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Villain Cynthia Cyber has trapped The Gamer's friends in her dangerous Power Combat video game, so if he can not rescue his friends in just ten minutes, they will be stuck in the electronic world forever as monsters.
Most people don't believe in monsters, but you know the truth. They're real, and it's your task to bring them down. This revised edition of Monster of the Week brings that adventure to life.Monster of the Week is a standalone action-horror RPG for 3-5 people. Hunt high school beasties a la Buffy the Vampire Slayer, travel the country to bring down unnatural creatures like the Winchester brothers of Supernatural, or head up the government investigation like Mulder and Scully.This book contains everything you need to tackle Bigfoot, collar a chupacabra, and drive away demons. In this revised edition, you'll find:
Nominated for the 2019 Will Eisner Comic Industry Award for Best Comics-Related Book More than one hundred of the strangest sidekicks in comics history, complete with backstories, vintage art, and colorful commentary. This collection affectionately spotlights forgotten helpers like Thunderfoot (explosive-soled assistant to the Human Bomb), super-pets like Frosting (polar bear pal of space hero Norge Benson), fan favorites like Rick Jones (sidekick to half of the Marvel Universe), and obscure partners of iconic heroes (Superman Junior's career barely got off the ground). Included are pernicious profiles of henchmen and minions, the sidekicks of the supervillain world. Casual comics readers and diehard enthusiasts alike will relish the hilarious commentary and vintage art from obscure old comics.
Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book—based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers—opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money. So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves—and thanks to a skewed moral universe that he and thousands of others readily inhabited. We see Jefferson taking out a slave-equity line of credit with a Dutch bank to finance the building of Monticello and deftly creating smoke screens when visitors are dismayed by his apparent endorsement of a system they thought he'd vowed to overturn. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Parents are divided from children—in his ledgers they are recast as money—while he composes theories that obscure the dynamics of what some of his friends call "a vile commerce." Many people of Jefferson's time saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?
Judith Taylor Gold challenges traditional views that trace the source of Christian anti-Semitism to the presentation of Jews in the first four books of the New Testament. She contends that the unflattering depiction of Jews in the gospels and other Christian writings is the result—not the cause—of Christian anti-Semitism. Traversing widely ranging subjects such as pre-Christian religion, New and Old Testament scripture, horror literature, incest and pornography, she invokes an imperative "exchange of dialectics" between the unconscious mind and the hidden content of the Christ story as the birthplace of Christian anti-Semitism.
An authoritative, modernized edition of the complete works of the great Elizabethan dramatist offers the complete texts of every comedy, tragedy, and history play, along with key facts about each work, a plot summary, major roles, sources, textual history, glossaries, and other helpful textual notes.