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n enchanting and poignant new picture book about a very unusual friendship Finlay is a fox. Lily is a rabbit - and usually, one would keep out of the other's way. But not in this case! Lily and Finlay are firm friends, and against a backdrop of twinkling moonlight and accompanied by a farm animal orchestra, they dance the night away at a magical moonlit farmyard party. * Beautifully textured and glowing artwork from Caroline Pedler, a major new talent in picture book illustration, whose only previous book (a version of The Night Before Christmas) was Marks and Spencer's top selling book of 2001
Peter Driscoll, an underground investigator to the wealthy, has never met anyone like Lily Temple. The beautiful silent-film actress spins fairy tales and plays frivolous roles in front of the cine-camera, but beneath the costumes and stage makeup is a woman with a quick wit--and a murky past. Peter has been tasked with locating the legendary Briarwood Teardrop, an exquisite sapphire, which Lily wears beneath her gown. In order to stay close to her and hopefully unravel the mystery of her story--and the sapphire--Peter employs Lily's help on a case, which leads to a useful partnership. But as they are investigating together, Peter is also investigating Lily. The closer he gets to the truth, the more danger they face. And the closer he gets to Lily, the clearer it is that he needs her even more than she needs him. Award-winning author Joanna Davidson Politano whisks you away to Edwardian England in 1903 for a whimsical and layered tale that treads the crooked line between real and make-believe.
As a doctor in Vietnam, Lily survived unimaginable terror and loss. Now, safely ensconced in a close-knit Maine town and a seemingly comfortable marriage, she no longer needs to be afraid, but she is: afraid of light, afraid of sudden sounds, afraid of seeing the wide-eyed child of war who haunts her. So Lily is unprepared for the act of betrayal that threatens to take away the one thing she cannot live without: her young son. Plunged into a bitter custody battle, befriended by a man with a heartbreaking secret of his own, Lily must fight–to escape her own memories, to survive an uncertain future, and to protect, above all else, the love between a mother and child.
When school teacher Lily Barton flies to Rome at Christmas to see her brother, the last thing she expects is to be kidnapped by the demanding and sinfully attractive Count Scarletti! Captivated by his glare, will she defy his demands? Dmitri Scarletti's sister has run off with Lily's brother and until he finds them, he's holding Lily hostage. But soon Lily's fiery nature incites a white-hot heat that even the Count can't resist. He has one night beneath the mistletoe to fulfill his every desire, for in the morning he'll be forced to let her go… Won't he?
An Amazon Best Book of the Month What happens when an online friend becomes a real-life nightmare? Roisin hasn't made a single friend since moving from Ireland to Massachusetts. In fact, she is falling apart under constant abuse from a school bully, Zara. Zara torments Roisin in person and on social media. She makes Roisin the laughingstock of the whole school. Roisin feels utterly alone... until she bonds with Haley online. Finally there's someone who gets her. Haley is smart, strong, and shares anti-mean-girl memes that make Roisin laugh. Together, they are able to imagine what life could look like without Zara. Haley quickly becomes Roisin's lifeline. Then Zara has a painful accident, police investigate, and Roisin panics. Could her chats with Haley look incriminating? Roisin wants Haley to delete her copies of their messages, but when she tries to meet Haley in person, she can't find her anywhere. What's going on? Her best friend would never have lied to her, right? Or is Haley not who she says she is... With twists, turns, and lightning-fast pacing, this is a middle-grade thriller about bullying, revenge, and tech that young readers won't be able to put down.
Trollope the reformer and the reformation of Trollope scholarship in relation to gender, race, and genre are the intertwined subjects of eminent Trollopian Deborah Denenholz Morse’s radical rethinking of Anthony Trollope. Beginning with a history of Trollope’s critical reception, Morse traces the ways in which Trollope’s responses to the political and social upheavals of the 1860s and 1870s are reflected in his novels. She argues that as Trollope’s ideas about gender and race evolved over those two crucial decades, his politics became more liberal. The first section of the book analyzes these changes in terms of genre. As Morse shows, the novelist subverts and modernizes the quintessential English genre of the pastoral in the wake of Darwin in the early 1860s novel The Small House at Allington. Following the Second Reform Act, he reimagines the marriage plot along new class lines in the early 1870s in Lady Anna. The second section focuses upon gender. In the wake of the Second Reform Bill and the agitations for women's rights in the 1860s and 1870s, Trollope reveals the tragedy of primogeniture and male privilege in Harry Hotspur of Humblethwaite and the viciousness of the marriage market in Ayala's Angel. The final section of Reforming Trollope centers upon race. Trollope's response to the Jamaica Rebellion and the ensuing Governor Eyre Controversy in England is revealed in the tragic marriage of a quintessential English gentleman to a dark beauty from the Empire's dominions. The American Civil War and its aftermath led to Trollope's insistence that English identity include the history of English complicity in the black Atlantic slave trade and American slavery, a history Trollope encodes in the creole discourses of the late novel Dr. Wortle's School. Reforming Trollope is a transformative examination of an author too long identified as the epitome of the complacent English gentleman.
Proposing the concept of transformation as a key to understanding the Victorian period, this collection explores the protean ways in which the nineteenth century conceived of, responded to, and created change. The volume focuses on literature, particularly issues related to genre, nationalism, and desire. For example, the essays suggest that changes in the novel's form correspond with shifting notions of human nature in Victor Hugo's Notre-Dame de Paris; technical forms such as the villanelle and chant royal are crucial bridges between Victorian and Modernist poetics; Victorian theater moves from privileging the text to valuing the spectacles that characterized much of Victorian staging; Carlyle's Past and Present is a rallying cry for replacing the static and fractured language of the past with a national language deep in shared meaning; Dante Gabriel Rossetti posits unachieved desire as the means of rescuing the subject from the institutional forces that threaten to close down and subsume him; and the return of Adelaide Anne Procter's fallen nun to the convent in "A Legend of Provence" can be read as signaling a more modern definition of gender and sexuality that allows for the possibility of transgressive desire within society. The collection concludes with an essay that shows neo-Victorian authors like John Fowles and A. S. Byatt contending with the Victorian preoccupations with gender and sexuality.