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Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the 'look' of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational 'James Bond lifestyle'. Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.
Examines the construction of images of masculinity and the effect they have on identity, sexuality and sexual politics. Influences from black and white culture are explored as well as the ironies of class, colour and sexuality.
The book provides a comprehensive history of the third-largest Jewish community in Britain and fills an acknowledged gap in both Jewish and urban historiography. Bringing together the latest research and building on earlier local studies, the book provides an analysis of the special features which shaped the community in Leeds. Organised in three sections, Context, Chronology and Contours, the book demonstrates how Jews have influenced the city and how the city has influenced the community. A small community was transformed by the late Victorian influx of poor migrants from the Russian Empire and within two generations had become successfully integrated into the city’s social and economic structure. More than a dozen authors contribute to this definitive history and the editor provides both an introductory and concluding overview which brings the story up to the present day. The book will be of interest to both historians and general readers.
Beautifully-illustrated and written, this lively, engaging book celebrates the lives of talented individuals who came to the UK and built a sparkling new life here. From Hans Holbein to Marie Tussaud, Mary Seacole to Mo Farah, find out the real stories of people recognizable to children and adults alike, and other quieter individuals, who have shaped our lives from business to food to medicine. Discover how: • Refugee Michael Marks founded Marks & Spencer • Banker Charles Yerkes built the London Underground • Scientist Ernst Chain developed life-saving penicillin • Activist Claudia Jones launched the Notting Hill Carnival Each individual is celebrated with an original illustration and a short biography. Many showed grit to make their mark on Britain after fleeing persecution or war abroad. All achieved their success through talent and hard work. 100 Immigrants Who Made Britain Great is a stirring gift for any teenager curious about how modern Britain came into being. This book is an ideal accompaniment to Good Night Stories for Rebel Girls, 100 Great Black Britons and Amazing Muslims Who Changed the World. Here are the inspirational individuals featured in 100 Immigrants Who Made Britain Great: Ade Adepitan, athlete and TV presenter Alan Yau, restaurateur Alec Issigonis, car designer Alek Wek, model Alf Dubs, politician András Schiff, pianist and conductor Anish Kapoor, sculptor Anna Freud, psychoanalyst Arthur Wharton, footballer Barbara Cooper, RAF officer Bernard Katz, physician Bushra Nasir, headteacher Carlos Acosta, ballet dancer Caroline Herschel, astronomer Charles Kao, physicist and engineer Charles Yerkes, financier Charlotte Auerbach, geneticist Claudia Jones, journalist and activist Claus Moser, statistician Connie Mark, campaigner Deborah Doniach, immunologist Dennis Gabor, physicist and engineer Dietrich Küchemann, engineer Doreen Lawrence, campaigner Edith Bülbring, scientist Emma Orczy, novelist and playwright Erich Reich, entrepreneur Ernst Chain, scientist Ernst Gombrich, author Eugène Rimmel, perfumer Fanny Eaton, model Freddie Mercury, pop singer George Frideric Handel, composer George Weidenfeld, publisher Gina Miller, entrepreneur and activist Graeme Hick, cricketer Hans Holbein, painter Hans Krebs, scientist Harry Gordon Selfridge, retailer Henry Wellcome, scientist Ida Copeland, politician Ida Freund, academic Ira Aldridge, actor and playwright Iris Murdoch, novelist Isaiah Berlin, philosopher Jacob Epstein, sculptor Jimi Hendrix, musician Joan Armatrading, musician Johanna Weber, engineer John Barnes, footballer John Edmonstone, footballer Joseph Conrad, author Joseph Rotblat, physicist Judith Kerr, author Karan Bilimoria, entrepreneur Karel Kuttelwascher, fighter pilot Krystyna Skarbek, wartime spy Kylie Minogue, pop singer Lew Grade, broadcaster Lucian Freud, painter Ludwig Goldscheider, publisher Ludwig Guttmann, neurologist Magdi Yacoub, heart surgeon Malala Yousafzai, campaigner Marc Isambard Brunel, engineer Margaret Busby, publisher and editor Marie Tussaud, entrepreneur Mary Prince, campaigner Mary Seacole, nurse Maureen Dunlop de Popp, pilot Michael Marks, retailer Mo Farah, athlete Mona Hatoum, artist Montague Burton, retailer Moses Montefiore, banker Nasser Hussain, cricketer Oscar Nemon, scupltor Parveen Kumar, doctor Peter Porter, poet Prince Albert, royal consort Raheem Sterling, footballer Richard Rogers, architect Sake Dean Mahomed, surgeon Shanta Pathak, entrepreneur Sislin Fay Allen, police officer Solly Zuckerman, military adviser Stelios Haji-Ioannou, entrepreneur Steve Shirley, entrepreneur Stuart Hall, academic TS Eliot, poet Tessa Sanderson, athlete Trevor McDonald, newscaster Valerie Amos, lawyer and politician Venkatraman Ramakrishnan, biologist Vera Atkins, wartime spy Violette Szabo, wartime spy William Butement, scientist Yasmin Qureshi, politician and barrister Yvonne Thompson, entrepreneur Zaha Hadid, architect The introduction is by Bonnie Greer, the Chicago-born playwright and cultural commentator. Buy the book to see what she says about the contribution of immigrants to the UK
This spine-tingling novel has more than enough fear factor for the most ardent fan of scary stories. Uncle Montague lives alone in a big house, but regular visits from his nephew, Edgar, give him the opportunity to recount some of the frightening stories he knows. As each tale unfolds, an eerie pattern emerges of young lives gone awry in the most terrifying of ways. Young Edgar begins to wonder just how Uncle Montague knows all these ghastly tales. This clever collection of stories-within-a-story is perfectly matched with darkly witty illustrations by David Roberts. Look for the other spine-tingling book in Chris Priestley's Tales of Terror series, Tales of Terror from the Black Ship!
Ordinary clothes have extraordinary stories. In contrast to academic and curatorial focus on the spectacular and the luxurious, Everyday Fashion makes the case that your grandmother's wardrobe is an archive as interesting and important as any museum store. From the moment we wake and get dressed in the morning until we get undressed again in the evening, fashion is a central medium through which we experience the world and negotiate our place within it. Because of this, the ways that supposedly 'ordinary' and 'everyday' fashion objects have been designed, manufactured, worn, cared for, and remembered matters deeply to our historical understanding. Beginning at 1550 – the start of an era during which the word 'fashion' came to mean stylistic change rather than the act of making – each chapter explores the definition of everyday fashion and how this has changed over time, demonstrating innovative methodologies for researching the everyday. The variety and significance of everyday fashion cultures are further highlighted by a series of illustrated object biographies written by Britain's leading fashion curators, showcasing the rich diversity of everyday fashion in British museum collections. Collectively, this volume scratches below the glossy surface of fashion to expose the mechanics of fashion business, the hidden world of the workroom and the diversity and role of makers; and the experiences of consuming, wearing, and caring for ordinary clothes in the United Kingdom from the 16th century to the present day. In doing so it challenges readers to rethink how fashion systems evolve and to reassess the boundaries between fashion and dress scholarship.