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The greatest talents from around the world come together to show you how much fun creating comics can be! Monster Massacre is an exciting new graphic anthology series for fans of science fiction, fantasy, bit monsters and all-out adventure! ItÕs also an introduction to a WhoÕs Who of comics talent: past, present and future! From all around the world, the greatest comic talents are given full and free rein to explore the universe, in all its monstrous beauty, horror and excitement! No matter your tastes in science fiction and fantasy, youÕll find something here to love.
This second and stunning anthology unleashes a wave of top-flight Asian comic creators Ð each running rampant through their dark imaginations! Monster Massacre is an exciting new graphic anthology series for fans of science fiction, fantasy, big monsters and all-out adventure! Jaw-dropping oversized pages showcase astounding new stories from the best creators in comics from all over the world. In this thrilling second volume, the greatest Asian pop culture talents Ð from Singapore, Indonesia, Hong Kong, Korea and Japan Ð give free rein to their imaginations in this massive creator-owned testament to Mayhem, Mischief and Monsters!
The swamp belongs to them. Humans are only prey. Deep in the overgrown swamps of Florida, where humans rarely dare to enter, lives a race of creatures long thought to be only the stuff of legend. They walk upright but are stronger, taller and more brutal than any man. And when a small boat of tourists, held captive by a fleeing criminal, accidentally kills one of the swamp dwellers' young, the creatures are filled with a terrifyingly human emotion-a merciless lust for vengeance that will paint the trees red with blood.
A very natural and honest version of life's events from the perspective of a young girl - from her suspicions about her neighbours, to her rocky friendship with the girl next door; from the sudden death of her beloved granny to her relentless quest for a pet hamster, only to then find it mysteriously slaughtered - which kickstarts a local investigation of 'suspects'.
Parasites and perverts: an introduction to gothic monstrosity -- Making monsters: Mary Shelley's Frankenstein -- Gothic surface, gothic depth: the subject of secrecy in Stevenson and Wilde -- Technologies of monstrosity: Bram Stoker's Dracula -- Reading counterclockwise: paranoid gothic or gothic paranoia? -- Bodies that splatter: queers and chain saws -- Skinflick: posthuman genderin Jonathan Demme's The silence of the lambs -- Conclusion: serial killing.
In the nonfiction tradition of John Berendt and Erik Larson, the author of the #1 NYT bestseller The Lost City of the Monkey God presents a gripping account of crime and punishment in the lush hills surrounding Florence as he seeks to uncover one of the most infamous figures in Italian history. In 2000, Douglas Preston fulfilled a dream to move his family to Italy. Then he discovered that the olive grove in front of their 14th century farmhouse had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known as the Monster of Florence. Preston, intrigued, meets Italian investigative journalist Mario Spezi to learn more. This is the true story of their search for--and identification of--the man they believe committed the crimes, and their chilling interview with him. And then, in a strange twist of fate, Preston and Spezi themselves become targets of the police investigation. Preston has his phone tapped, is interrogated, and told to leave the country. Spezi fares worse: he is thrown into Italy's grim Capanne prison, accused of being the Monster of Florence himself. Like one of Preston's thrillers, The Monster of Florence, tells a remarkable and harrowing story involving murder, mutilation, and suicide-and at the center of it, Preston and Spezi, caught in a bizarre prosecutorial vendetta.
An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.
On September 26, 2014, 43 male students from the Ayotzinapa Rural Teachers' College went missing in Iguala, Guerrero, Mexico. On route to a protest, local police intercepted the students and a confrontation ensued. By the morning, they had disappeared without a trace. Hernández reconstructs almost minute-by-minute the events of those nights in late September 2014, giving us what is surely the most complete picture available: her sources are unparalleled, since she has secured access to internal government documents that have not been made public, and to video surveillance footage the government has tried to hide and destroy. Hernández demolishes the Mexican state’s official version, which the Peña Nieto government cynically dubbed the “historic truth”. As her research shows, state officials at all levels, from police and prosecutors to the upper echelons of the PRI administration, conspired to put together a fake case, concealing or manipulating evidence, and arresting and torturing dozens of “suspects” who then obliged with full “confessions” that matched the official lie. By following the role of the various Mexican state agencies through the events in such remarkable detail, Massacre in Mexico shows with exacting precision who is responsible for which component of this monumental crime.