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Atlantic Europe is the zone par excellence of megalithic monuments, which encompass a wide range of earthen and stone constructions from inpressive stone circles to modest chambered tombs. A single basic concept lies behind this volume - that the intrinsic qualities encountered within the diverse landscapes pf Atlantic Europe both informed the settings chosen for the monuments and played a role in determining their form and visual appearance. Monuments and Landscape in Atlantic Europe goes significantly beyond the limits of existing debate by inviting archaeologists from different countries with the Atlantic zone (including Britain, France, Ireland, Spain and Sweden) to examine the relationship between landscape features and prehistoric monuments in their specialist regions. By placing the issue within a broader regional and intellectual context, the authors illustrate the diversity of current archaeological ideas and approaches converging around this central theme.
These essays examine for the first time the relationship between landscape and prehistoric monuments across Europe, placing the issue in a regional and intellectual context.
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.
The Oxford Handbook of the European Bronze Age is a wide-ranging survey of a crucial period in prehistory during which many social, economic, and technological changes took place. Written by expert specialists in the field, the book provides coverage both of the themes that characterize the period, and of the specific developments that took place in the various countries of Europe. After an introduction and a discussion of chronology, successive chapters deal with settlement studies, burial analysis, hoards and hoarding, monumentality, rock art, cosmology, gender, and trade, as well as a series of articles on specific technologies and crafts (such as transport, metals, glass, salt, textiles, and weighing). The second half of the book covers each country in turn. From Ireland to Russia, Scandinavia to Sicily, every area is considered, and up to date information on important recent finds is discussed in detail. The book is the first to consider the whole of the European Bronze Age in both geographical and thematic terms, and will be the standard book on the subject for the foreseeable future.
The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.
An authoritative introduction to the fascinating topic of archaeoastronomy—ancient peoples' understanding and use of the skies. Ancient Astronomy: An Encyclopedia of Cosmologies and Myth draws on archaeological evidence and oral traditions to reveal how prehistoric humans perceived the skies and celestial phenomena. With over 200 entries, it offers a number of ways to approach ancient astronomy, from key examples and case studies worldwide (Stonehenge; Mexican and Egyptian pyramids; Chaco Canyon, New Mexico; the Nazca lines in Peru) to general themes (cosmologies, calendars, ancient ideas of space and time, origin myths), to fundamental concepts and methods (how the sky has changed over the centuries, how to survey a site), and to the field's most frequently asked questions (How did ancient peoples navigate the ocean using the stars? How does astrology relate to ancient astronomy? Can ancient sites be dated astronomically?) By revealing the astronomical significance of some of the world's most famous ancient landmarks and enduring myths and by showing how different themes and concepts are connected, Ancient Astronomy: An Encyclopedia of Cosmologies and Myth brings a unique authoritative perspective to an area too often left to speculation and sensationalism.
The Neolithic period, when agriculture began and many monuments - including Stonehenge - were constructed, is an era fraught with paradoxes and ambiguities. Starting in the Mesolithic and carrying his analysis through to the Late Bronze Age, Richard Bradley sheds light on this complex period and the changing consciousness of these prehistoric peoples. The Significance of Monuments studies the importance of monuments tracing their history from their first creation over six thousand years later. Part One discusses how monuments first developed and their role in developing a new sense of time and space among the inhabitants of prehistoric Europe. Other features of the prehistoric landscape - such as mounds and enclosures - across Continental Europe are also examined. Part Two studies how such monuments were modified and reinterpreted to suit the changing needs of society through a series of detailed case studies. The Significance of Monuments is an indispensable text for all students of European prehistory. It is also an enlightening read for professional archaeologists and all those interested in this fascinating period.
Excavation of a Scheduled burial mound on Whitehorse Hill, Dartmoor revealed an unexpected, intact burial deposit of Early Bronze Age date associated with an unparalleled range of artefacts. The cremated remains of a young person had been placed within a bearskin pelt and provided with a basketry container, from which a braided band with tin studs had spilled out. Within the container were beads of shale, amber, clay and tin; two pairs of turned wooden studs and a worked flint flake. A unique item, possibly a sash or band, made from textile and animal skin was found beneath the container. Beneath this, the basal stone of the cist had been covered by a layer purple moor grass which had been collected in summer. Analysis of environmental material from the site has revealed important insights into the pyre material used to burn the body, as well as providing important information about the environment in which the cist was constructed. The unparalleled assemblage of organic objects has yielded insights into a range of materials which have not survived from the earlier Bronze Age elsewhere in southern Britain.
What constitutes an island and the archaeology contained within? Is it the physicality of its boundary (between shoreline and sea)? Does this physical barrier extend further into a watery zone? Archaeologically, can islands be defined by cultural heritage and influence? Clearly, and based on these few probing questions, islands are more than just lumps of rock and earth sitting in the middle of a sea or ocean. An island is a space which, when described in terms of topography, landscape form and resources, becomes a place. A place can sometimes be delineated with barriers and boundaries; it may also have a perimeter and can be distinguished from the space that surrounds it. The 16 papers presented here explore the physicality, and levels of insularity of individual islands and island groups during prehistory through a series of case studies on Neolithic island archaeology in the Atlantic and Mediterranean regions. For the eastern Atlantic (the Atlantic Archipelago) papers discuss the sacred geographies and material culture of Neolithic Gotland, Orkney, and Anglesey and the architecture of and ritual behavior associated with megalithic monuments in the Channel Islands and the Scilly Isles. The Mediterranean region is represented by a different type of Neolithic, both in terms of architecture and material culture. Papers discuss theoretical constructs and ritual deposition, cave sites, ritualized and religious aspects of Neolithic death and burial; metaphysical journeys associated with the underworld in Late Neolithic Malta and the possible role of its Temple Period art in ritual activities; and palaeoenvironmental evidence from the Neolithic monuments of Corsica. The cases examined illustrate the diversity of the evidence available that affords a better understanding of the European-Mediterranean Neolithic 'island society', not least the effects of interaction/contact and/or geographical insularity/isolation, all factors that are considered to have consequences for the establishment and modification of cultures in island settings.
Megalithic monuments are among the most striking remains of the Neolithic period of northern and western Europe and are scattered across landscapes from Pomerania to Portugal. Antiquarians and archaeologists early recognized the family resemblance of the different groups of tombs, attributing them to maritime peoples moving along the western seaways. More recent research sees them rather as the product of established early farming communities in their individual regions. Yet the diversity of the tombs, their chronologies and their varied cultural contexts complicates any straightforward understanding of their origins and distribution. Megalithic Architectures provides new insight by focusing on the construction and design of European megalithic tombs – on the tomb as an architectural project. It shows how much is to be learned from detailed attention to the stages and the techniques through which tombs were built, modified and enlarged, and often intentionally dismantled or decommissioned. The large slabs that were employed, often unshaped, may suggest an opportunistic approach by the Neolithic builders, but this was clearly far from the case. Each building project was unique, and detailed study of individual sites exposes the way in which tombs were built as architectural, social and symbolic undertakings. Alongside the manner in which the materials were used, it reveals a store of knowledge that sometimes differed considerably from one structure to another, even between contemporary monuments within a single region. The volume brings together regional specialists from Scandinavia, Germany, Britain, France, Belgium and Iberia to offer a series of uniquely authoritative studies. Results of recent fieldwork are fully incorporated and much of the material is published here for the first time in English. It provides an invaluable overview of the current state of research on European megalithic tombs.