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Java's ancient monuments are eloquent evidence of that innate consciousness of something beyond earthly existence which moves men to propitiate the principle of life by sacrifice in temples as gloriously divine as mortal hand can raise. Fear, however, especially where Buddhism moulded their thought by contemplation intent upon absorption of self, entered little into the religion of the children of this pearl of islands. Nature, beautiful, almighty nature, guided them and their work; even the terror inspired by the cosmic energy throbbing under their feet, by frequent volcanic upheavals dealing destruction and death, flowered into promise of new joy, thanks to the consummate art of their builders and sculptors, whose master minds, conceiving grandly, devising boldly and finishing with elaborate ornament, emphasised most cunningly the lofty yet lovely majesty of their natural surroundings. They made them images of the Supreme Being in his different aspects and symbolised attributes, free from the abject dread which dominated his worship by other earthlings of his fashioning in other climes, whose notion of All-Power was more one of Vengeance than of All-Sufficiency. They lived and meditated and wrought, impressing their mentality upon the material world given for their use; and so they created marvels of beauty, developed an architecture which belongs pre-eminently to their luxuriant soil under the clear blue of their sky, in the brilliant light of their sun.
Java Essay: The history and culture of a southern country encompasses many different aspects of the history of Java, Indonesia, offering a unique insight into the Asian country and exploring how its history has impacted on its culture. Author Masatoshi Iguchi explores a panoply of historical events, ranging from the deportation of Japanese Christians in the early 17th century to Batavia – the Indonesian capital now commonly known as Jakarta – to the history of the kingdoms that built Borobudur and Prambanan. The study of stone inscriptions from ancient and medieval times, as well as a number of old records and documents of both domestic and foreign origins, are intertwined with the author’s own insight and thought on the facts and events of Indonesia. Masatoshi’s personal experiences of visiting the indigenous people of Indonesia highlights the interesting nature of a country not yet fully understood. Within the book is an abundance of photographs and drawings, intended to provide readers with visual aids that further their insight into this country’s history and culture. Written in an accessible style, with reference to external sources, Java Essay is a history book that will appeal to readers with an interest in the history and culture of Indonesia. It will prove a fascinating read for academics, as well as travellers and visitors to Indonesia alike.
Presents a new approach to heritage formation in Asia, conveying the power of the material remains of the past.
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