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Using a tissue sample she believes is from one of her father's experiments in genetic engineering, Frankie accidentally creates a baby monster, which begins to grow at an alarming rate.
In The Monster in the Garden, Luke Morgan develops a new conceptual model of Renaissance landscape design, arguing that the monster was a key figure in Renaissance culture and that the incorporation of the monstrous into gardens was not incidental but an essential feature.
Patrick is worried about his first day of monstergarten. Everyone knows you have to be SCARY in monstergarten. Patrick's friend, Kevin, offers to show Patrick how to be scary – they roar, they sneak up on people, they bare their teeth. But Patrick still isn't ready. His parents tell him to just be himself. But what if he's not scary ENOUGH?
The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. Based on the novel by Vivien Alcock, this play tells the story of Frankie Stein and her jelly cultivation experiments.
There once was a white cat and a black cat, who were never far apart. They spent all their days playing together in the grass, in the mud, or among the colorful trees. They would stop by the river and watch the sunset. Although they loved each other very much, they were very different; while the white cat was admired for her beauty, the black cat was ignored. The gorgeous art captivates readers throughout and color-splashed black and white brush stroke illustrations also show the dynamic sense of movement on each page. Told in simple sentences, White Cat, Black Cat is a story about the best of friends, who love, cherish, and each admires the qualities in the other that set them apart.
A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".
This Broadview Edition of Robert Greene’s Selimus is the first single-volume, modernized edition of this underrated dramatic gem in over a century. First published in 1594, the play grippingly stages the bloody fratricidal warfare inaugurating the reign of Selim I (1512-20) as emperor of the Ottoman Empire. Contributing to the expansion of the range of readily available non-Shakespearean early modern English plays, the edition is designed for scholars and students alike, in the study, classroom, or theatre. The critically edited text of the play is accompanied by a full introduction, comprehensive annotations, and ample contextual material from the early modern period, including Greene’s pamphlet Greene’s Groatsworth of Wit.
Patrick hears a funny noise in the garden.
Since the birth of the Yinyang Continent, the two races of Yin and Yang had been born and bred. The Yang Race possessed the attribute of 'goodness', and possessed all sorts of superpowers to defend their 'goodness'. The attribute of the Yin Clan was' evil '. Demons, demons, ghosts, and other creatures belonged to it. They wanted to enslave the Yang Clan and control the entire continent. A youth who had comprehended 'creating from nothing' from the 'Classic of Virtue' was not tolerated by the current Heavenly Dao and had his body destroyed. His soul, by chance and coincidence, was taken in by the Yinyang Continent and reborn into the body of an ordinary Yang Clan youth. None: "The Yang race is good, forsaken by the Evil God; the Yin race is evil, born of the Good God. Tell me what is evil and what is good? " Close]