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Moon Travel Guides: Your World, Your Way Enchanting music, incredible cuisine, classic cars, and stunning natural beauty: Cuba may be just an island, but it has a big impact on everyone who visits. Dive right in with Moon Cuba. Easy-to-use itineraries, with week-long trip suggestions tailored for adventurers, party animals, nature-lovers, beach bums, history buffs, and more Activities and unique ideas for every traveler: Hike the revolutionary trails of the Sierra Maestra trod by Fidel Castro and Che Guevara, or relax on sparkling beaches. Savor delectable criollo cuisine, indulge in the world's finest cigars, or sip mojitos and cuba libres made from the best Cuban rum. Explore colonial cities with cobbled plazas and cathedrals, or jade mountains full of dramatic rock formations. Discover the ins and outs of Cuba's nightlife, from salsa dancing to LGBT hotspots. Recommendations on outdoor recreation, including birding, horseback riding, fishing, cycling, and hiking, as well as the best beaches for diving, snorkeling, and sunbathing Honest advice from award-winning travel writer Christopher P. Baker on the country he has studied for decades Full-color photos and detailed maps and directions for exploring on your own Background information on the landscape, history, government, and culture, including a Spanish phrasebook A comprehensive guide to travel laws, visas and officialdom, and health and safety tips Essential insight for travelers on transportation and accommodations, packaged in a book light enough to fit in your carry-on With Moon Cuba's practical tips, myriad activities, and local insight, you can plan your trip your way. Island-hopping around the Caribbean? Try Moon Aruba or Moon Jamaica.
Most books on the Cuban Missile Crisis tell the story using the memoirs of those who advised President Kennedy as he struggled to avoid World War III. This book is the only known personal account of the lead photographic reconnaissance squadron's scouting dangerous low-level operations, flying the supersonic RF-8A Crusader, during the classified Operation Blue Moon. Captain Ecker was the commanding officer of US Navy Light Photographic Squadron 62 (VFP-62, otherwise known as “Fightin' Photo”) during the Cuban Missile Crisis, a team created for reconnaissance and aerial photography, and consulted on the movie Thirteen Days, which included dramatic scenes of his first mission over Cuba on October 23, 1962. Blue Moon over Cuba is an authoritative and complete account of the low-level reconnaissance that might be said to have helped JFK avert nuclear Armageddon.
Edgar Award finalist: A “hypnotic” crime novel set in Cuba after the collapse of the USSR (Tim McLoughlin, author of Heart of the Old Country). One hungry, hallucinatory night in the dark heart of Havana, Mano Rodriguez, a young doctor with the revolutionary medical service, comes to the aid of a teenage jinetera named Julia. She takes refuge in his clinic to break away from the abusive chulo who prostituted her, and they form an unlikely allegiance that Mano thinks might save him from his twin burdens: the dead-end hospital assignment he was delegated after being blacklisted by the Cuban Communist Party, and a Palo Monte curse on his love life commissioned by a vengeful ex-wife. But when the pimp and his bodyguards come after Julia and Mano, the violent chain reaction plunges them all into the decadent catacombs of Havana’s criminal underworld . . . “In the weeks before Hurricane Andrew sweeps down on Cuba in 1992, Dr. Mano Rodriguez is caught up in intrigue in this thoughtful, lushly detailed neo-noir.” —Publishers Weekly “A sad, surreal, beautiful tour of the hell that was Cuba in the immediate aftermath of the collapse of the Soviet Union. The writing is hypnotic, the storytelling superb. Havana Lunar is perfect.” —Tim McLoughlin, editor, Brooklyn Noir
Touring the commercial graphic culture of pre-Castro Cuba, photography curator Levi and senior art director for The New York Times Heller present color reproductions of postcards, tourism advertisements, cigar boxes, music poster, hotel advertisements, and other items that combined graphic styles from the United States with a distinctive Cuban style. A brief introductory essay extols the virtue of this "golden age" of graphic design, noting that Cuba was portrayed as a "paradise" (for wealthy Americans and Europeans). Annotation copyrighted by Book News, Inc., Portland, OR
With this masterful work, Louis A. Perez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of the ways that this encounter helped shape Cubans' identity, nationality, and sense of modernity from the early 1850s until the revolution of 1959. Using an enormous range of Cuban and U.S. sources--from archival records and oral interviews to popular magazines, novels, and motion pictures--Perez reveals a powerful web of everyday, bilateral connections between the United States and Cuba and shows how U.S. cultural forms had a critical influence on the development of Cubans' sense of themselves as a people and as a nation. He also articulates the cultural context for the revolution that erupted in Cuba in 1959. In the middle of the twentieth century, Perez argues, when economic hard times and political crises combined to make Cubans painfully aware that their American-influenced expectations of prosperity and modernity would not be realized, the stage was set for revolution.
