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In The Perraults, Oded Rabinovitch takes the fascinating eponymous literary and scientific family as an entry point into the complex and rapidly changing world of early modern France. Today, the Perraults are best remembered for their canonical fairy tales, such as "Cinderella" and "Puss in Boots," most often attributed to Charles Perrault, one of the brothers. While the writing of fairy tales may seem a frivolous enterprise, it was, in fact, linked to the cultural revolution of the seventeenth century, which paved the way for the scientific revolution, the rise of "national literatures," and the early Enlightenment. Rabinovitch argues that kinship networks played a crucial, yet unexamined, role in shaping the cultural and intellectual ferment of the day, which in turn shaped kinship and the social history of the family. Through skillful reconstruction of the Perraults’ careers and networks, Rabinovitch portrays the world of letters as a means of social mobility. He complicates our understanding of prominent institutions, such as the Academy of Sciences, Versailles, and the salons, as well as the very notions of authorship and court capitalism. The Perraults shows us that institutions were not simply rigid entities, embodying or defining intellectual or literary styles such as Cartesianism, empiricism, or the purity of the French language. Rather, they emerge as nodes that connect actors, intellectual projects, family strategies, and practices of writing.
Byron was an English poet and a leading figure in the Romantic movement. Among Byron's best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage and the short lyric She Walks in Beauty. Byron is regarded as one of the greatest British poets, and remains widely read and influential. He travelled widely across Europe, especially in Italy where he lived for seven years. Later in life, Byron joined the Greek War of Independence fighting the Ottoman Empire, for which many Greeks revere him as a national hero. He died one year later at age 36 from a fever contracted while in Messolonghi in Greece. Often described as the most flamboyant and notorious of the major Romantics, Byron was both celebrated and castigated in life for his aristocratic excesses, including huge debts, numerous love affairs with people of both sexes, rumours of a scandalous liaison with his half-sister, and self-imposed exile.
This entertaining novel’s full title, which claims that it will show “All the Artifices and Strategems which the Ladies of Pleasure make use of for the Intreaguing and Decoying of Men,” suggests that it is a cautionary tale. And in fact, The London Jilt is presented as the memoir of a courtesan by an anonymous editor who justifies its publication as a warning to young men. Yet the narrative is remarkable for its time in allowing the “jilt” to speak for herself, and she tells the much more sympathetic story of a woman who turns to prostitution only after her father is cheated out of his estate and she is thrust into the world without resources. Her struggles are as much economic as they are sexual, and include encounters with a wide variety of amorous but unsatisfactory men. This Broadview edition provides a critical introduction, commentary, explanatory notes, and appendices that incorporate selections from related contemporary works, including Spanish picaresque novels in which the narrator is a woman.
An account of the origins and development of literary criticism in the turbulent seventeenth- and eighteenth-century print marketplace.
This book is an extensive investigation of letters and letter writing across two centuries, focusing on the sociocultural function and meaning of epistolary writing - letters that were circulated, were intended to circulate, or were perceived to circulate within the culture of epistolarity in early modern England. The study examines how the letter functioned in a variety of social contexts, yet also assesses what the letter meant as idea to early modern letter writers, investigating letters in both manuscript and print contexts. It begins with an overview of the culture of epistolarity, examines the material components of letter exchange, investigates how emotion was persuasively textualized in the letter, considers the transmission of news and intelligence, and examines the publication of letters as propaganda and as collections of moral-didactic, personal, and state letters. Gary Schneider is an Assistant Professor in the Department of English at the University of Texas-Pan American.
Poems Original and Translated is a collection of poems written by Lord Byron. Byron was an English poet and a leading figure in the Romantic movement. Among Byron's best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage and the short lyric She Walks in Beauty. Byron is regarded as one of the greatest British poets, and remains widely read and influential. He travelled widely across Europe, especially in Italy where he lived for seven years. Later in life, Byron joined the Greek War of Independence fighting the Ottoman Empire, for which many Greeks revere him as a national hero. He died one year later at age 36 from a fever contracted while in Messolonghi in Greece. Often described as the most flamboyant and notorious of the major Romantics, Byron was both celebrated and castigated in life for his aristocratic excesses, including huge debts, numerous love affairs with people of both sexes, rumours of a scandalous liaison with his half-sister, and self-imposed exile.