claims to be, can he still trust her with his heart? And what will happen when his brother, her fake-mate, wakes up? Moonrise is the first in a paranormal romance series full of alpha men and the strong, capable women that bend them to their knees. If you like a touch of magic in your romance novels, then you’ll love the witches, fairies, and wolves in the dystopian world of the moonkind. Buy Ines Johnson’s Moonrise today and find yourself caught in the moonglow of this paranormal romance filled with instalove gone hilariously wrong, overbearing families who’ll warm your heart, and the sensuous heat that only happens between fated mates.
From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.
The end of the 18th century saw the end of witch trials. This volume charts the processes and reasons for decriminalizing witchcraft. It also surveys the social role of witchcraft in European communities to the end of the 19th century.
This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.
An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York
This one-volume edition contains both text and plates and includes corrections in the text and bibliography made since the books publication in 1987. There are concise monographic chapters on the important artists and movements of the period, with material on each artists life and work, characteristics of style, and the relationship of the artistic movements to historical and intellectual currents of the time. The author covers a wide range of material and his presentation is lucid and perceptive. Neoclassicism, Romanticism, Realism, Academics and Salon Painters, and Impressionism are covered, and the following artists are included: David, Gros, Girodet, Grard, Gurin, Prudhon, Goya, Fuseli, Blake, Runge, Friedrich, Turner, Constable, Igres, Gricault, Delacroix, Corot, Rousseau, Daumier, Millet, Courbet, Manet, Degas, Monet, Renoir, Sisley, Pissarro, and Czanne.
Coleridge's Dejection Ode completes J.C.C. Mays’ analysis of Coleridge’s poetry, following Coleridge’s Ancient Mariner (Palgrave 2016) and Coleridge’s Experimental Poetics (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge's oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals how the poem also marks the opening of the second half of Coleridge's career as both poet and thinker. In three central chapters Mays examines the new style that evolved in the process of writing the Ode: the technical means of metrics, rhyme and grammar; language and allusion; and symbol and structure. He recounts the complex, sometimes controversial critical history of the Ode, and suggests an editorial solution to the problem created by the Letter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in Biographia Literaria; and traces the links of the concept "dejection" as it underpins Coleridge's late poems.