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"The stuff of nightmares, monsters have haunted the human psyche for millennia, cropping up in all cultures through our stories and myths, in three-dimensional and graphic representations. This hold has not diminished as newer technologies keep evolving to visually render them faster and with increased nuance for a variety of applications from games and animation to film characters. Monsters of the Imagination looks at this legacy through the diverse work of 30 world-renowned creature designers who share their inspiration, choice of materials and techniques with the readers. The chapters include Digital Painting, Traditional Hand Drawing, 3D Modeling and Rendering, and Sculpture. Embrace the horror"--Publisher's description
Sketching from the Imagination: Monsters & Creatures showcases sketches and insights by fifty artists from the field of creature design.
In 1726, an illiterate woman from Surrey named Mary Toft announced that she had given birth to 17 rabbits. This study recreates the story of this incident and shows how it illuminates 18th-century beliefs about the power of imagination and the problems of personal identity.
Fantasy has its roots in reality A magical realm awaits you—an enchanted world of imaginary beings to inspire a treasure of your own extraordinary drawings and paintings. And your journey begins, oddly enough, with the ordinary things that surround you every day. With Creating Creatures of Fantasy and Imagination, discover how to use your own photographs and other true-life inspiration to make fanciful artwork that beautifully transcends reality. Best-selling author Claudia Nice shows you how to build upon real-life references to draw and paint countless creatures from your imagination, including: faeries and sprites elves, brownies, dwarfs and gnomes trolls, ogres, goblins and gremlins dragons, sea monsters and sea serpents centaurs, fauns, satyrs, mermaids and mermen unicorns, Pegasus, phoenixes and griffins Inside this invaluable guide you'll find complete step-by-step instruction and many captivating examples in pen and ink, watercolor and acrylic, plus the legend behind each mythological creature. Let this book be your entry to the realm of fantasy, where the only limit is your imagination!
What woeful maternal fancy produced such a monster? This was once the question asked when a deformed infant was born. From classical antiquity through to the Enlightenment, the monstrous child bore witness to the fearsome power of the mother's imagination. What such a notion meant and how it reappeared, transformed, in the Romantic period are the questions explored in this book, a study of theories linking imagination, art and monstrous progeny.
This edited collection explores the axis where monstrosity and borderlands meet to reflect the tensions, apprehensions, and excitement over the radical changes of the early modern era. The book investigates the monstrous as it acts in liminal spaces in the Renaissance and the era of Enlightenment. Zones of interaction include chronological change – from the early New World encounters through the seventeenth century – and cultural and scientific changes, in the margins between national boundaries, and also cultural and intellectual boundaries.
Millennial Monsters explores the global popularity of Japanese consumer culture--including manga (comic books), anime (animation), video games, and toys--and questions the make-up of fantasies nand capitalism that have spurred the industry's growth.
An inspiring collection of drawings and articles exploring the sketchbooks and artistic practices of 50 talented character artists.
This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition Fairy Tales, Monsters, and the Genetic Imagination, which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology, folklore, and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context, linking the visual fabulists of today to artists of the Romantic, Symbolist, and Surrealist periods who sought to transcend oppositions such as rationality and intuition, fear and desire, the physical and the spiritual. Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life, Jack Zipes's "Fairy-Tale Collisions" centers on Paula Rego, Kiki Smith, and Cindy Sherman. From a generation of women who have attained prominence since the 1980s, these artists alter fairy-tale imagery to subvert or rewrite social roles and codes. In "Metamorphosis of the Monstrous," Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity, bestiality, or sinfulness. Her reminder that contemporary monster images offer "a promise and a warning about the variety, heterogeneity, and possible combinations and recombinations in the order of things" sets the stage for Suzanne Anker's essay, punningly titled "The Extant Vamp (or the) Ire of It All: Fairy Tales and Genetic Engineering." Considering representations of hybrid bodies by Patricia Piccinini, Janaina Tschape, Saya Woolfalk, and others, which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future, Anker shows how artists explore the social, ethical, and future implications of biological design and enhanced evolution. Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights, the essays in Fairy Tales, Monsters, and the Genetic Imagination explore the meaning of this fabulist revival through the lenses of social and art history, literature, feminism, animal studies, and science.