West African Warfare in Bahia and Cuba seeks to explain how a series of historical events that occurred in West Africa from the mid-1790s - including Afonja's rebellion, the Owu wars, the Fulani-led jihad, and the migrations to Egbaland - had an impact upon life in cities and plantations in western Cuba and Bahia. Manuel Barcia examines the extent to which a series of African-led plots and armed movements that took place in western Cuba and Bahia between 1807 and 1844 were the result - or a continuation - of events that had occurred in and around the Yoruba and Hausa kingdoms in the same period. Why did these two geographical areas serve as the theatre for the uprising of the Nag?s, the Lucum?s, and other West African men and women? The answer, Barcia argues, relates to the fact that plantation economies supported by unusually large numbers of African-born slaves from the same - or close - geographical and ethnic heritage, transformed the rural and urban landscape in western Cuba and Bahia. To understand why these two areas followed such similar social patterns it is essential to look across the Atlantic - it is not enough to repeat the significance of the African background of Bahian and Cuban slaves. By establishing connections between people and events, with a special emphasis on their warfare experiences, Barcia presents a coherent narrative which spans more than three decades and opens a wealth of archival research for future study.
West African Warfare in Bahia and Cuba seeks to explain how a series of historical events that occurred in West Africa from the mid-1790s - including Afonja's rebellion, the Owu wars, the Fulani-led jihad, and the migrations to Egbaland - had an impact upon life in cities and plantations in western Cuba and Bahia. Manuel Barcia examines the extent to which a series of African-led plots and armed movements that took place in western Cuba and Bahia between 1807 and 1844 were the result - or a continuation - of events that had occurred in and around the Yoruba and Hausa kingdoms in the same period. Why did these two geographical areas serve as the theatre for the uprising of the Nagos, the Lucumis, and other West African men and women? The answer, Barcia argues, relates to the fact that plantation economies supported by unusually large numbers of African-born slaves from the same - or close - geographical and ethnic heritage, which transformed the rural and urban landscape in western Cuba and Bahia. To understand why these two areas followed such similar social patterns it is essential to look across the Atlantic - it is not enough to repeat the significance of the African background of Bahian and Cuban slaves. By establishing connections between people and events, with a special emphasis on their warfare experiences, Barcia presents a coherent narrative which spans more than three decades and opens a wealth of archival research for future study.
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.
A lively survey of Cuba's past and present, and a "must-have" companion to any Cuba travel guide "Cuba has the same effect on American administrations that the full moon has on werewolves." -- Wayne Smith, former head of US Interests Section in Havana "Cuba for the Misinformed is extraordinarily educational and enlightening." - Midwest Book Review For more than 50 years, the US government and mass media have misrepresented, hidden or ignored the truth about Cuba. In Cuba for the Misinformed, Mick Winter brings together a fascinating array of facts and anecdotes about Cuba's history, its government, its people, and the actions that the United States has taken against the well-being of those people. Citizens of other countries do know many of these facts. That is why every year at the United Nations almost every country on the planet (the 2012 vote was 188-3) demands that the United States end its embargo of Cuba. As you read this book, you will recognize that for more than fifty years something very interesting has been happening just ninety miles offshore from the United States. You may not agree with everything-- or even anything-- that has happened since the Cuban revolution, but you will likely admit that this small island country of eleven million people has had a global effect that reaches far beyond its size. This book presents information that is little-known (particularly to most Americans) about Cuba and its relationship with the United States. It offers this information clearly, succinctly and in a style that's enjoyable to read, and backs it up with helpful footnotes and links to resources. Whether you're a student, educator or journalist; planning a trip to Cuba (this book is an essential companion to your Cuba tour book); anticipating future business dealings; or simply want to know more, you'll find Cuba for the Misinformeda treasure of interesting--and often fascinating--information, facts and anecdotes about Cuba and its people.
"Quirky, unpredictable, often hilarious, Infante's book tells us much about the effect of the Cuban revolution on Cuban literature." - Publishers Weekly With bitter irony, the author tells a story sadly repeated during this century. A dictatorship that silences the intellectuals, a regime that lies and kills, and a propaganda war that has yet to end. One of the best compilations of documents on recent Cuban history.