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It's hard to believe MONTY PANESAR only arrived on the international cricketing scene in March 2006. His electric performances against India and in the Ashes series saw him catapulted to hero status in a matter of months, and widely rated as England's best spin bowler for 30 years. In MONTY'S TURN, Panesar takes a look at his extraordinary rise to stardom. Taught spin bowling by a friend of his father, Hitu Naik, his first experience of league cricket was with the Luton Town and Indians CC. His raw talent and utter dedication to his craft as a bowler soon saw him signed to Northamptonshire before he had completed his degree at Loughborough. Since his call-up to the England senior squad, Panesar's life has been a whirlwind of headlines and hero worship. The national outcry that met his exclusion from the first two Ashes Tests placed the weight of a despondent England's expectations on his comparatively inexperienced shoulders, but Panesar responded to the pressure with a scorching performance. Famously the first Sikh to represent a nation other than India in Test cricket, Monty credits his religion for his discipline in the nets - and it is this dedication along with his scintillating talent and unique celebration style that have made him a national treasure. He has declared his ambition to be the best, and it would seem that now it truly is time for MONTY'S TURN.
From the author of the #1 bestseller The Man Who Listens to Horses, a book for all of us seeking to strengthen our human relationships "Monty Roberts will make you marvel."—The New York Times Book Review In The Man Who Listens to Horses, Monty Roberts revealed the depth of communication possible between human and horse. Touching the hearts of more than four million readers worldwide, that memoir—which spent more than a year at the top of The New York Times bestseller list—described his discovery of the "language" of horses and the dramatic effectiveness of removing violence from their training. Now, the world's most famous horse gentler demonstrates how his revolutionary Join-Up technique can be used not just for horses, but as a model for how to strengthen human relationships. With vivid, often deeply moving anecdotes, Roberts shows how the lessons learned from the thousands of horses he has known can provide effective guidelines for improving the quality of our communication with one another—from learning to "read" each other effectively, to creative fear-free environments, and, most importantly, teaching belief in the power of gentleness and trust.
Here at last is the book horse lovers have long awaited - a thorough collection of the training techniques and philosophies of Monty Roberts.
Violet-eyed siren Elizabeth Taylor and classically handsome Montgomery Clift were the most gorgeous screen couple of their time. Over two decades of friendship they made, separately and together, some of the era’s defining movies—including Cat on a Hot Tin Roof, The Misfits, Suddenly, Last Summer, and Cleopatra. Yet the relationship between these two figures—one a dazzling, larger-than-life star, the other hugely talented yet fatally troubled—has never truly been explored until now. “Monty, Elizabeth likes me, but she loves you.” —Richard Burton When Elizabeth Taylor was cast opposite Montgomery Clift in A Place in the Sun, he was already a movie idol, with a natural sensitivity that set him apart. At seventeen, Elizabeth was known for her ravishing beauty rather than her talent. Directors treated her like a glamorous prop. But Monty took her seriously, inspiring and encouraging her. In her words, “That’s when I began to act.” To Monty, she was “Bessie Mae,” a name he coined for her earthy, private side. The press clamored for a wedding, convinced this was more than friendship. The truth was even more complex. Monty was drawn to women but sexually attracted to men—a fact that, if made public, would destroy his career. But he found acceptance and kinship with Elizabeth. Her devotion was never clearer than after his devastating car crash near her Hollywood home, when she crawled into the wreckage and saved him from choking. Monty’s accident shattered his face and left him in constant pain. As he sank into alcoholism and addiction, Elizabeth used her power to keep him working. In turn, through scandals and multiple marriages, he was her constant. Their relationship endured until his death in 1966, right before he was to star with her in Reflections in a Golden Eye. His influence continued in her outspoken support for the gay community, especially during the AIDS crisis. Far more than the story of two icons, this is a unique and extraordinary love story that shines new light on both stars, revealing their triumphs, demons—and the loyalty that united them to the end. “Casillo weaves an engrossing story about the intertwined lives of his subjects — the parallel worlds of privilege that they came from, the personal misfortunes that each suffered and the seemingly inextricable path that led to that fateful night. The author approaches them both with sympathy and comes away with a melodrama as good as any that they ever starred in.” —The New York Times “In a riveting new book that brings Hollywood's golden age to life with colorful, well-researched details and interviews with stars who knew Taylor and Clift, Casillo explores the intense bond the two shared.” —People Magazine
Fluorescent Dreams is a story about Jenny who has daydreams for her mental illness. The story is twofold, similar to The Wizard of Oz. The fantasies unfold throughout the novel, separate from a pleasant story of a wife and mother that runs parallel to the fantasies. Jenny Sagal moves her family from Chicago to a quaint town in Kentucky, planning to raise her two boys in an old-fashioned way. Jenny discovers, through daydreaming, that an entity called Ludicrous Lucifer and his Island Voodoo Gang are set to capture Jenny. Part I is set in Krack Krackle, the magical town south of Chicago. Part II changes the setting to a green-door asylum called The Winnipeg Health Hotel. Part III takes place inside the Trans-Home, because Jenny will have to reside there for one year after her release from the asylum owned by Ludicrous Lucifer and his Island Voodoo Gang. Part IV describes a playful, fun day ahead for Jenny. She meets a savant man named Monty, falling in love with him. Jennys final fluorescent dream in Part IV is a bold, sparkling, beautiful dream, leaving the reader to decide if it did come true.
