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In a small village in northern France, Monsieur Ouine, a retired professor, is taken in by the dull local squire, Anthelme de Näräis, and soon rules the life of both Anthelme and his wife, Ginette. A fourteen-year-old fatherless boy, Philippe Dorval, flees home and, on impulse, follows Madame de Näräis to her chÛteau. There the squire, who is dying, tells the boy that his father is actually alive and well?that despite what Philippe?s mother had told him, his father had not died in World War I. The forsaken boy finds himself on that fatal evening succumbing to Monsieur Ouine?s embrace after falling into a drunken sleep in the old professor?s bed. The events of the tempestuous night lead to upheaval in the village the next morning, when, at dawn, a boy?s body is found afloat in a stream near the chÛteau.
The impact of the First World War on European society and the rise of Communism and Fascism are important subjects that concern all students of recent history. The object of this book is to study these themes through the careers of three French writers: Henri Barbusse, Drieu la Rochelle and Georges Bernanos. Each of these writers served in the war and was subsequently attracted towards Communism or Fascism. Barbusse first achieved fame through his anti-war novel Le Feu, but in the years after 1918 he made a new career for himself as a rallying point for Communist sympathizers amongst the French intellectuals. After becoming one of the most intelligent and sophisticated advocates of Fascism in the 1930s, Drieu la Rochelle opted for a policy of collaboration with the Germans in 1940 and committed suicide in 1945. Bernanos moved to a position very close to Fascism in the 1930s, but his experiences in the Spanish Civil War, experiences that he so memorably described in Les grands cimeliires sous la lune, made him devote the remaining years of his life to an attack on all forms of totalitarianism.
Michael Tobin's study is part literary criticism, part biography. Tobin follows Bernanos and his family from France to Spain during the Civil War and then to Brazil and North Africa. He also provides a thematic synthesis of Bernanos' novels and his extensive body of non-fiction, demonstrating that one fundamental theological truth - the Incarnation of God in Jesus Christ - was the the unifying factor of Bernanos's entangled political and social criticism and the engine of his creative imagination.
Silence is not simply the absence of noise. It is within us, in the inner citadel that great writers, thinkers, scholars and people of faith have cultivated over the centuries. It characterizes our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process that is changing the very nature of the individual. This book rediscovers the wonder of silence and, with this, a richer experience of life. With his predilection for the elusive, Corbin calls us to listen to another history.
This book is a double-treat: it combines the genius of the towering theologian Hans Urs von Balthasar and his ability to make his subject come alive before the reader, along with the focus of that genius on someone with the spiritual depth and creative stature of Georges Bernanos, considered by many to be the greatest Catholic creative writer of the twentieth century. The goal of this book is to simply convey what Bernanos wanted to say as the devout Christian that he was. Bernanos was a deeply prayerful, practicing sacramental Catholic whose profound love for the Church made everything he created or wrote an "ecclesial existence that has been given form: existence derived not merely from an abstract, individual faith but from the faith of the Church." With judicious quoting of the primary source and careful juxtaposing of texts and commentary, Balthasar provides a unique forum from which Bernanos can speak to the reader in a way that he can be clearly heard and genuinely understood.
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
This book describes the challenge to traditional Christian beliefs that was inherent in the very concept of literary Realism and presents the Catholic novel as a series of conscious readaptations of Realist techniques and models. Authors studied include Flaubert, Bernanos and Mauriac.
Kierkegaard claimed that the gods created man because they were bored, and Baudelaire predicted that the "delicate monster" of boredom would one day swallow up the whole world in an immense yawn. Between these two statements lies the undefined expanse of ennui, whose manifestations in European literature form the fascinating subject of this book. Reinhard Kuhn's aim is to define the demon of noontide, to learn how writers through the ages have treated it, and to discover what it indicates about the nature of the creative act. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this wide-ranging and ambitious volume, Robert Royal, a prominent participant for many years in debates about religion and contemporary life, offers a comprehensive and balanced appraisal of the Catholic intellectual tradition in the twentieth century. The Catholic Church values both Faith and Reason, and Catholicism has given risen to extraordinary ideas and whole schools of remarkable thought, not just in the distant past but throughout the troubled decades of the twentieth century. Royal presents in a single volume a sweeping but readable account of how Catholic thinking developed in philosophy, theology, Scripture studies, culture, literature, and much more in the twentieth century. This involves great figures, recognized as such both inside and outside the Church, such as Jacques Maritain, Bernard Lonergan, Joseph Pieper, Edith Stein, Alasdair MacIntyre, Charles Taylor, Romano Guardini, Karl Rahner, Henri du Lubac, Karol Wojtyla, Joseph Ratzinger, Hans Urs von Balthasar,Charles Peguy, Paul Claudel, George Bernanos, Francois Mauriac, G. K. Chesterton, Gerard Manley Hopkins, Christopher Dawson, Graham Greene, Sigrid Undset, J. R. R. Tolkien, Czeslaw Milosz, and many more. Royal argues that without rigorous thought, Catholicism – however welcoming and nourishing it might be – would become something like a doctor with a good bedside manner, but who knows little medicine. It has always been the aspiration of the Catholic tradition to unite emotion and intellect, action and contemplation. But unless we know what the tradition has already produced – especially in the work of the great figures of the recent past – we will not be able to answer the challenges that the modern world poses, or even properly recognize the true questions we face. This is a reflective, non-polemical work that brings together various strands of Catholic thought in the twentieth century. A comprehensive guide to the recent past - and the future.