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Romp along with parent and child yetis, werewolves, giant lizards, and more as they stir up some monster-sized fun! Readers big and small, young and old, wild and tame, will roar with laughter and take this book by the horns, teeth, and fur...discovering that monsters and humans aren't so different—especially in the ways they love each other. Plus, this is the fixed-format version, which looks almost identical to the print edition!
Bradley Fentriss keeps an account of life with his loving, if somewhat unusual father.
In a powerful debut novel author Rahela Nayebzadah introduces three unforgettable characters, Beh, Shabnam and Alif. In a world swirling with secrets, racism and a touch of magic we watch through the eyes of these three children as Nayebzadah's family of Afghan immigrants try to find their way in an often uncaring society. But as a sexual assault on thirteen-year-old Beh unleashes the past and destroys the family the reader is left wondering who is the monster child? Is it Beh, who says she is called a disease? Is it Shabnam, who cries tears of blood? Is it Alif, who in the end declares We are a family of monsters? Or are the monsters all around us?
Two hundred years ago, Christopher planted an enchanted rose which began Fairyland Old, in the age when fairies ruled the entire magical realm in harmony with the creatures of the woods and the monsters who dwelled there. That is, until the greed of the monsters drove the fairies to banish them, in which the lands were divided to become Fairyland and Monsterland. Now Kay and Rob, two adventurous friends, make their way into the forest and eat magical berries that whisk them away to the wondrous world. But, why are they there? What is the purpose? They soon uncover the deep secrets of the land hidden within the pages of two ancient books; the Book of Fairies and the Book of Monsters. Yet one book remains, the Lost Book, which fell away and was thought to be gone forever. But, who has the Lost Book? What awaits within it? Kay and Rob question this and more. What power does the precious Rainbow Crystal hold and even more importantly, who is the famed Christopher that the books foretell of? Answers are found through a journey of self discovery by the children and the simple act of believing in themselves and others leads them to the truth.
Large Print�s increased font size and wider line spacing maximizes reading legibility, and has been proven to advance comprehension, improve fluency, reduce eye fatigue, and boost engagement in young readers of all abilities, especially struggling, reluctant, and striving readers.
Perhaps because of the wisdom received from our Romantic forbears about the purity of the child, depictions of children as monsters have held a tremendous fascination for film audiences for decades. Numerous social factors have influenced the popularity and longevity of the monster-child trope but its appeal is also rooted in the dual concepts of the child-like (innocent, angelic) and the childish (selfish, mischievous). This collection of fresh essays discusses the representation of monstrous children in popular cinema since the 1950s, with a focus on the relationship between monstrosity and "childness," a term whose implications the contributors explore.
Let your imagination feed on itself as a Brick Monster comes to live under the sidewalk of a seaside resort. He has anti-social eating habits, bad breath, is thrown out by his parents and at the tender age of 58 has to fend for himself. The Brick Monster finds new friends, eats a Mermaid, and then falls in love. Author Harry Pope brings together a range of characters, situations and humour that children and adults will find enjoyable
There are six of them: heroines, heroes, wise elders, mad scientists, servants and monsters. One of the most fascinating and also endearing aspects of horror films is how they use these six clearly defined character types to portray good and evil. This was particularly true of the classics of the genre, where actors often appeared in the same type of role in many different films. The development of the archetypal characters reflected the way the genre reacted to social changes of the time. As the Great Depression yielded to the uncertainty of World War II, flawed but noble mad scientists such as Henry Frankenstein gave way to Dr. Nieman (The Ghost of Frankenstein) with his dreams of revenge and world conquest. This work details the development of the six archetypes in horror films and how they were portrayed in the many classics of the 1930s and 1940s.
Although he is most remembered for his vast collection of science fiction memorabilia; his influential magazine, Famous Monsters of Filmland; and his frequent sci-fi convention appearances, Forrest J Ackerman (1916-2008) also left a sizeable body of work in print. An introductory biographical section traces Ackerman's early enthusiasm for pulp magazines and film productions of a fantastic nature, his rise to prominence in "fandom," his acquisition of memorabilia, his work as a literary agent, the founding of his landmark magazine in 1958, and his friendship with a number of performers and personnel from genre films. The extensive bibliography includes listings of books, published letters, articles, fiction, verse, speeches, screenplays, comics, discography, liner notes, and periodicals edited and published by Ackerman. A thorough filmography, a selected listing of nationally televised appearances, and rare photographs of Ackerman throughout his lifetime complete this definitive catalog of one of science fiction's most interesting personalities.
A companion to the original Vulnerable Populations, the second volume focuses on treatment initiatives that address therapy and reeducation for both abusers and the victims of sexual abuse. Composed of four sections, Vulnerable Populations brings into focus the various treatment initiatives available surrounding sexual abuse of our most vulnerable populations, children and the mentally disabled. Vulnerable Populations focuses on: the treatment of sexually abused children and adolescents, work with adult survivors of sexual abuse, the sexual victimization of persons with mental retardation, and the treatment of sexual offenders.