It’s not every day that you get knocked off your moped by a rockstar. When avant-garde artist Evie Winters finds herself contracted to do a sculpture of rock star, Byron Logan, she almost refuses. After all their first meeting was hardly auspicious: a slanging match in a London street after his limo ran her off the road. Byron clearly has issues, but Evie desperately needs the money. And then there’s the minor complication of their chemistry. Despite his outrageous behaviour, Evie finds the wolfishly attractive Byron keeps hitting her hot buttons. Byron isn’t indifferent to Evie either. She may be a pink-haired she-devil, but she happens to be a gorgeous one. And she’s not afraid to stand up to his temper tantrums. With his life in chaos and his mood swings out of control, Byron soon finds that being around Evie makes him feel a whole lot better than the pills his psychiatrist keeps doling out. Thrown together to work on the project in Byron’s stately home hideout in Cornwall, sparks fly as they continually rub each other up the wrong way. But as they spend more time together, something changes: Byron and Evie soon find out that what draws them together goes way deeper than physical attraction. Because when you really get to know the essence of someone, there’s always a chance that hate will turn to love—and that opening up about their pasts could challenge both Evie and Byron to face up to a whole lot more than they bargained for.
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ADDICTION: CUNNING, BAFFLING, & POWERFUL In this gripping debut novel by Andrew Seaward, the lives of three addicts converge following an accidental and horrific death. Monty Miller, a self-destructive, codependent alcoholic, is wracked by an obsession to drink himself to death as punishment for a fatal car accident he didn't cause. Dave Bell, a former all-American track star turned washed-up high school volleyball coach, routinely chauffeurs his bus full of teens on a belly full of liquor and head full of crack. Angie Mallard, a recently divorced housewife with three estranged children, will go to any lengths to restore the family she lost to crystal meth. All three are court-mandated to a secluded drug rehab high in the foothills of the Rocky Mountains. There, they learn the universal truth among alcoholics and addicts: Though they may all be sick...SOME ARE SICKER THAN OTHERS. Based on the author's own personal experience with substance abuse and twelve-step programs, Some Are Sicker Than Others, transcends the cliches of the typical recovery story by exploring the insidiousness of addiction and the harrowing effect it has on not just the afflicted, but everyone it touches. With the harsh realism of Brett Easton Ellis and the dark, confrontational humor of Chuck Palahniuk, Mr. Seaward takes the reader deep inside the psyche of the addict and portrays, in very explicit details, the psychological and physiological effects of withdrawal and the various stages of recovery.
Someone is killing beautiful young women and taking extraordinary risks to carefully pose their painted bodies in public places. The first is bronze, then silver — who will be gold? Detective Sergeant Stevie Hooper, young, hard-edged and newly seconded to the Serious Crime Squad, finds herself haunted by increasingly disturbing flashbacks as the bizarre case unfolds. And, as she closes in on the killer, the carefully drawn line between her professional and personal life becomes increasingly blurred, till she doesn't know who can be trusted. ‘ … a delightful pot pourri of police corruption, injustice, tangled emotions, treachery and misunderstanding on top of the literary murders.' — Mary Martin Bookshop Reviews. ‘An Easeful Death contains more red herrings than the Atlantic Ocean, but Young, … handles it all with some skill. In fact this is a couple of notches above a lot of crime dross the bigger publishers invest in. Hopefully Young will find a ready audience. She deserves it.' — Good Reading.